Pictures of the NEHW at the Foxboro Jaycees Craft Fair

The NEHW banner strung between our two tents. Photo by Jason Harris.

Author Stacey Longo writing out all the names of the authors appearing at the craft show

Author Stacey Longo writing out all the names of the authors appearing at the craft show. Photo by Jason Harris.

Epitaphs and The Soul Collector displayed at the Foxboro craft show. Photo by Jason Harris.

Epitaphs and The Soul Collector displayed at the Foxboro craft show. Photo by Jason Harris.

Authors Scott Goudsward, Morven Westfield, and Tracy L. Carbone.

Authors Scott Goudsward, Morven Westfield, and Tracy L. Carbone. Photo by Jason Harris.

The NEHW at the Foxboro Jaycees craft show.

NEHW member Sarah Gomes checking her cellphone during the craft fair. Photo by Jason Harris.

NEHW member Sarah Gomes checking her cellphone during the craft fair. Photo by Jason Harris.

Shock Totem magazine displayed at the Foxboro craft fair. Photo by Jason Harris.

Shock Totem magazine displayed at the Foxboro craft fair. Photo by Jason Harris.

Author Scott Goudsward chokes author David Price after his latest book sale while author Tracy L. Carbone looks on. Photo by Jason Harris.

Author Scott Goudsward chokes author David Price after his latest book sale while author Tracy L. Carbone looks on. Photo by Jason Harris.

Author Stacey Longo is mad that Scott got to David first. Photo by Jason Harris.

Author Stacey Longo is mad that Scott got to David first. Photo by Jason Harris.

NEHW table at the Foxboro craft fair.

 

 

Authors Beware of Unscrupulous Publishers

Authors Beware of Unscrupulous Publishers

by Jason Harris

Recently, I found out about the experience of two authors who submitted stories to the same editor and had their stories butchered. One of these authors, Alyn Day, is a member of the New England Horror Writers. Here is Day’s blog entry, http://alyndayofthedead.blogspot.ca/2012/05/suffering-in-silence.html?zx=e7bf7a141b1b1d6b. Author Mandy DeGeit’s account of her experience can be found here, http://mandydegeit.wordpress.com/2012/05/14/when-publishing-goes-wrong-starring-undead-press/.

All new authors should read these posts so they will be cautious when finding a publisher for their work. These two authors didn’t do anything wrong. They were excited to be published and to see their name in print. I understand that feeling. As a journalist, I like seeing my name on an article so I know how these new authors felt when they found out their stories were going to be published.

All authors, new and old, should always find out about a publisher before submitting something to them. By Googling them, you will definitely find out about any kind of problem or horror story about them.

Publishers and editors should know what the word “edit” means. Editing means revising or correcting a manuscript. Basically, an editor is there to smooth out a story, make sure all punctuation and spelling is correct and to make sure the story makes sense and all facts are correct. Editing doesn’t mean adding something or deleting something that changes the stories meaning. And if an editor wants to add or change something then they should be contacting the author to find out if they approve of these additions or deletions.

These two blog posts show an unscrupulous practice a publisher has decided to perform so authors do your research because there are probably more than one shady company doing business out there.

 

 

 

Experiencing ‘Some Guy Who Kills People’

Experiencing Some Guy Who Kills People

by Jason Harris

Some Guy Who Kills People movie poster

Recently, I received a copy of the movie, Some Guy Who Kills People. I wasn’t expecting much with a b-movie title like that, but I was pleasantly surprised. The movie is about Ken Boyd portrayed by Kevin Corrigan (The Dictator, The Departed, TV series Fringe and Grounded for Life). Boyd was recently released from Cotton Valley State Hospital, a loony bin, after trying to commit suicide. After leaving the hospital, he returns home to live with his overbearing mother, Ruth, portrayed by Karen Black.

Black tells him as she takes a knife out of his hand that “7 in 10 people try to commit suicide twice.” She replaces the knife with a spoon and says to him, “if you are going to off yourself, you are going to have to earn it.” This is just one instance that could nominate Ruth for the Mother of the Year award.

Ken isn’t only treated badly at home; he gets the same treatment at his job, scooping ice cream, and walking around town. It’s no wonder he wants revenge on the people who caused him problems throughout his life. Everybody who has ever been bullied can feel a little bit of happiness when Ken gets his revenge.

This movie also contains a feeling of family, which I never thought possible in this movie. This sense of family comes about when Ken finds out he has a 9-year-old daughter and she moves in with him and her grandmother for awhile to get to know her father.

Some Guy Who Kills People writer Ryan Levin, whose credits includes an episode of Scrubs, the television series he is a production assistant on, brings as much comedy as he brings violence to Ken’s victims. For instance, the movie’s town sheriff portrayed by Barry Bostwick eats popcorn at a Drive-in movie theater crime scene as he says, “You don’t cut off a man’s head unless you are one angry fella.”

The movie is directed by Jack Perez, who has written an episode of Hercules: The Legendary Journeys and the movies Wild Things 2, Monster Island, and Unauthorized Brady Bunch: The Final Days.

The movie has locked up a U.S. Distributor and a release date hasn’t been finalized yet, Levin said.

When this movie is released, you should definitely take a chance to see it. You won’t be disappointed.

Experience ‘The Cabin in the Woods’ this Weekend

Experience The Cabin in the Woods this Weekend

by Jason Harris

It has been two years since the little mutant in the Mutant Enemy logo graced a screen, the small screen. It’s back and it’s on the big screen, which is great to see. From the moment The Cabin in the Woods starts, it doesn’t begin like a typical horror movie with the introduction of the potential victims the protagonists.

This movie begins like it does because it is written by Joss Whedon, creator of the television series Buffy the Vampire Slayer, Angel, Dollhouse, and Firefly and Drew Goddard, who wrote for both Buffy and Angel. They threw out the rule book because they don’t follow the rules. They want to be original. Whedon and Goddard fans know this.

The movie starts with Richard Jenkins (Six Feet Under) and Bradley Whitford (The West Wing) in an underground location just having a conversation about consequences and a certain “scenario.” They could be two business men or friends just talking until Whedon alum Amy Acker (Angel, Dollhouse) shows up in her lab coat. I think Acker has kept the same wardrobe from her days on Angel and Dollhouse. The audience has no clue what is going on. After Acker appears on screen, it opens up numerous possibilities that these three characters are working at a research lab, at a government agency, or any other possibility that could cross a person’s mind. This question is eventually answered.

Fran Kraz (Dollhouse), another Whedon alum, portrays drug smoking Marty. He is smoking an interesting bong when he first arrives on the scene. He is the funniest character in the movie and is one of the five friends who go on vacation together. Marty and the other friends, who are portrayed by Kristen Connolly (As the World Turns), Chris Hemsworth (2009s Star Trek), Anna Hutchison (Wild Boys), and Jesse Williams (Grey’s Anamony), are introduced after the interesting set-up of the introduction of the movie’s title.

The other known face in the movie is Hemsworth who audiences will know as the title character in Thor. He will be back in theaters in May when Whedon’s The Avengers come out. He was filming this movie in 2009 when he received the title role in Kenneth Branagh’s Thor.

Tom Lenk (Buffy, Angel), another Whedon alum, makes an appearance in the movie playing a minor character, Ronald the Intern.

Just like any horror movie, you will start liking these characters and wish they could all survive, but you know that won’t happen. This is a horror movie after all and when you start out with five characters, you know that most of them will be dead by the end of the movie.

The movie has many great moments in it. There is one scene where all these monsters are locked up then get freed. There are recognizable monsters like the Wolfman, a giant cobra and this evil looking Transformer-type with multiple sawblades. When these monsters break free and people began to die, it is reminiscent of the Buffy episode, “Primeval,” where all hell breaks loose in the Initiative. This is the one scene in the movie that will require multiple viewings just to see every single creature causing mayhem.

If you like Joss Whedon’s Buffy the Vampire Slayer and Angel, you will love The Cabin in the Woods. It is filled with his style of humor and horror mixed together in one entertaining movie. This review is vague so it won’t ruin the movie for you and because one of the joys of this movie is experiencing it for the first time. Just sit back and enjoy the ride Whedon and Goddard take you on.

Two Actors Leave the Forest to Discuss ‘The Cabin in the Woods’

Two Actors Leave the Woods to Discuss The Cabin in the Woods

by Jason Harris

Actors Kristen Connolly and Fran Krantz. Photo by Jason Harris.

Kristen Connolly and Fran Krantz, two of the stars of The Cabin in the Woods, recently sat down in a Boston hotel to discuss their movie, which opens in theaters on Friday.

The movie was written by Joss Whedon and Drew Goddard and directed by Goddard.

Krantz thought the script was “perfect” while Connolly was “surprised” by it.

“I was blown away when I first read it,” Krantz said. “I worked with Joss so I expected it to be more than what the title suggested.”

He never could have predicted in his “wildest imagination” where this movie was going.

The Cabin in the Woods movie poster. Photo by Jason Harris.

“The poster says, you think you know the story, but it couldn’t be more accurate,” Krantz said.

As Connolly was reading the script, it was hard for her to picture some parts including the scene where her character is getting the crap beat out of her, she said. But in the finish product, the music in that scene is “really amazing.”

Krantz felt such a strong connection to the script and felt an “ownership” to it, which he considers “rare in an actor.”

“It was difficult if I didn’t get it, it was going to haunt me for the rest of my life because I loved the movie so much on paper.”

Even though the movie was shot in 2009, Krantz never lost faith that it would see the inside of a movie theater even though other people didn’t think it would.

“I knew how good the movie was,” Krantz said. “I was always confident that it would come out. It’s satisfying now that you can already feel the buzz around it.”

Connolly said, “it was cool to watch [the movie] at South by Southwest. It was so crazy, it was like a rock show. There was cheering and laughing. It was so cool that there was so much energy in that room. It was a truly extraordinary experience.”

Both Connolly and Krantz auditioned for their parts in the movie. At the time, Krantz was working on Whedon’s newest television series, but that didn’t give him a leg up on anyone else.

“I auditioned like any other movie, which was weird since I was working on Dollhouse,” Krantz said.

When Goddard visited the set to talk over possible shooting locations with Whedon before Krantz even got a call about auditioning for a part, he walked over to where they were talking.

“I’m a big horror film fan so I just kind of wandered over. I wanted to see what they were talking about. They were looking at potential lakes for potential shooting locations.”

Krantz said, one of those locations was “the original Friday the 13th Camp Crystal Lake.”

“I started geeking out,” Krantz said. “I was a big fan of those movies.”

He told them it would be so cool if they would film the movie there, but the movie ended up being filmed in Vancouver.

Krantz and Connolly had good things to say about some of their co-stars.

“I think Richard [Jenkins] and Bradley’s [Whitford] performances are so funny,” Connolly said.

Krantz thought everyone on the movie brought their “’A’ game.”

Krantz said, “the performances are so great across the board.”

During filming, he saw the dailies of co-star Chris Hemsworth and thought he was “a movie star.” Hemsworth received his role in Thor and the Red Dawn remake while filming The Cabin in the Woods. Chris’ younger brother, Liam, was considered for the role of Thor first before it went to Chris, Krantz said.

“I know Joss called Kenneth Branagh and at some point it started shifting gears in his direction,” Krantz said. “I was not surprised at all.”

Connolly thought it was a great break and a “no brainer” that Hemsworth received the role of Thor.

The Cabin in the Woods is full of scares and fears. Everything a person can be afraid of is in the movie, Connolly said.

“I think what I feel most afraid of is drowning or being buried alive.”

She mentioned a particular scene in the movie where she is in a pond. She also found it hard to watch the scene in Kill Bill:Vol. 2, where Uma Thurman’s character is buried alive.

“I have to get up and leave the room because [that scene] is so intense,” Connolly said about Kill Bill.

The fear that bothers Krantz is “claustrophobia.”

“The Descent killed me because of that. The monsters were scary, but I was far more uncomfortable with the earlier tight space moments.”

You can travel tomorrow to see what fears The Cabin in the Woods contains when it opens in theaters nationwide.

Pictures from the Stratford Showcase of Crafts

From left to right: Writers Stacey Longo, Rob Watts, Jason Harris, Kristi Petersen Schoonover, Nathan Wrann, and Kimberly Dalton at the Stratford Showcase of Crafts in Stratford, Connecticut. Photo by William Rockwell.

Authors Stacey Longo and Kristi Petersen Schoonover. Photo by Jason Harris.

One of the NEHW tables at the Stratford Showcase of Crafts. Photo by Jason Harris.

Authors Kimberly Dalton and Nathan Wrann. Photo by Jason Harris.

Stacey Longo and Kristi Petersen Schoonover relaxing behind the NEHW table. Photo by Jason Harris.

Author Kimberly Dalton holding her children's book. Photo by Jason Harris.

Author Kristi Petersen Schoonover watching Stephen King's Children of the Corn. Photo by Jason Harris.

Author Stacey Longo looking out at the visitors of the craft fair. Photo by Jason Harris.

Busy authors behind the NEHW table. Photo by Jason Harris.

 

 

Director Talks about ‘Detention’

Director Talks about ‘Detention’

by Jason Harris

Director Joshua Khan. Photo by Meghan Swan.

Music video and film director Joseph Kahn is making the kind of movies he would want to watch and his current movie, Detention, comes out this Friday.

He describes Detention, which he co-wrote with Mark Palermo as a multi-genre movie that contains elements of horror, science fiction, time traveling, high school comedy, and kung-fu. Horror starts it out, but there are big chunks of the movie that have nothing to do with horror, he said.

Kahn says his film is “a high school movie for the kids today.” Detention can be enjoyed not only by kids, but by older people too.

“It’s not a movie about movies. It’s a movie about pop culture.”

His agenda was “to make a high school movie that felt like high school today” and how teens literally see the world.

“I don’t think being a kid is all that negative that Hollywood portrays it to be,” Kahn said. “I feel like when you are youthful there is optimism. The world is open and the older you get that kind of fades a little bit so it was a nice sort of moment to try and get in there and try to capture that.”

He knows that some negativity has to come into the picture to bring out the drama.

When he and Palermo started writing the movie, they thought about writing a slasher film, but it morphed into something else because of how he sees things, Kahn said.

Kahn made his first movie, Torque, which came out in 2004. He considers himself picky when choosing projects to do. One reason is because movie making is “a big time consuming effort.” It took him five years to create Detention, he said.

“I don’t believe I need to make 20, 30 movies in my lifetime. I feel like if I only make a handful of movies then each one counts.”

Before directing movies, Kahn was creating music videos for musicians like Britney Spears, U2, and the Backstreet Boys.

“I have always been, from a very early age, tied into music and pop culture. I’m like an old guy that still understands what everyone else has because I sell it. I’m a music video director for the most part.”

Kahn went to New York University to study film directing and “grew up watching a ton of movies.”

He thinks it’s better for a potential movie director to have been a waiter than a music video director.

“It just seems like a lot of people discount music videos as a negative towards feature film making,” Kahn said.

He considers himself to be an experienced filmmaker since he has shot 500 music videos. It’s about the process an individual person learns from the experience, he said.

“It’s really strange to me for the last 20 years all I have been doing every day is shooting and editing and learning and processing.”

Kahn paid for Detention with a combination of his personal funds and taking out loans. The best part of doing the movie was spending his own money and being able to do whatever he wanted on the movie, he said.

He enjoyed the freedom of bankrolling his own movie since he had no one looking over his shoulder like he did on Torque.

“On Torque, every time I set up something some script supervisor would say, ‘Ok Joseph Kahn is putting the camera in a weird place and we have to report this to the studio because it won’t cut together.’ I would get those types of things every day.”

There is one recognizable actor in Detention. Dane Cook portrays Principal Verge.

The director knew Cook ever since he cast him in a cameo role in Torque, which was Cook’s first movie.

“The studio fought me on it because they didn’t know who he was at the time,” Kahn said about casting Cook in Torque.

Kahn told the studio Cook was funny, would be great for the role and had a lot of fans, he said.

Cook liked the Detention script, but was resistant to doing the movie because “it was low-budget and he was in a weird place in his life,” Kahn said. He also didn’t want to play a high school principal because it would date him and it was so out of character for him.

“He plays the cool guy who has sex with a lot of girls,” Kahn said about Cook’s usual roles, but eventually he decided to portray the principal.

Cook’s character is a guy that has been crushed by life who resents and hates all the kids, Kahn said.

“It’s so against his imaging and I think its fun to see him in that role.”

He has some ideas for future projects, but since they would be expensive he would need studio backing to get them made.

“You can’t make a $100 million dollar movie without having to answer to somebody.”

Kahn doesn’t know what the future holds for him, but he does know what he wants to do.

“I just want to make movies. I just look at it one film at a time.”

Interview with Actor/Comedian Kevin Pollak

This article originally appeared on the DVD Snapshot website.

Interview: Actor/Comedian Kevin Pollak

by Jason Harris

Necessity is the mother of invention and the reason why Columbus Circle came to be.

“This is the most ridiculous example of the necessity being the mother of invention,” said Kevin Pollak in a phone interview.

Columbus Circle, which he co-wrote with the movie’s director, George Gallo, came about when producer Christopher Mallick’s financing for a remake of a Korean movie fell apart when the Korean government took back the movie rights in 2009, Pollak said.

This bad news came to Mallick as he was at the Cannes Film Festival celebrating the movie, Middle Men, with its cast that included Giovanni Ribisi, who is also in Columbus Circle, and Pollak.

Since Mallick already had two apartment sets built in Los Angeles for his now defunct remake, Pollack told him he would come up with an idea that night and they would go over it on the 11-hour trip home the next day to figure it out.

He was up most of the night coming up with the story for Columbus Circle, which concerns an heiress portrayed by Selma Bair, who is holed up in her apartment and no one knows who she is, and the couple who move into the apartment across the hall from her.

You can read the rest of the interview by clicking here.

Pictures from the NEHW Get-Together in New Hampshire

Pictures from the NEHW Get-Together in New Hampshire

by Jason Harris

Director of Events Scott Goudsward set-up a NEHW get-together at the Portsmouth Brewery this past Saturday. It was a success. The brewery is located at 56 Market Street in Portsmouth, New Hampshire.

From left to right: Morven Westfield, Tracy Carbone, Bracken MacLeod, Lucien MacLeod, and Heather MacLeod. Photo by Jason Harris.

From left to right: Karen Dent, Roxanne Dent, and Stacey Longo. Photo by Jason Harris.

From left to right: David Price, Denny Price, and Karen Dent. Photo by Jason Harris.

From left to right: Tracy Carbone, Bracken MacLeod, Lucien MacLeod, Heather MacLeod, and Chris Irvin. Photo by Jason Harris.

From left to right: Chris and Jen Irvin. Photo by Jason Harris.

Epitaphs is Now Available as an E-book

Epitaphs is Now Available as an E-book

by Jason Harris

The New England Horror Writers’ organization’s first anthology is now available as an e-book.

Epitaphs became available in the Kindle store on Amazon today. This is the first time the collection has been available in e-book form.

The paperback edition of Epitaphs became a Stoker nominated collection this past Saturday. It’s on the final ballot of the Horror Writers Association’s Bram Stoker Awards for works published in 2011. The Awards will be presented at a gala banquet on Saturday, March 31, at the World Horror Convention in Salt Lake City, Utah.

“It’s a great achievement for the NEHW to have its first anthology get this far,” said Tracy L. Carbone, who is the editor of the collection, on her Facebook page. ”We all put in a tremendous amount of work in a short time to get this off the ground and I want to again thank the board and all the contributors.”

The book was released last October by Shroud Publishing then debuted at Anthocon with a book release party in November. At Anthocon, most of the writers in this collection were on hand to sign it.

The table of contents in this anthology is as follows:

Jeffrey C. Pettengill “To Sleep, Perchance to Die”

Paul McMahon “The Christopher Chair”

Kurt Newton “A Case of the Quiets”

Scott T. Goudsward “Build-a-Zombie”

John Goodrich “Not an Ulcer”

B. Adrian White “The Possesor Worm”

John M. McIlveen “Make a Choice”

Michael Allen Todd “The Death Room”

Rick Hautala “Perfect Witness”

Holly Newstein and Glenn Chadbourne “Stoney’s Boneyard”

Trisha J. Wooldridge “Kali’s Promise”

David Bernard “The Sequel”

David North-Martino “Malfeasance”

Stacey Longo “Private Beach”

Christopher Golden “All Aboard”

L.L. Soares “Holiday House”

Steven Withrow “Lines at a Wake”

K. Allen Wood “A Deeper kind of Cold”

P. Gardner Goldsmith “Alone”

Roxanne Dent “Pandora’s Box”

Michael Arruda “Chuck the Magic Man Says I Can”

T.T. Zuma “Burial Board”

John Grover “Windblown Shutter”

Stephen Dorato “Cheryl Takes a Trip”

Philip Roberts “The Legend of Wormley Farm”

Peter N. Dudar “Church of Thunder and Lightning”

To purchase a copy of Epitaphs in paperback for $12.99, click here.

To purchase in the e-book format for $4.99, click here.