Have You Heard of these Underrated Horror Films?

My Top Ten List of Most Underrated Horror Films

by Rob Watts

July may be a strange time of year to discuss low-budget horror films, especially when the summer blockbusters (none of which are horror films) are currently on our viewing radar. The summer months however, were always tailormade for horror treasure hunts in the video stores for my friends and I. You do remember video stores don’t you? We’d come from an afternoon at the beach with our girlfriends, straight to the video store and make a bee line home with some horrible movie such as The Evil Laughstarring one of Scott Baio’s older brothers. But not all of our impulsive rentals were disappointing. Some were in fact downright unwatchable, but many were undiscovered gems for us, especially in the days of Nightmare on Elm Street Part 36 and Jason vs. Godzilla. Wasn’t there a Chucky goes to South Central Los Angeles at one point too?

Most of my favorite films have never spawned a sequel, hardly ever had stars with marquee value and sadly, never see the light of day on cable television. I’ll continue to argue up and down with someone when they tell me that the horror films of the 70s and 80s just don’t hold up to the films of today. When you talk to me about the benefits of CGI and gore over minimal production and stellar storytelling, I’m going with minimal production and stellar storytelling any day of the week. Which is why I am inspired to write this list. These films are by no means obscure although many have been forgotten about for some time and should be viewed and appreciated once again. If the new-school horror filmmakers grew up on these films, perhaps new horror films would actually be scary again.

Alice Sweet Alice1. Alice Sweet Alice (1976) – This is the film that made me petrified of the translucent grinning mask. Set in Paterson, NJ during the early 60s, 9-year-old Karen (played by Brook Shields) gets strangled to death at her First Communion. Her jealous older sister Alice is of course at the center of suspicion although the actual killer is the last one you’d expect. This film was rather unique for its time as you hardly ever saw young children being murdered on-screen. With the exception of John Carpenter’s Assault on Precinct 13 that same year, I can’t really remember many films that crossed that Hollywood taboo. This film was actually theatrically released three separate times under three different titles due to Brook Shields’ ever-growing popularity after this film was made. Communion in 1976, Alice, Sweet Alice in 1978 and Holy Terror in 1981. Alice, Sweet Alice has remained the official title since then. If you haven’t seen this classic 70s flick, check it out. It has everything, a bitchy jealous sister, a fat creepy landlord and of course the horror movie’s best friend, the Catholic Church. How can you go wrong?

2. Patrick (1978) – This creepy Australian horror flick freaked me out for months after first seeing this. Patrick, who murdered his mother and her lover in the bathtub by way of electrocution, falls into a coma and his only way of communication is by electronic typewriter via psychokinetic powers. Although he is completely written off as nothing more than a catatonic vegetable, he can still murder anyone who crosses him. The thought of Patrick lying still in that hospital bed with his eyes wide open is still enough to keep me awake tonight.

3. Magic (1978) – A movie about a man and his dummy. Ventriloquist Corky and his foul-mouth dummy Fats are onMagic the road to stardom but when Corky feels the pressure of showbiz, he retreats to the secluded Catskills where he reunites with his high school crush. Fats however does not enjoy competing for Corky’s attention and soon talks Corky into “getting rid” of the people in his life that could potentially separate them from each other. The dummy, Fats, is just unsettling in every way. This was another film that made it impossible to sleep with the lights off after viewing it for the first time.

4. He Knows You’re Alone (1980) – Let me preface this by saying that this was by no means a great film, but rather an enjoyable viewing with enough suspense and cliché scares to make it worth your while. Basically it’s Halloween (1978) set in Staten Island, NY but the killer doesn’t wear a mask and the storyline is nowhere nearly as incredible. The victims aren’t babysitters, they are brides-to-be and it features the debut appearance of a young Tom Hanks. But hey, don’t let that stop you! I will say this though; there are two things about this movie that fascinate me to this day. One, the fact that Tom Hanks is in this movie actually doesn’t ruin it for me. It’s not like I watch it and say to myself “Run Forest, Run!” as the killer approaches. Two, this movie has a made-for-TV sort of vibe to it until the last fifteen minutes where one of the female characters takes a shower and shows her goodies, thus reminding me that I am indeed watching a typical 80s horror flick.

5. Are You In The House Alone? (1978) – For a made-for-television horror film, this one wasn’t bad. A suspenseful thriller about a teenage girl who’s been receiving anonymous letters that say I’m watching you and of course phone calls where a sinister voice on the other end asks are you in the house alone? Of course she is which adds to the suspense factor and naturally any teenage girl watching this film would have been scared out of their wits back then. Unfortunately it just doesn’t hold up in today’s caller ID world so anyone under the age of 30 probably wouldn’t appreciate this as much. I would like to point out that after watching this again recently, I’ve come to realize that Dennis Quaid, who plays one of the classmates in the film, is just a strange looking dude. There’s just something not right about that guy. The other thing is Blythe Danner (Gwyneth Paltrow’s real-life mother) who plays the protagonists mother in the film, is at that point younger than Gwyneth Paltrow is today. Much better looking too if you ask me, but that’s just how my mind works when I’m watching movies. Sorry.

6. Stranger in the House (1978) – Another made-for-television gem starring Linda Blair and Lee Purcell and directed by Wes Craven. A pretty simple plot where Rachel (Blair) and her family invite Rachel’s cousin Julia (Purcell) to come live with them as Julia’s family died tragically in a car wreck. Things seem fine at first until Julia becomes jealous of Rachel, then of course strange things begin to occur in Rachel’s world. If you don’t mind simple storytelling and a rather predictable plot then you’ll probably enjoy this lost classic. Hey, it was directed by Wes Craven after all.

The Wicker Man7. The Wicker Man (1973) – By no means do I assume that I’m exposing you to films you’ve never seen before and The Wicker Man is certainly no exception. If you’ve seen this film, you absolutely know how incredible this is. Not to be confused with the horrendously bad Nicolas Cage remake, this original version blended horror, mystery, Christianity and Paganism into one dark psychedelic musical. Filmed in Scotland, a police officer from the mainland flies out to a mysterious isolated island inhabited by bizarre followers of Celtic Paganism. He’s in search of a reportedly missing young girl but he soon discovers the girl in question might not exist, prompting him to investigate just how bizarre the island’s inhabitants really are. This film is more of a psychological thriller with a lot of psychedelic influence. The cinematography is flawless as the isolated island is as much a character in the film as the actors. Speaking of actors, did I mention that Christopher Lee plays the antagonist? Enough said.

8. The Hearse (1980) – This haunted house film dangerously teeters on the “it’s as cliché as you can get” category, however, if possessed house stories tickle your fancy then you could probably do a lot worse than this. In this film, Jane, a middle-aged woman inherits a house in the county from her deceased aunt who was believed to have practiced witchcraft. Baring a striking resemblance to her aunt, Jane is looked down upon in her new community and must contend with several strange occurrences in her new home (doors slamming shut, music boxes playing on their own.) The worse occurrence is that Jane gets followed by a ghostly hearse at night on the road home. The very hearse that is believed to have carried her witchcraft practicing aunt straight into Hell. For a film, that is over 30 years old, this one still has a chill factor to it, provided you’ve never seen it before.

9. The Strangers (2008) – I know I’ve pronounced the contemporary horror movie genre dead and I’ll still stand by that, however, every once in a while something comes along that reminds me why I started watching horror films in the first place. Suspense and tension. The Strangers had plenty of those two elements. The only caveat to this film is that it’s a one-time viewing experience to gain its full shock value. After that, the scares are watered down because you know exactly what’s happening. But upon viewing this film for the first time, you’d agree with me that this is one suspenseful ride. In short, a young couple arrives at their summer home in the country very late at night. They get a strange late-night knock on the door from a girl looking for someone who doesn’t live there. She is turned away and the guy decides to take a ride to the store to run an errand for his girlfriend. While alone, the mysterious girl knocks on the door again asking for the same person. She gets turned away again but it’s revealed (to the viewers) that masked strangers have entered the home unbeknownst to the girlfriend. Even though this movie has a few moments where you ask “why would you run that way when you should go that way?” it’s loaded with suspenseful unpredictable moments that keep you on the edge of your seat. It starts off very slow-paced but it definitely builds tension leading up to the action. Remember, this film only has shock value the first time you watch it, so turn the cellphones off and don’t allow yourself to be distracted.

10. The House of the Devil (2009) – I have to hand it to director Ti West. He managed to make a horror movie look as though it was filmed in the late 70s and early 80s. Employing many elements of that era West created a gritty, suspenseful film about a female college student babysitting in a creepy old house for evasive homeowners. It falls on the evening of the lunar eclipse and the mysterious homeowners have something other than dinner and a movie on their agenda for the night. This is definitely worth watching if you’ve never seen it. The retro stylized filmmaking approach alone will make you reminisce over the scary movies we all watched on our couches back in the heyday of horror.The House of the Devil

‘Avengers’ DVD Arrives this Fall

THE RECORD-SHATTERING MOVIE

ASSEMBLES AS YOU’VE NEVER SEEN IT BEFORE ON BLU-RAY 3D™, BLU-RAY™, DVD, DIGITAL & ON-DEMAND on SEPTEMBER 25, 2012

And For The First Time Ever, Marvel Launches An All-New Second Screen App That Provides Fans With Unprecedented Access To Exclusive Content

BURBANK, Calif. June 29, 2012— Coming this fall, the third highest-grossing movie of all time and the #1 movie in the world, “Marvel’s The Avengers” assembles as you’ve never seen it before on Blu-ray 3D™, Blu-ray™, DVD, Digital and On-Demand platforms on September 25, 2012. In anticipation of this release, Marvel is also launching an all-new App in July – “The Avengers Initiative: A Marvel Second Screen App” (available for the first time on iPhone) – that gives fans unprecedented access to exclusive content building up to the home entertainment release.

The announcement comes as Marvel’s The Avengers crossed the incredible $600 million domestic box office threshold on June 26 – only the third film in history to do so. It has now grossed an estimated $1.44 billion globally.

Providing viewers with the ultimate in-home experience, the premium 4-Disc Blu-ray Combo Pack provides 5-unique ways to enjoy Marvel’s The Avengers (on Blu-ray 3D, Blu-ray, DVD, Digital Copy and Digital Download of “Avengers Assembled” Music from and inspired by the film) and brings to life the Super Hero team-up of a lifetime in a whole new dimension on Blu-ray hi-def with stunning visual effects, superior sound and unparalleled bonus content.

Extras include a gag reel, a first for a Marvel Studios film, the chance to hear from the cast and Joss Whedon on their experiences in bringing these larger than life characters to the big screen, a behind-the-scenes look at the groundbreaking visual effects and stunning cinematography, the creation of S.H.I.E.L.D.’s Helicarrier, Soundgarden’s “Live to Rise” Music Video, deleted scenes and more!

Also for the first time ever, fans will be able to enjoy even more of the Marvel Universe via the all-new “The Avengers Initiative: A Marvel Second Screen App.” By downloading this onto a secondary device, consumers will be able to gain unprecedented access to exclusive content building up to the home entertainment release on September 25. Pieces will be unleashed bi-weekly in July & August and weekly in September leading up to a full immersive experience accompanying the film on Blu-ray. Content includes special access to the S.H.I.E.L.D. database, becoming a S.H.I.E.L.D. agent, invitations to “special missions” either remotely or in the field, links to character profiles, stories and scenes, interactive Marvel digital reader comic books and more. App owners will receive push notifications whenever new content is uploaded and available for their viewing.

The full range of Marvel’s The Avengers home entertainment offerings and bonus features are as follows:

PACKAGING & BONUS FEATURES:

4-Disc Combo Pack (Blu-ray 3D+Blu-ray+DVD+Digital Copy+Digital Download of the “Inspired By” album)

Bonus Includes:

  • Second Screen
  • Assembling the Ultimate Team
  • A Visual Journey
  • Gag Reel
  • Deleted Scenes
  • Audio Commentary—With Joss Whedon
  • Soundgarden Music Video—“Live to Rise”
  • And more!

2-Disc Combo Pack (Blu-ray + DVD)

Bonus Includes:

  • Same as the 4-Disc Combo Pack above

1-Disc DVD

Bonus Includes:

  • Assembling the Ultimate Team
  • Audio Commentary—With Joss Whedon

High-Definition & Standard Definition Digital

Bonus Includes:

  • Second Screen
  • Assembling the Ultimate Team
  • A Visual Journey
  • Gag Reel
  • Deleted Scenes
  • Soundgarden Music Video—“Live to Rise”
  • And more!

DISC SPECIFICATIONS:

Street Date:                       September 25, 2012

Suggested Retail:    4-Disc Blu-ray Combo Pack = $49.99 U.S./$59.99 Canada

Pricing:          2-Disc Blu-ray Combo Pack =$39.99 U.S./$46.99 Canada

1-Disc DVD = $29.99 U.S./$35.99 Canada

Digital & On-Demand = please check with your television provider or favorite digital retailer for pricing

Feature Run Time:    143 Minutes

Ratings:       U.S.: PG-13 (bonus features not rated)

Aspect Ratio:     Blu-ray & DVD = 1.78:1

Audio:     Blu-ray 3D & Blu-ray 2D = English 7.1 DTS-HDMA, French-Canadian 7.1 DTS-HDHR, Latin Spanish 5.1 Dolby Digital, English DVS 2.0 Dolby Digital

DVD = English/Latin Spanish/French Canadian 5.1 Dolby, English DVS 2.0 Dolby Digital

Languages/Subtitles:      English, French & Spanish

Social Media:

Stay connected with the latest news and information about Marvel’s The Avengers:

ABOUT MARVEL’S THE AVENGERS

Marvel Studios presents Marvel’s The Avengers—the team up of a lifetime, featuring iconic Marvel Super Heroes Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow. When an unexpected enemy emerges that threatens global safety and security, Nick Fury, Director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins.

Starring Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Tom Hiddleston, with Stellan Skarsgard and Samuel L. Jackson as Nick Fury, and directed by Joss Whedon, Marvel’s The Avengers is based on the ever-popular Marvel comic book series The Avengers, first published in 1963 and a comics institution ever since. Marvel’s The Avengers is presented by Marvel Studios in association with Paramount Pictures. The film was produced by Marvel Studios’ President Kevin Feige and executive produced by Alan Fine, Jon Favreau, Stan Lee, Louis D’Esposito, Patricia Whitcher, Victoria Alonso and Jeremy Latcham. The story was by Zak Penn and Joss Whedon and the screenplay was by Joss Whedon. Distributed by Walt Disney Studios Motion Pictures, the film smashed the industry record for the biggest domestic opening of all time with $207.4M, crossed the $1 billion global box office threshold in 19 days, and currently stands as the #3 global and domestic release of all time.

ABOUT MARVEL ENTERTAINMENT, LLC

Marvel Entertainment, LLC, a wholly-owned subsidiary of The Walt Disney Company, is one of the world’s most prominent character-based entertainment companies, built on a proven library of over 8,000 characters featured in a variety of media over seventy years. Marvel utilizes its character franchises in entertainment, licensing and publishing. For more information visit www.marvel.com.

ABOUT THE WALT DISNEY STUDIOS:

For more than 85 years, The Walt Disney Studios has been the foundation on which The Walt Disney Company was built. Today, the Studio brings quality movies, music and stage plays to consumers throughout the world. Feature films are released under the following banners: Disney, including Walt Disney Animation Studios and Pixar Animation Studios; Disneynature; Marvel Studios; and Touchstone Pictures, the banner under which live-action films from DreamWorks Studios are distributed. The Disney Music Group encompasses the Walt Disney Records and Hollywood Records labels, as well as Disney Music Publishing. The Disney Theatrical Group produces and licenses live events, including Disney on Broadway, Disney On Ice and Disney Live!.

‘Safe House’ Screenwriter Talks about His Heroes and His Movie

‘Safe House’ Screenwriter Talks about His Heroes and His Movie

by Jason Harris

What do actors Denzel Washington, Ryan Reynolds, and Nicolas Cage and directors Simon West and Antoine Fuqua all have in common? They all have worked on projects written by David Guggenheim.

Safe HouseGuggenheim’s first screenplay, Safe House, was just released on DVD this past Tuesday. This was his first spec script sold.

“I got spoiled with this one.”

According to Guggenheim, a spec script is a screenplay written by someone who is not getting paid for it.

“You can spend a year of your own time and still not get paid. But the good news is that you have a fully completed script as opposed to a pitch where you go in with a sort of broad idea. This is a good way of packaging your whole story.”

The screenplay was sold in February of 2010, which was two years and a day before it was released in theaters, Guggenheim said. It took him about three months to write it.

“I was running out of time. I had a kid literally coming around the corner. If I didn’t sell something I wasn’t sure if I would be able to sustain a full-time job and full-time family and a writing career.”

If a screenwriter is living in New York, a spec script is the way to break into Hollywood and get people excited, he said. He had been writing them for 10 to 12 years before selling his first one.

“I couldn’t even process what was happening,” Guggenheim said about the sale of his first screenplay.

According to Wikipedia, Safe House was Washington’s second highest grossing movie to date. Guggenheim is “really proud of [his movie].”

“I didn’t think it would make $40 million opening weekend. I’m happy people liked it.”

He believes Washington was the first one cast in the movie and Reynolds was cast second.

“I can’t imagine anyone else doing it,” Guggenheim said about Reynolds portraying Matt Weston. “I think you see a totally different side of Ryan that you don’t usually get to see.”

Guggenheim has been inspired by a number of Hollywood writers such as Robert Goldman, Robert Towne, Lawrence Kasdan, Shane Black, and Joss Whedon. He considers all these writers, “character driven writers who have written huge action movies.”

“All these guys are amazing teachers.”

He considers Shane to be living the writer’s life, whom he considers a person who went off to write his own movies, which started with Lethal Weapon.

“I like that his scripts are his voice,” he said about Black, who is “generating new original material.”

Whedon’s name came up because Guggenheim had recently seen The Avengers, which he considers “incredible writing.”

“This is writing you try to achieve.”

The advice to would-be writers is always “write what you know,” he said. He claims he “doesn’t really know that much.” He does have five movies from the 1970s that have inspired him. Those movies are Three Days of the Condor, The Parallax View, Marathon Man, All the Presidents’ Men, and The Conversation, which Guggenheim considers “incredible.”

His advice to writers is to “keep writing.”

“If one script doesn’t work for you, it doesn’t mean you are not a good writer. That script had issues. Learn from that and keep writing. Just don’t give up.”

Guggenheim has worked with Tony Scott and Ron Howard and is working with McG right now, but would love to work with Stephen Spielberg, he said. He loves working with other writers too.

“Those are my idols,” he said, referring to other writers. “I get much more nervous about meeting writers that I have been following then, like, the biggest director in Hollywood.”

This screenwriter doesn’t have any other aspirations other than to write.

“I would prefer just sitting in a room writing …”

Along with his next movie Stolen, which is in post-production, directed by West and starring Cage, he is co-writing a novel, Exile, with his friend, Nick Mennuti, which will be published by Little Brown.

This article appears on the DVD Snapshot website.

Recent News in the Writing World

Ray Bradbury Dies

Ray Bradbury

Ray Bradbury

On Wednesday, June 5, the literary world lost a legend with the passing of Author Ray Bradbury, writer of Fahrenheit 451 and The Martian Chronicles. He was 91. Here is a link to the Associated Press story,

http://www.google.com/hostednews/ap/article/ALeqM5jnjbPvChVLLS0e3dnWXe–6OT8ww?docId=d0ae6225d805419bbd4bb1d9ca311c0d.

Clive Barker News

There was some Clive Barker news this week. Amazon Studios has hired the horror author to rewrite Zombies vs. Gladiators. Here is the link to the story, http://www.thewrap.com/media/article/amazon-studios-recruits-horror-cult-hero-clive-barker-rewrite-zomvies-vs-gladiators-42731.

Experiencing ‘Some Guy Who Kills People’

Experiencing Some Guy Who Kills People

by Jason Harris

Some Guy Who Kills People movie poster

Recently, I received a copy of the movie, Some Guy Who Kills People. I wasn’t expecting much with a b-movie title like that, but I was pleasantly surprised. The movie is about Ken Boyd portrayed by Kevin Corrigan (The Dictator, The Departed, TV series Fringe and Grounded for Life). Boyd was recently released from Cotton Valley State Hospital, a loony bin, after trying to commit suicide. After leaving the hospital, he returns home to live with his overbearing mother, Ruth, portrayed by Karen Black.

Black tells him as she takes a knife out of his hand that “7 in 10 people try to commit suicide twice.” She replaces the knife with a spoon and says to him, “if you are going to off yourself, you are going to have to earn it.” This is just one instance that could nominate Ruth for the Mother of the Year award.

Ken isn’t only treated badly at home; he gets the same treatment at his job, scooping ice cream, and walking around town. It’s no wonder he wants revenge on the people who caused him problems throughout his life. Everybody who has ever been bullied can feel a little bit of happiness when Ken gets his revenge.

This movie also contains a feeling of family, which I never thought possible in this movie. This sense of family comes about when Ken finds out he has a 9-year-old daughter and she moves in with him and her grandmother for awhile to get to know her father.

Some Guy Who Kills People writer Ryan Levin, whose credits includes an episode of Scrubs, the television series he is a production assistant on, brings as much comedy as he brings violence to Ken’s victims. For instance, the movie’s town sheriff portrayed by Barry Bostwick eats popcorn at a Drive-in movie theater crime scene as he says, “You don’t cut off a man’s head unless you are one angry fella.”

The movie is directed by Jack Perez, who has written an episode of Hercules: The Legendary Journeys and the movies Wild Things 2, Monster Island, and Unauthorized Brady Bunch: The Final Days.

The movie has locked up a U.S. Distributor and a release date hasn’t been finalized yet, Levin said.

When this movie is released, you should definitely take a chance to see it. You won’t be disappointed.

A Frog-Lover’s Dream

A Frog-Lover’s Dream

by Stacey Longo

Why do I love the B-movie Frogs (1972) so much? Is it because it makes me nostalgic for my years on the farm, catching toads and lizards, only to release them in my sister’s bed? Or is it because a young Sam Elliot spends part of this movie shirtless in wet jeans, making insightful comments in his sexy voice that percolates like fresh-ground coffee in the morning? The truth is I never was very nostalgic about the farm. Hello, half-naked young Sam Elliott!

"Half-naked young Sam Elliott" in Frogs.

This fabulous film opens with Pickett Smith (Sam) canoeing on the lake, only to be swamped by a powerboat owned by the Crockett family. Clint and Karen Crockett (Adam Roarke and Joan Van Ark) fish Pickett out of the lake and tow his canoe back to their family’s island. Karen Crockett takes one look at Pickett and starts throwing herself at him like a cheap tart, proving that Joan Van Ark is a slut.

On the island, we’re introduced to Jason Crockett, portrayed by a cranky Ray Milland, who is probably wondering how he wound up in this movie. My guess is since he was wheelchair-bound, his agent just rolled him on to the set and ran like hell. Nevertheless, Milland portrays the monstrous patriarchal grandfather perfectly. His anger at the relentless noise of the bullfrogs without so much as a wink of irony at the fact that the family made their fortune on toxic pesticides had me so moved that I began to root for the frogs. That’s fine acting, folks.

The members of the family begin to disappear one by one, leaving Jason, Karen, and the rest of the Crocketts stumped. The only one who has an inkling of what might be going on is Pickett, because besides being sexy as hell, he’s a brilliant ecologist, too. He quickly deduces that the frogs are psychically controlling all of the reptiles and amphibians on the island and ordering them to kill everyone.

Reptile and amphibian (and even tarantula) fans will not be disappointed. Bad luck for the Crocketts, who found the only island in the world on which ball pythons, Burmese pythons, alligators, bearded lizards, monitor lizards, American snapping turtles, caimans, and what I presume to be cottonmouths but what suspiciously resembled Northern water snakes all live together in harmony. Crockett cousins, in-laws, and caretakers all die horrible deaths due to these vicious creatures (I never knew the chameleon had it in him) and to the amusement of the viewer.

Ironically, all of the black characters (the maid, the butler, and a model) make it safely back to the mainland, which is practically unheard of in a horror movie. There’s a possibility that they were attacked by seagulls as they ran to their car, but since I saw no eyeballs being swallowed nor any brain matter leakage, I like to think they made it. Eventually, the only characters left are Jason, Karen, Pickett, and two whiny Crockett kids. Jason demands that everyone stay because he wants to celebrate his birthday, frogs be damned. But Pickett and Karen take one look at the bullfrogs licking their slimy little lips as they press their beady eyes against the window and decide to make a run for it. They hop in the canoe, paddle to shore, and hooray! Sam Elliott takes his shirt off again! Miserly, miserable Ray Milland is left, wheelchair-bound and surrounded by frogs. He promptly falls face-first in to a pile of murderous amphibians. But he was such a wretched old coot, who cares, really?

This movie is fun, slightly ridiculous, and one of my all-time favorites. Why? Not because I’m a sucker for bearded lizards, though they are awfully cute. It’s because Sam Elliott is a bona-fide slab of hunky ecologist meat in this fine, fine production. Did I mention he goes shirtless?

Experience ‘The Cabin in the Woods’ this Weekend

Experience The Cabin in the Woods this Weekend

by Jason Harris

It has been two years since the little mutant in the Mutant Enemy logo graced a screen, the small screen. It’s back and it’s on the big screen, which is great to see. From the moment The Cabin in the Woods starts, it doesn’t begin like a typical horror movie with the introduction of the potential victims the protagonists.

This movie begins like it does because it is written by Joss Whedon, creator of the television series Buffy the Vampire Slayer, Angel, Dollhouse, and Firefly and Drew Goddard, who wrote for both Buffy and Angel. They threw out the rule book because they don’t follow the rules. They want to be original. Whedon and Goddard fans know this.

The movie starts with Richard Jenkins (Six Feet Under) and Bradley Whitford (The West Wing) in an underground location just having a conversation about consequences and a certain “scenario.” They could be two business men or friends just talking until Whedon alum Amy Acker (Angel, Dollhouse) shows up in her lab coat. I think Acker has kept the same wardrobe from her days on Angel and Dollhouse. The audience has no clue what is going on. After Acker appears on screen, it opens up numerous possibilities that these three characters are working at a research lab, at a government agency, or any other possibility that could cross a person’s mind. This question is eventually answered.

Fran Kraz (Dollhouse), another Whedon alum, portrays drug smoking Marty. He is smoking an interesting bong when he first arrives on the scene. He is the funniest character in the movie and is one of the five friends who go on vacation together. Marty and the other friends, who are portrayed by Kristen Connolly (As the World Turns), Chris Hemsworth (2009s Star Trek), Anna Hutchison (Wild Boys), and Jesse Williams (Grey’s Anamony), are introduced after the interesting set-up of the introduction of the movie’s title.

The other known face in the movie is Hemsworth who audiences will know as the title character in Thor. He will be back in theaters in May when Whedon’s The Avengers come out. He was filming this movie in 2009 when he received the title role in Kenneth Branagh’s Thor.

Tom Lenk (Buffy, Angel), another Whedon alum, makes an appearance in the movie playing a minor character, Ronald the Intern.

Just like any horror movie, you will start liking these characters and wish they could all survive, but you know that won’t happen. This is a horror movie after all and when you start out with five characters, you know that most of them will be dead by the end of the movie.

The movie has many great moments in it. There is one scene where all these monsters are locked up then get freed. There are recognizable monsters like the Wolfman, a giant cobra and this evil looking Transformer-type with multiple sawblades. When these monsters break free and people began to die, it is reminiscent of the Buffy episode, “Primeval,” where all hell breaks loose in the Initiative. This is the one scene in the movie that will require multiple viewings just to see every single creature causing mayhem.

If you like Joss Whedon’s Buffy the Vampire Slayer and Angel, you will love The Cabin in the Woods. It is filled with his style of humor and horror mixed together in one entertaining movie. This review is vague so it won’t ruin the movie for you and because one of the joys of this movie is experiencing it for the first time. Just sit back and enjoy the ride Whedon and Goddard take you on.

Two Actors Leave the Forest to Discuss ‘The Cabin in the Woods’

Two Actors Leave the Woods to Discuss The Cabin in the Woods

by Jason Harris

Actors Kristen Connolly and Fran Krantz. Photo by Jason Harris.

Kristen Connolly and Fran Krantz, two of the stars of The Cabin in the Woods, recently sat down in a Boston hotel to discuss their movie, which opens in theaters on Friday.

The movie was written by Joss Whedon and Drew Goddard and directed by Goddard.

Krantz thought the script was “perfect” while Connolly was “surprised” by it.

“I was blown away when I first read it,” Krantz said. “I worked with Joss so I expected it to be more than what the title suggested.”

He never could have predicted in his “wildest imagination” where this movie was going.

The Cabin in the Woods movie poster. Photo by Jason Harris.

“The poster says, you think you know the story, but it couldn’t be more accurate,” Krantz said.

As Connolly was reading the script, it was hard for her to picture some parts including the scene where her character is getting the crap beat out of her, she said. But in the finish product, the music in that scene is “really amazing.”

Krantz felt such a strong connection to the script and felt an “ownership” to it, which he considers “rare in an actor.”

“It was difficult if I didn’t get it, it was going to haunt me for the rest of my life because I loved the movie so much on paper.”

Even though the movie was shot in 2009, Krantz never lost faith that it would see the inside of a movie theater even though other people didn’t think it would.

“I knew how good the movie was,” Krantz said. “I was always confident that it would come out. It’s satisfying now that you can already feel the buzz around it.”

Connolly said, “it was cool to watch [the movie] at South by Southwest. It was so crazy, it was like a rock show. There was cheering and laughing. It was so cool that there was so much energy in that room. It was a truly extraordinary experience.”

Both Connolly and Krantz auditioned for their parts in the movie. At the time, Krantz was working on Whedon’s newest television series, but that didn’t give him a leg up on anyone else.

“I auditioned like any other movie, which was weird since I was working on Dollhouse,” Krantz said.

When Goddard visited the set to talk over possible shooting locations with Whedon before Krantz even got a call about auditioning for a part, he walked over to where they were talking.

“I’m a big horror film fan so I just kind of wandered over. I wanted to see what they were talking about. They were looking at potential lakes for potential shooting locations.”

Krantz said, one of those locations was “the original Friday the 13th Camp Crystal Lake.”

“I started geeking out,” Krantz said. “I was a big fan of those movies.”

He told them it would be so cool if they would film the movie there, but the movie ended up being filmed in Vancouver.

Krantz and Connolly had good things to say about some of their co-stars.

“I think Richard [Jenkins] and Bradley’s [Whitford] performances are so funny,” Connolly said.

Krantz thought everyone on the movie brought their “’A’ game.”

Krantz said, “the performances are so great across the board.”

During filming, he saw the dailies of co-star Chris Hemsworth and thought he was “a movie star.” Hemsworth received his role in Thor and the Red Dawn remake while filming The Cabin in the Woods. Chris’ younger brother, Liam, was considered for the role of Thor first before it went to Chris, Krantz said.

“I know Joss called Kenneth Branagh and at some point it started shifting gears in his direction,” Krantz said. “I was not surprised at all.”

Connolly thought it was a great break and a “no brainer” that Hemsworth received the role of Thor.

The Cabin in the Woods is full of scares and fears. Everything a person can be afraid of is in the movie, Connolly said.

“I think what I feel most afraid of is drowning or being buried alive.”

She mentioned a particular scene in the movie where she is in a pond. She also found it hard to watch the scene in Kill Bill:Vol. 2, where Uma Thurman’s character is buried alive.

“I have to get up and leave the room because [that scene] is so intense,” Connolly said about Kill Bill.

The fear that bothers Krantz is “claustrophobia.”

The Descent killed me because of that. The monsters were scary, but I was far more uncomfortable with the earlier tight space moments.”

You can travel tomorrow to see what fears The Cabin in the Woods contains when it opens in theaters nationwide.

Call for Submissions

Press Release

Shoe Slung Films is producing an apocalyptic anthology and wants you to write one of the films. The anthology is titled The End: A Collective and will feature 10 short films about the end of the world by nine directors.

We will be accepting submissions of short scripts, no longer than 15 pages, to produce for the anthology. The winner of the competition will be selected by committee and announced through social media.

Submissions must be received by May 8. The cost of submitting is $20, which is non-refundable.

The winner will receive:

■$200 cash
■An on-set invitation to witness the filming in action
■And have their work produced and featured in a full length anthology Submissions and inquiries can be sent to theendsubmissions@gmail.com

Any money received that does not go towards the cash prize will be donated to the charity Jaden’s Ladder.

Director Talks about ‘Detention’

Director Talks about ‘Detention’

by Jason Harris

Director Joshua Khan. Photo by Meghan Swan.

Music video and film director Joseph Kahn is making the kind of movies he would want to watch and his current movie, Detention, comes out this Friday.

He describes Detention, which he co-wrote with Mark Palermo as a multi-genre movie that contains elements of horror, science fiction, time traveling, high school comedy, and kung-fu. Horror starts it out, but there are big chunks of the movie that have nothing to do with horror, he said.

Kahn says his film is “a high school movie for the kids today.” Detention can be enjoyed not only by kids, but by older people too.

“It’s not a movie about movies. It’s a movie about pop culture.”

His agenda was “to make a high school movie that felt like high school today” and how teens literally see the world.

“I don’t think being a kid is all that negative that Hollywood portrays it to be,” Kahn said. “I feel like when you are youthful there is optimism. The world is open and the older you get that kind of fades a little bit so it was a nice sort of moment to try and get in there and try to capture that.”

He knows that some negativity has to come into the picture to bring out the drama.

When he and Palermo started writing the movie, they thought about writing a slasher film, but it morphed into something else because of how he sees things, Kahn said.

Kahn made his first movie, Torque, which came out in 2004. He considers himself picky when choosing projects to do. One reason is because movie making is “a big time consuming effort.” It took him five years to create Detention, he said.

“I don’t believe I need to make 20, 30 movies in my lifetime. I feel like if I only make a handful of movies then each one counts.”

Before directing movies, Kahn was creating music videos for musicians like Britney Spears, U2, and the Backstreet Boys.

“I have always been, from a very early age, tied into music and pop culture. I’m like an old guy that still understands what everyone else has because I sell it. I’m a music video director for the most part.”

Kahn went to New York University to study film directing and “grew up watching a ton of movies.”

He thinks it’s better for a potential movie director to have been a waiter than a music video director.

“It just seems like a lot of people discount music videos as a negative towards feature film making,” Kahn said.

He considers himself to be an experienced filmmaker since he has shot 500 music videos. It’s about the process an individual person learns from the experience, he said.

“It’s really strange to me for the last 20 years all I have been doing every day is shooting and editing and learning and processing.”

Kahn paid for Detention with a combination of his personal funds and taking out loans. The best part of doing the movie was spending his own money and being able to do whatever he wanted on the movie, he said.

He enjoyed the freedom of bankrolling his own movie since he had no one looking over his shoulder like he did on Torque.

“On Torque, every time I set up something some script supervisor would say, ‘Ok Joseph Kahn is putting the camera in a weird place and we have to report this to the studio because it won’t cut together.’ I would get those types of things every day.”

There is one recognizable actor in Detention. Dane Cook portrays Principal Verge.

The director knew Cook ever since he cast him in a cameo role in Torque, which was Cook’s first movie.

“The studio fought me on it because they didn’t know who he was at the time,” Kahn said about casting Cook in Torque.

Kahn told the studio Cook was funny, would be great for the role and had a lot of fans, he said.

Cook liked the Detention script, but was resistant to doing the movie because “it was low-budget and he was in a weird place in his life,” Kahn said. He also didn’t want to play a high school principal because it would date him and it was so out of character for him.

“He plays the cool guy who has sex with a lot of girls,” Kahn said about Cook’s usual roles, but eventually he decided to portray the principal.

Cook’s character is a guy that has been crushed by life who resents and hates all the kids, Kahn said.

“It’s so against his imaging and I think its fun to see him in that role.”

He has some ideas for future projects, but since they would be expensive he would need studio backing to get them made.

“You can’t make a $100 million dollar movie without having to answer to somebody.”

Kahn doesn’t know what the future holds for him, but he does know what he wants to do.

“I just want to make movies. I just look at it one film at a time.”