The Mocking Dead

This article originally appeared in the Journal Inquirer, a newspaper out of Manchester, Connecticut.

Local filmmaker to debut “Atomic Zombie” movie in Stafford

By Heather J. Linder

Torj (left), played by Ed Gasiorek, meets with his master, the evil scientist Dr. Harry Housen , played by Andrew Wrobel, in front of the atomic pile used to conduct Housen's experiements in the B-movie spoof Attack of the Atomic Zombies.

Zombies are taking over the Old Town Hall Saturday as local composer-turned-filmmaker Tony Diana hosts the debut of his first movie, Attack of the Atomic Zombies.

Diana, along with his two friends, created Butterfleye Films to pursue his passion for movie making. The trio developed the zombie movie as a spoof of black-and-white B-movies of the 1950s, he said.

The premiere starts at 6 p.m. at the Old Town Hall, located on Route 19 near Hydeville Road, and costs $5 to get in.

The cast and crew will be present to answer questions and sign autographs. DVD copies of the movie will be on sale for $10.

Attack of the Atomic Zombies was filmed exclusively in Stafford and features an almost entirely local cast of actors, including Diana’s wife and daughter.

The film’s plot centers around an evil scientist named Dr. Harry Housen who comes to town to conduct experiments and then dumps atomic waste into the Stafford water supply. When residents drink the water, they are transformed into atomic zombies.

Diana’s zombie’s don’t attack or bite, though. They loiter more than anything, he said, which was designed as a parody on small town life.

The film is a “love letter to the B-movie genre,” Diana said. “The acting is supposed to be stiff and wooden to make it work. It comes across really hilarious.”

The production company had a limited budget and all-volunteer talent, so Diana, who freelances full-time as a composer and digital editor, used his computer editing skills to enhance the film and make its ‘50s setting look more realistic.

In one scene, he superimposed a 1950s Chevrolet Bel Air in a parking lot, and in others he digitally removed cars or objects that looked too modern.

“The computer opens up a whole bunch of possibilities,” he said.

The movie’s dialogue is also unique, Diana said, because none of the lines were scripted. Rather, Diana wrote a synopsis of all 23 scenes and let the actors improvise.

“They knew what they had to do in the scene but not what to say,” he said.

Many of the actors were familiar with improvisation, but some were new to the craft.

When the cast viewed the film for the first time in November, they were relieved at how well the movie turned out and how hilarious the dialogue was, he said.

“The film has a good heart,” he said, “and it’s a lot of fun. People had a passion for making it.”

All three members of Butterfleye Films worked on the production. Diana wrote the film’s music and synopsis and did visual effects. Brian Thone made all of the props, including Dr. Housen’s nuclear reactor, and did zombie makeup. Steve Bednar helped create the film’s concept and plays Sheriff Ed Wood, the story’s hero, on screen.

The trio is already busy making their second film, which Diana said will be more dramatic and ambitious than the comical zombie spoof.

He hopes to someday make movies full-time and to work with a consistent group of friends and actors to pursue his “intense passion” for filmmaking.

“My hope as we go forward with this venture is to keep using the same people to develop a troupe,” he said. “People will get used to the actors in it and see them play different roles in different movies.”

The movie’s runtime is 71 minutes, including trailers. It was filmed in early September over three weekends, and Diana spent five weeks editing and adding special effects.

After the special Stafford showing Saturday, Attack of the Atomic Zombies will make an appearance at Boston Comic Con in April.

For upcoming event information, visit the film’s website, http://aotaz.necromare.net.

Controversial Horror Director Uwe Boll completes Profane Exhibit segment

Press Release

Harbinger International Films has great news concerning our film, The Profane Exhibit, an anthology of 13 international short films of extreme horror, produced by David Bond and Manda Manuel. Director Uwe Boll has completed his contribution to the film, the creepy and subversive short, Basement, starring Caroline Williams (Texas Chainsaw Massacre 2), Tara Cardinal and horror icon Clint Howard. David L Tamarin, General Counselor of Harbinger, attended the shoot and expressed his concern that the material might be too strong for mass consumption. “The film is about evil that is absolutely real. There are no zombies, and the only monster is of the human variety. The film takes you to a very dark place. Viewers need to prepare themselves for this one.”

Boll’s film is about the corruption of a family in a world where things are not always what they appear to be. A world where monsters parade as family men and home is another word for hell. In an ideal suburban home which could best be described as boring and ordinary a horrible secret exists deep in the basement. Howard and Williams play a married couple with an ordinary life – except for the fact that they keep their starving and abused daughter in a locked basement room that she has not left in years. In this perverse nightmare scenario that is unfortunately based on fact, all the young daughter (Tara Cardinal) wants to do is go outside and into the sun. Instead she must endure daily cruelties. This is a tale of sexual depravity and psychological torture, and a subversive look at the depraved realities of suburban life.

Boll, director of films such as Stoic, Rampage, Seed, Postal, Attack on Darfur, and more, has once again turned his eye on the nature of evil and corruption. Other directors for the film include Richard Stanley, Marian Dora, Yoshihiro Nishimura, Sergio Stivaletti, Ryan Nicholson, Michael Todd Schneider, and Andrey Iskanov. Many more to still be announced

Interview with Actor/Comedian Kevin Pollak

This article originally appeared on the DVD Snapshot website.

Interview: Actor/Comedian Kevin Pollak

by Jason Harris

Necessity is the mother of invention and the reason why Columbus Circle came to be.

“This is the most ridiculous example of the necessity being the mother of invention,” said Kevin Pollak in a phone interview.

Columbus Circle, which he co-wrote with the movie’s director, George Gallo, came about when producer Christopher Mallick’s financing for a remake of a Korean movie fell apart when the Korean government took back the movie rights in 2009, Pollak said.

This bad news came to Mallick as he was at the Cannes Film Festival celebrating the movie, Middle Men, with its cast that included Giovanni Ribisi, who is also in Columbus Circle, and Pollak.

Since Mallick already had two apartment sets built in Los Angeles for his now defunct remake, Pollack told him he would come up with an idea that night and they would go over it on the 11-hour trip home the next day to figure it out.

He was up most of the night coming up with the story for Columbus Circle, which concerns an heiress portrayed by Selma Bair, who is holed up in her apartment and no one knows who she is, and the couple who move into the apartment across the hall from her.

You can read the rest of the interview by clicking here.

The Avengers Theatrical One-Sheet Released

The new one-sheet theatrical poster for The Avengers was released today. A new trailer for the movie will be released on Apple’s iTunes, http://trailers.apple.com/trailers/, tomorrow at 9 a.m. (PST). The movie will arrive in theaters on May 4.

‘Breaking Dawn’ Actress Talks Twilight

‘Breaking Dawn’ Actress Talks Twilight

by Jason Harris

Julia Jones at the Liberty Hotel (Photo by Jason Harris)

Actress Julia Jones has dabbled in television, movies, and plays, and this week she was in her home state of Massachusetts promoting the DVD release of The Twilight Saga: Breaking Dawn, Part 1 (2011).

Jones, 31, spent Thursday at the Liberty Hotel in Boston talking about the series. The latest chapter debuts on DVD this Saturday, Feb. 10. Jones portrays Leah Clearwater, who first appears in The Twilight Saga: Eclipse (2010), the third movie in the popular series.

When Jones got the initial phone call to audition for the movie, she never thought about not doing the movie. She considers the series a “cultural phenomenon.”

Her friend, who is a huge Twilight fan, thought she would be perfect for the character of Leah Clearwater and this helped her with the “daunting” task of bringing the character to the big screen, Jones said.

“When you are playing a character based on a book, let alone a widely popular book, you are playing a character that belongs to the world.”

Jones was aware of the “Twihards,” who are die hard fans of Twilight, when filming the movies.

“One of the most unique parts of the experience is just being part of something that so many people feel so passionate about, and that’s an energy you take with you. It’s pretty powerful.”

The Twilight fans’ excitement “is palpable,” Jones said. “There is no way to know what you’re getting into because it’s such a unique thing.”

Jones recounted some fan stories. Recently, she started tweeting and a fan sent a picture of her daughter dressed up as Jones’ character.

“She was so cute,” Jones said about the fan’s daughter.

The craziest costume she has seen was a fan who dressed up in a nightgown and had bruises and feathers all over her. The fan was dressed as the ‘Morning After’ Bella from Breaking Dawn, Part 1.

Jones has been on the television series ER, and has an upcoming appearance on the series In Plain Sight.

“I got to do stunts and work with guns,” Jones said about her In Plain Sight experience. “It was really fun.”

ER was executive produced by John Wells and Jones would love to be on his new show, Southland.

“It would be so exciting to do anything that he’s involved with,” Jones said about Wells.

Jones said there are a lot of good shows on cable like The Killing and An American Horror Story, which are two series she would like to act on, she said.

Along with being on the silver and small screens, she has also performed on the stage. Jones likes “dabbling” in film, television, and the theatre, and it is one of her favorite parts, she said. She considers these separate venues like “having different jobs.”

“I think part of the reason I’m an actor because I couldn’t see myself going to a desk every day and doing the same sort of thing.”

Jones would love to work with actresses Jessica Lange (The Vow) and Marion Cotillard (Inception, Contagion) and directors Quentin Tarantino (Pulp Fiction), Terrance Malick (The Thin Red Line), and Nick Cassavetes (John Q).

She met with Malick a few times when she was auditioning for a role in The New World and thinks “he’s magical” and considers Cassavetes an “actor’s director.”

Jones was “impressed to death” with Tarantino when she was working on Larry Bishop’s Hell Ride, for which Tarantino was the executive producer.

“I would do anything to work with him as a director,” Jones said about Tarantino. “Hell Ride was a trip.”

She considers her time in the three Twilight movies a “rewarding” experience.

“It’s kind of lucky in a way to be a supporting character in the franchise.”

The Twilight Saga: Breaking Dawn, Part 2 comes out in theaters in November.

Oscar Nominated Tinker Tailor Soldier Spy Coming to DVD in March

PRESS RELEASE

AN ALL-STAR CAST LED BY OSCAR® NOMINEE GARY OLDMAN AND OSCAR® WINNER COLIN FIRTH CAPTIVATES IN THE BRILLIANT ESPIONAGE THRILLER TINKER TAILOR SOLDIER SPY

NOMINATED FOR THREE ACADEMY AWARDS® – BEST ACTOR, BEST ADAPTED SCREENPLAY, AND BEST ORIGINAL SCORE

AVAILABLE MARCH 20, 2012 ON

BLU-RAYCOMBO PACK WITH UltraViolet, ON DVD AND ON-DEMAND

FROM UNIVERSAL STUDIOS HOME ENTERTAINMENT

“PERHAPS THE GREATEST SPY TALE OF OUR TIME”- KENNETH TURAN, LOS ANGELES TIMES

OVERVIEW:  Things aren’t always as they seem in the Oscar®-nominated, suspenseful, and stylish thriller from director Tomas Alfredson (Let the Right One In), based on the classic novel by John le Carré. Focus Features’ Tinker Tailor Soldier Spy will be available on Blu-rayCombo Pack with UltraViolet,on DVD,on Digital Download and On-Demand March 20, 2012, from Universal Studios Home Entertainment.  At the height of the Cold War, Britain’s Secret Intelligence Service (SIS), a.k.a. MI6 and code-named the Circus, has been compromised.  An ever-watchful former top lieutenant and career spy, George Smiley (Gary Oldman, The Dark Knight, Harry Potter and the Order of the Phoenix ), is called out of retirement by the government to help identify and track a suspected mole at the top of the agency.  The list of suspects is narrowed to five men.  Even before the startling truth is revealed, the emotional and physical tolls on the players enmeshed in the deadly international spy game will escalate…Tinker Tailor Soldier Spy is Academy Award®-nominated for Best Actor (Gary Oldman), Best Adapted Screenplay (Bridget O’Connor & Peter Straughan), and Best Original Score (Alberto Iglesias); and is nominated for 11 BAFTA Awards including Best Film and Best Actor.

Also starring Oscar® winner Colin Firth (The King’s Speech) with Benedict Cumberbatch (“Sherlock”), David Dencik (The Girl with the Dragon Tattoo), Tom Hardy (Inception), Ciarán Hinds (The Debt), Oscar® nominee John Hurt (Midnight Express), Toby Jones (The Hunger Games), and Mark Strong (Robin Hood), Tinker Tailor Soldier Spy is “a pleasurably sly and involving puzzler” (Manohla Dargis, The New York Times) and showcases “easily one of the year’s best pictures – Gary Oldman gives a performance that is flawless in every detail.” (Peter Travers, Rolling Stone).

Included with the Blu-ray Combo Pack is an all-new UltraViolet copy of the film. UltraViolet is the revolutionary new way for consumers to collect movies and TV shows, put them in the cloud and download and stream instantly to computers, tablets and smartphones and soon, consumers can download to devices of their choice too. The Tinker Tailor Soldier Spy Blu-ray Combo Pack also includes a Digital Copy of the film which is compatible with iTunes®, iPad®, iPhone®, iPod touch, Android or other retail partners.  So now, consumers can truly enjoy their movies and TV shows anytime, anywhere, on the platform of their choice!

BONUS FEATURES EXCLUSIVE TO Blu-rayTM :  Unleash the power of your HDTV with perfect hi-def picture and perfect hi-def sound.

  • TINKER TAILOR SOLDIER SPY: FIRST LOOK
  • DELETED SCENES
  • INTERVIEW WITH AUTHOR JOHN LE CARRÉ
  • BD-LIVETM : Access the BD-Live Center through your Internet-connected player to watch the latest trailers and more!
  • pocket BLUTMapp:   The groundbreaking pocket BLU app uses iPad®,iPhone®, iPod®  touch,  Android, PC and Mac®  to work seamlessly with a network-connected Blu-ray player.  Plus iPad® and Androidtablet  owners can enjoy a new, enhanced edition of pocket BLU made especially to take advantage of the tablets’ larger screen and high resolution display.  Consumers will be able to browse through a library of Blu-ray content and watch entertaining extras on-the-go in a way that’s bigger and better than ever before.  pocket BLU offers advanced features such as:
  • Advanced Remote Control:  A sleek, elegant new way to operate your Blu-ray player. Users can navigate through menus, playback and BD-Livefunctions with ease.
  • Video Timeline:  Users can easily bring up the video timeline, allowing them to instantly access any point in the film.
  • Mobile-To-Go:  Users can unlock a selection of bonus content with their Blu-raydiscs to save to their device or to stream from anywhere there is a Wi-Fi network, enabling them to enjoy content on the go, anytime, anywhere.
  • Browse Titles:  Users will have access to a complete list of pocket BLU-enabled titles available and coming to
    Blu-rayHi-Def.  They can view free previews and see what additional content is available to unlock on their device.
  • Keyboard:  Entering data is fast and easy with your device’s intuitive keyboard.
  • uHEAR:  Never miss another line of dialogue with this innovative feature that instantly skips back a few seconds on your
    Blu-ray disc and turns on the subtitles to highlight what you missed.

BONUS FEATURES (BLU-RAY and DVD):

  • INTERVIEWS  WITH ACTORS GARY OLDMAN, COLIN FIRTH, TOM HARDY; DIRECTOR TOMAS ALFREDSON; AND SCREENWRITER PETER STRAUGHAN
  • FEATURE COMMENTARY WITH DIRECTOR TOMAS ALFREDSON AND ACTOR GARY OLDMAN

TECHNICAL INFORMATION – BLU-RAY:

Street Date:  March 20, 2012

Copyright:  2012 Universal Studios.  All Rights Reserved.

Selection Number: 61120849

Running time:  2 Hours, 8 Minutes

Layers:  BD-50

Picture Format : Widescreen

Aspect Ratio: 2.35:1

Rating:  Rated R for violence, some sexuality/nudity, and language

Languages/Subtitles:  English SDH, Spanish, French

Sound:  DTS-HD Master Audio 5.1, Spanish DTS Surround 5.1, French (EU) DTS Surround 5.1

TECHNICAL INFORMATION – DVD:

Street Date:  March 20, 2012

Copyright:  2012 Universal Studios.  All Rights Reserved.

Selection Number: 61120847

Running time: 2 Hours, 8 Minutes

Layers: Dual Layer

Picture Format: Anamorphic Widescreen

Aspect Ratio: 2.35:1

Rating:  Rated R for violence, some sexuality/nudity, and language

Languages/Subtitles:  English SDH, Spanish, French

Sound:  Dolby Digital 5.1, Spanish Dolby Digital 5.1, French Dolby Digital 5.1

CAST AND FILMMAKERS

Cast:  Gary Oldman, Benedict Cumberbatch, David Dencik, Colin Firth, Tom Hardy, Ciarán Hinds, John Hurt, Toby Jones, Mark Strong

Directed by:  Tomas Alfredson

Produced by: Tim Bevan, Eric Fellner, Robyn Slovo

Screenplay by: Bridget O’Connor & Peter Straughan

Based on the novel by: John le Carré

Executive Producers: Debra Hayward, Liza Chasin, Olivier Courson, Ron Halpern, John le Carré, Peter Morgan, Douglas Urbanski

Co-Producer:  Alexandra Ferguson

Director of Photography:  Hoyte van Hoytema

Production Designer:  Maria Djurkovic

Costume Designer:  Jacqueline Durran

Film Editor: Dino Jonsäter

Music by:  Alberto Iglesias

Joss Whedon’s Cabin in the Woods Looks Like Every Horror Movie (You’re Gonna Love It)

This article originally appeared on Wired.com.

Joss Whedon’s Cabin in the Woods Looks Like Every Horror Movie (You’re Gonna Love It)

by Angela Watercutter

The new trailer for the Joss Whedon-produced film The Cabin in the Woods comes stamped with the very evocative message “You think you know the story….” It’s a tease of the best kind because the fact that the first trailer looks like every horror film ever made is what makes it look so freaking awesome.

The movie’s premise is simple: A group of friends go to a very remote cabin in the woods for a weekend of fun. The group (lead by a pre-Thor Chris Hemsworth) gets a little lost, but then the semi-friendly owner of a dilapidated country store helps them find their way to their decidedly freaky-looking shack.

Then, get this, the store owner says, “The lambs have passed through the gate. They’re come to the killing floor.” Things proceed to go wrong — very, very wrong (and very weird). Marilyn Manson’s “I Put a Spell on You” (from the Lost Highway soundtrack, obviously) is playing in the background. It’s so on-the-nose it’s really hard not to feel like you’re watching it at a junior-high sleepover.

But this is a film co-written by Whedon with Cloverfield/Lost/Buffy the Vampire Slayer writer Drew Goddard, who also directed the movie. All the predictability feels very intentional, and it’s hard not to imagine that when things get even worse for your pretty young things that there will be great horror moments of the highest order (our guess is that the hot doctor from Grey’s Anatomy — Jesse Williams — eats it first). Also, there are some unexplained shots of a mission-control-type place — the kind of high-tech headquarters that typically aren’t seen in your run-of-the-mill horror flick.

There will also be plenty of tongue-in-cheek lines like, “We have to stay together,” and lots of winks to the audience. We’re counting on the stoner friend to be the narrator who points out all things intentionally over-the-top.

And since it’s a Whedon-and-Goddard production, we’re also expecting the third act to be more surprising than even this twisted teaser lets on. As the trailer notes, you might think you know the story, but “think again.”

The Cabin in the Woods hits theaters April 13, 2012.

‘Ghoul’ Arises Back in Print and on Film

Two-time Bram Stoker Award-winning author Brian Keene’s Ghoul has recently been released with a new edition by Deadite Press. It tells the story of Timmy Graco and his two friends who risk their lives to stop a rash of disappearances in town, happening in the town in the summer of 1984.  It’s a great novel that is hard to put down. It will make you nostalgic for the songs and toys Keene mentions that were popular during that time.

Ghoul cover (courtesy of Brian Keene's website)

The movie based on the novel premieres at the Slamdance Film Festival on Jan. 22 at 4 p.m. and Keene will be in attendance. It will also be shown at the Sundance Film Festival. The movie is directed by Greg Wilson (The Girl Next Door) and the screenplay was written by William M. Miller (Headspace).

The movie comes to the Chiller channel in April.

Find out more about Keene on his website.

David L. Tamarin’s Notes from the Darkside

COLUMN

David L. Tamarin’s Notes from the Darkside

Break a Leg, My Life in Film

It was so cold that at the last moment the actor said he couldn’t do the scene. All he had to do was reach through a wall and grab a girl by the throat and pull her through the hole. Because he was a zombie, he had to be shirtless, with makeup on his arms. We were filming in the third floor basement of an abandoned gigantic train depository in Buffalo, New York, in the Winter. It was beyond freezing. One of the reasons the building was closed down was because it was filled with asbestos, which I inhaled regularly for two weeks on the set. We were restricted to the first three floors, so naturally when I wasn’t shooting I was wondering around the forbidden higher floors of the mammoth structure, where giant blocks would fall from the ceiling leaving a mushroom cloud of asbestos. I didn’t have anything to cover my mouth and filter my air, so if I get some type of asbestos poisoning at least I know I did it for art. For horror.

So I volunteered to play the Zombie Arms.  I took off my sweaters and jacket and was freezing, and when they began to apply the icy cold makeup I thought my blood was going to freeze and my fingers would fall off and shatter on the hard ground like icicles. For two miserable hours a team of make-up artists transformed my arms into hideous deformities. I’ve worked with makeup effects many times and these people were excellent. I was literally shaking and trembling from the cold, which didn’t make their jobs any easier. But this was easier than my ordeal several days prior to this, when I had played a zombie and spent 7 hours wearing just my boxers getting a full body zombie makeover, followed by an extremely long and cold shoot that lasted a full 12 hours, during which I shattered a toe, followed by two hours of makeup removal.

I was running, chasing after a scream queen, and we were in these very spooky tunnels underground that looked like they were part of a dungeon. I was barefoot, it was completely dark, and I kicked a rock. It was so cold I felt nothing, but the next morning I woke up several people in the motel screaming. The pain was massive, indescribable – and I had not even noticed on set because of the Arctic-like conditions.

On set at the filming of Prison of the Psychotic Damned (courtesy of David L. Tamarin)

When I did the zombie arms, my toe was broken, and had been three days, but I did not know it yet and the cold prevented me from feeling everything. Back at the hotel, alcohol helped. When I was ready they set up the shot in this underground sub-basement room that looked like it was an ancient execution site. It was the perfect environment for the film, which was a horror zombie gore-fest, but a terrible place to spend all of your time for two weeks. We would all hover around little gas heaters in between takes. Except me, because my makeup was highly flammable, so I could not even stand near the little heaters. Of course, no one told me I was flammable and I had spent a couple of hours by the heaters, almost putting my hands in the flames to gain some feeling back. Then the cinematographer went to light up a cigarette and someone screamed “Don’t light that! David is covered head to toe in flammable material!” I jumped back from the heater and stayed away for the rest of the shoot.

As instructed, I reached through the hole in the wall and grabbed the actress by the throat and began to pull her back.

It was at this point that I realized what a unique business this is. I didn’t want to hurt her, and wasn’t pulling hard enough, and the crew was trying to get me pumped up so they could get the shot and move on. So ten people started screaming at me. “Choke her!” “Squeeze her neck harder!” “Don’t worry about whether you’re going to hurt her you’re a zombie act like you want to fucking kill her!” I felt like I was re-living the scene in The Accused where a bunch of drunks cheered on a rapist. Everyone was screaming at me to choke this woman, choke her and yank her entire body through a hole in the wall. I can’t think of any other job where people would be screaming at me for not choking a woman hard enough, and would be critiquing my choking techniques.

It was only after the actress told me I was a wimp and to get over it so we finish and get out of this icy chamber before we started losing fingers to frostbite that I was able to give a satisfactory performance.

On set at the filming of Countess Bathoria's Graveyard Picture Show (Photo courtesy of David L. Tamarin)

Cut to six years later, in a Canadian barn. There’s this device you put cows in to get them pregnant, and my head was locked into one, my body twisted in a terribly painful position. Now the tables were turned. That same actress was now directing me in my own murder scene, and this time I was the one who was going to suffer. My head is knifed open by an evil doll, and my brains dumped into a plate, which she sips up with a straw. As with the other film, I was one of the writers and had a real emotional attachment to the film and would do what it took to let my words turn into visual mayhem and scare or repulse the audience.

The film debuted at Fantasia Film Fest, but there was one slight problem: someone called a bomb threat into the movie theatre and halfway through the film, a nervous woman came onstage and in a Canadian accent asked that we all leave the building as quickly as possible so that the police could search it for bombs. Feel free to add your own “that film really bombed” pun at this point, but trust me I’ve probably heard it. “I bet they were worried when they heard your film was a real bomb” is the one I hear the most. But luckily, it was a theatre full of devoted fans. And the vast majority waited outside in Quebec way past midnight for over an hour until they cleared the building and let us back in to finish the film. And far from being a bomb, the film kept the audience spellbound despite the bomb threat. As for why someone called in a bomb threat, that is another story for another column.

David L. Tamarin is an attorney, writer, and actor along with being a NEHW member.  This is his first column for the site.

‘Piranha 3DD’ One Fin Closer to Going Straight to DVD

This article originally appeared on the Film School Rejects website.

‘Piranha 3DD’ One Fin Closer to Going Straight to DVD

by Nathan Adams

The 3D reboot of Piranha from 2010 was one of my favorite movies of that year. And I don’t usually much like horror stuff, especially winky, self-aware horror parody: that means they did something very right. So word of a followup should have been great news. But as soon as Piranha 3DD was announced as re-teaming the creative team behind the Project Greenlight winning horror film Feast rather than re-teaming the creative team that already worked so well together on a Piranha movie, director Alexandre Aja and writers Pete Goldfinger & Josh Stolberg, I was dubious.

The next hint that this movie wasn’t going to turn out so great came in October, when Piranha 3DD was scrapped from having its planned November 2011 release and was instead marked with the ominous “sometime in 2012” release date instead. It was starting to look like the writing was on the wall, that Dimension didn’t have much faith in the film and that it was now residing in limbo, probably until an eventual straight to home video release.

Well, it looks like the next step toward making that doomed future a reality has happened. It’s looking like the UK has now become the first market to scrap a theatrical release plan for Piranha 3DD in favor of dumping it onto disc. According to the British Video Association website, March 19th is the day it will happen. Unless this is a mistake by the BVA site, this means that not very many people will be seeing the movie in the UK, and almost no one will be seeing it in its intended 3D format. Also, once copies of this thing start floating around due to the UK release, it’s probably going to be a lot less likely that anyone is going to bother showing this thing in a theater in the States or anywhere else; if there were still any plans to make that happen at all.

This can only be seen as bad news for Feast fans, and fans of 3D boobs and gore in general. But, as a fan of the 2010 Piranha specifically, I kind of see it as just desserts. This is what you get when you try to keep a franchise going without bringing back the people who made the magic happen. Let that be a lesson to you, purveyors of filth. [via Bloody Disgusting]