Jul 17 2013

Director Talks about ‘Dirty Wars’: Part II

by Jason Harris

According to the movie’s website, Dirty Wars “begins as a report into a U.S. night raid gone terribly wrong in a remote corner of Afghanistan, and quickly turns into a global investigation of the secretive and powerful Joint Special Operations Command (JSOC).

As Jeremy Scahill digs deeper into the activities of JSOC, he is pulled into a world of covert operations, unknown to the public and carried out across the globe by men who do not exist on paper and will never appear before Congress. In military jargon, JSOC teams ‘find, fix, and finish’ their targets, who are selected through a secret process. No target is off limits for the ‘kill list,’ including U.S. citizens.

Drawn into the stories and lives of the people he meets along the way, Scahill is forced to confront the painful consequences of a war spinning out of control, as well as his own role as a journalist.

We encounter two parallel casts of characters.

The CIA agents, Special Forces operators, military generals, and U.S.-backed warlords who populate the dark side of American wars go on camera and on the record, some for the first time.

We also see and hear directly from survivors of night raids and drone strikes, including the family of the first American citizen marked for death and being hunted by his own government.”

The world has changed so much since director Rick Rowley and writer Jeremy Scahill began Dirty Wars. When they started the film, there was no public discussion on the war on terror, Rowley said. No one was talking about drones, targeted killing, assassinations or any of that. There may have been some talk on the fringes, but nothing like there is now, Rowley said. It eventually moved from the fringes to the editorial pages of the Washington Post.

Rowley doesn’t know why it is being talked about now when it wasn’t when they started the film. He thinks this discussion should have happened a decade ago so people would know why the war is being waged, what it’s doing to the world, and doing to us as a people. “It’s wonderful that it is, but the rhythms where they take us are difficult to explain.”

He’s not sure how these things happen, but after Sept. 11 it was bound to take some time before we could soberly look at what was going on, Rowley said. He thinks it could be happening now that President Barack Obama has been re-elected and he won’t be facing a challenge from a Republican contender.

“I think its safe for them to come forward and begin to talk about issues that they would feel differently talking about if you were about to go up against [Mitt] Romney.”

Rowley hopes his film is a part of the conversation that is going on at the moment. There are more than a dozen wars going on in the world at this time.

“There are a dozen of those countries where wars are being fought in our name, but without our knowledge and without our consent. And at home, they have assumed the right to execute American citizens without formal charges and without a trial.”

Rowley believes fundamentally important decisions have been made about who we are as a country and how we operate in the world, and it has all been made over the last decade in secret without a national debate. These wars have been orchestrated by the secretive and powerful JSOC, which Scahill is about to sue, he said. The lawsuit is coming about because of all the freedom of information requests that have not been answered by JSOC.

Scahill was also pressured not to publish certain articles, Rowley said. Scahill was threatened and his computer was hacked. Some of these instances are chronicled in the film. The film also delves deeper into JSOC’s activities.

You can find out where Dirty Wars is showing on its website, http://dirtywars.org/.

Jul 13 2013

Director Talks about ‘Dirty Wars’: Part One

By Jason Harris

Dirty Wars, which was released in June, follows investigative reporter Jeremy Scahill, author of the international bestseller Blackwater, into the heart of America’s covert wars. He travels from Afghanistan to Yemen, Somalia and beyond.

“The war on terror is the most important story of our generation,” said Rick Rowley, director of Dirty Wars. “It’s the reason why I became a war reporter a decade ago, because this is the longest war of our history. We passionately believe the American people have a right and a responsibility to know about the wars being fought in their names around the world.”

This global war on terror has killed thousands and thousands of people, including American servicemen, he said. It has also cost billions of dollars.

“It’s unfolding mostly in the shadows without any public knowledge or without any meaningful congressional oversight,” Rowley said.

Rowley and Scahill wanted to make a film that would bring the war out of the shadows and into the light of public discussion, he said. He wants people to have a conversation about the war, what the United States is doing in the world and what’s becoming of us as a nation, he said.

There were dangers for Rowley and Scahill while they were filming.

“It wasn’t safe for us to travel around with a big crew, so it was just Jeremy and I traveling together,” Rowley said.

Jeremy was the interviewer and on-air talent, while Rowley was the behind-the-scenes person responsible for filming, sound and doing any other production function required of him, he said.

“In each country, we figured out a different way to work and to keep us safe.”

They grew their beards out, dressed in local clothing and drove around in a beat-up Toyota in Afghanistan, he said. They had to feel out the edge of how far they could safely go outside of Kabul.

“We had to go out and came back before the sun set, because the Taliban take control of the roads at sunset.”

Their calculations were wrong occasionally, which is shown in Dirty Wars when they were trying to return to Kabul, Rowley said. There was an ambush, which caused them to be stuck on the road after sunset. They ended up hiding out in a room nearby until sunrise when they could travel safely again, he said.

There plan was to fly below the radar in Afghanistan, but in Somalia it wasn’t a possibility.

“The only way for us to move around was with security,” Rowley said about filming in Somalia. “We never liked the high security because it changes the way you operate in a country.”

In Somalia, they had to drive around with twelve soldiers armed with machine guns, a decoy vehicle and motorcycles riding with the convoy, he said.

“I have never been in a city as dangerous as Somalia. It really is a surreal place.”

They were there filming at the height of the battle between the local insurgency and the African Union. The insurgents weren’t accurate with their weapons past 100 meters, Rowley said.

“We felt relatively safe in that you had to be very unlucky to get hit.”

Jeremy did tell him that he saw the insurgents spraying bullets trying to hit him after seeing a white guy with the warlord, Rowley said.

“Luckily, I didn’t see it or I would have changed the way I was working there.”

Rowley did recount a story that one of the warlord’s troops told him about another journalist who was shot and killed in the exact same spot they were filming at.

The entire filmmaking process took about three years. The film cost between $300,000 and $400,000. It was financed by a number of different foundations, Rowley said.

“It’s a film that wouldn’t have been commissioned by a television network.”

This movie could have only been made with help from the nonprofit sector because of the risks and the scope of the investigation, he said.

Dirty Wars opened at Real Art Ways in Hartford, CT on Friday, July 12. The theater is located at 56 Arbor Street. Director Rick Rowley will be attending the 2:15 p.m. screening at RAW today, which is hosted by the ACLU of Connecticut with Medea Benjamin of Code Pink

Jul 8 2013

Authors and Design Converge at FindTheAxis.com

Stanley Tremblay owns a business, FindTheAxis.com, for authors who need a cover for their print book. All designs range from $300 to $800 or more, depending on what a writer needs. Tremblay has done book covers that wrap from the front to the back. He has also done a continuous image where he has melded multiple images together to create something that goes completely around the book.

If you don’t want to have a print book made, but an e-book instead, he can help you with that as well. Past and present clients include Steve Alten, NY Times bestselling author of the MEG series, Jeremy Robinson, bestselling author of SecondWorld and Island 731, and Steven Savile, international bestselling author of Silver.

Not only does he do covers for print books and e-books, he can also help authors build their websites. He partnered with Mindstir Media and The Novel Blog. He had a hand with building the website for Variance Publishing, Rick Chesler and Rick Jones. Other sites can be found at FindTheAxis.com.

Find the Axis is a full-service graphic design company geared toward book creation and layout. From book covers to e-book and print layout, to HTML websites, logos, business cards, bookmarks and more, Find the Axis works hard to bring top quality work and rapid response to every client, regardless of size.

Tremblay has helped authors and publishing houses in the past. Check out his website, FindTheAxis.com, and contact him to see how he can help you. Keep up with his latest designs on Facebook.

Jul 6 2013

Front and Back Covers Announced for New NEHW Anthology

The front and back cover of Wicked Seasons, the new New England Horror Writers anthology have been announced. They are by Mikio Murakami, who has done covers for Shock Totem magazine.

Front cover of Wicked Seasons by Mikio Murakami.

The back cover.

The table of content for the second New England Horror Writers’ anthology, which is being edited by Stacey Longo, is listed below.

Introduction: Jeff Strand

“Furious Demon” by Addison Clift
“The Basement Legs” by Robert DuPerre
“Hungry For More” by Michael Evans
“The Secret Backs of Things” by Christopher Golden
“Blood Prophet” by Scott Goudsward
“Three Fat Guys Soap” by Catherine Grant
“Chuffers” by Paul McMahon
“Spirits” by James A. Moore
“Bleedthrough” by Gregory Norris
“Lycanthrobastards” by Errick Nunnally
“To Chance Tomorrow” by Kristi Petersen Schoonover
“A Night at the Show” by Robert Smales
“The Girl Who Wouldn’t Break” by Lucien Spelman
“The Widow Mills” by Trisha Wooldridge

Wicked Seasons will be released at Anthocon 2013 in November.

The first anthology, Epitaphs, was published in October of 2011.

Jun 28 2013

Review: ‘Interlands’ is ‘Perfect Example Why Self-Publishing can be a Good Thing’

By Stacey Longo

Interlands by Vincent O’Neil (2013, Vincent O’Neil) is the perfect example of why self-publishing can be a good thing. The novel is well structured, reads at the perfect pace, and is hard to put down. There is no reason why O’Neil shouldn’t be picked up by one of the big publishing houses; but with so many voices out there, and so little money to sign new authors, it’s hard for a good writer to get a contract these days.

The novel introduces us to Angie Morse, a graduate student who is working on the final touches of her college thesis. The paper’s done, but she’s searching for a mysterious obelisk that she believes still exists somewhere in the area of Providence, RI. She’s found documents and photographic evidence of the monument, and even after uncovering some disturbing folklore surrounding it, is unable to give up her quest. There’s a great deal of mystery surrounding the obelisk as well as Angie herself, and the reader is given pieces of the puzzle along the way to hone one’s curiosity. O’Neil is able to answer questions in such a way that the reader thinks “Oh, that’s why! But what about this?”

The descriptions of Providence are eye opening, and the reader will never look at the city in quite the same way. (Being a New Englander myself, I can’t wait to go back and look at the buildings and train tracks through fresh eyes.) Interlands provides such an accurate and enchanting description of the WaterFire events that are held in Providence every year that if you’ve never been, you’ll swear you have after reading it.

O’Neil’s ability to slip into the horror/supernatural genre is impressive. He has previously published a series of Frank Cole mystery novels (Murder in Exile, Reduced Circumstances) and a sci-fi novel as Henry V. O’Neil (Glory Main), but he slides into the horror/thriller genre with ease. His novel tips its hat to Providence native H.P. Lovecraft, but O’Neil has a style and structure all his own. There’s no need to be a Lovecraft fanatic to enjoy this book—it has a tight plot and straightforward style all its own.

There were a couple of questions that didn’t get fully answered for me – there’s a mysterious man that Angie dances with that I felt could use more explanation, and (without spoiling anything here) Angie’s reaction to her former roommate at the end was much more placid than I’d expected. But overall, this is a satisfying read. Interlands is vividly crafted and well worth the read.

Jun 24 2013

The Mars Patrol Releases Follow-up Album

By Rob Watts

London’s indie rockers have done it again. The Mars Patrol have released their long-awaited follow-up to 2010s Landline, and it’s nothing short of perfection. Young Lovers illuminates the band’s desire to tread steady into the pop-rock universe on their own terms, not unlike many of their U.K. Peers such as A Silent Film or The Boxer Rebellion. Young Lovers was produced by lead guitarist Ross Nelson (and mixed by Grammy-nominated Tim Palmer of U2 and David Bowie albums), the band retreated to an old farmhouse in the English countryside to escape the pressures and distraction that their London hometown offered. The result was a masterfully blended e.p. that boasts all the hallmarks of a big-budget, radio-friendly listening experience.

Lyrically, Young Lovers puts forth the bands growth and maturity and gleefully reveals the band’s intention to remain in the race as long-distance runners, not mere sprinters. “Here We Go” opens the album up with Davina Divine’s beautifully delivered lyrics “cause I can’t wait for what I can see/when it’s just so close it’s in front of me.” “Stop Pushing You Away”, the lead single delivers a glossy and stylish pop ballad sans the usual desperation such songs anchor us with. “Coming Home” is a slow-tempo ballad that builds with a towering sheen of guitars from Nelson and James Williamson and a healthy coda of Lewis Searle’s drums. “I Wonder” is reminiscent of “I Still Want You” from the band’s debut album, Are You With Me?. Divine’s compelling delivery of such songs convey to the listener the vulnerability and emotion of heartbreak and falling in love. The title track closes the album up brilliantly with the band’s trademark upbeat and rhythmic nuances. Stephen Parker’s thumping bass and Matt Baker’s atmospheric vibes snap tightly together with the rest of the band’s musicianship to complete yet another enjoyable delivery from the U.K.’s most exciting band.

Check out the band’s website by clicking here.

Jun 23 2013

Books & Boos Blog Entry about the Holly Newstein Hautala Fundraiser

The fundraiser went well today. The bookstore raised almost $350 for Holly. Her husband, author Rick Hautala passed away unexpectedly on March 21, 2013. Unfortunately, before he died, his life insurance policy lapsed. His widow and family are struggling to pay expenses related to his death. Anyone who has met Rick knows what a genuinely kind and decent man he was.

Not every item in the silent was bid on so we will be putting those items up on Ebay and/or our Amazon page. We will let you know when they are listed.

We want to thank Bill and Marge Rockwell, Scott M. Goriscak, David Price, T.T. Zuma, Trisha Wooldridge, Vincent H. O’Neil, Ronald Winter, Dan Foley, G. Elmer Munson, Jennifer Allis Provost, Dale T. Phillips, Vlad Vaslyn, Lauren Middleton, Tim J. Finn, Brian and Loretta White, Richard Tomas, Sandy Deluca, Leslie O’Grady, Linda Orlomoski, Kristi Petersen Schoonover, Daniel Keohane, Tracy L. Carbone, Stephen D. Rogers, Alex Scully, T.G. Arsenault, Carson Buckingham, Hal Kinney and Robert Heske.

The above list of people participated by appearing at the fundraiser, donating to it, or just helping by setting up and making food for the event. It was greatly appreciated.

We also would like to thank Rob Watts, Erin Thorne, Philip Perron, Gardner Goldsmith, Bracken MacLeod, Stephanie Johnson, Kate Laity, Amy Grech, and Catherine Grant for either sharing on Facebook, tweeting/retweeting on Twitter and/or writing blog entries about this fundraiser. Thank you for taking the time to promote this event.

We would also like to thank John Valeri of the Hartford Examiner and Ryan Blessing of the Norwich Bulletin for writing about this fundraiser.

We want to thank Pastor Kevin Zufall (Church of Hope) for lending us chairs for the event.

This entry is from the Books & Boos’ blog. You can read and see the pictures from the fundraiser by clicking here.

Jun 20 2013

Fundraiser at Books & Boos this Saturday

Books & Boos is holding a fundraiser for Holly Newstein Hautala on Saturday from 10 a.m. to 8 p.m. Holly is an author and a wonderful person. She lost her husband, Rick Hautala, to a heartattack in March. At the time of Rick’s death, he had let his life insurance policy lapse because he couldn’t afford it. A writer’s life is one of struggle and Rick’s life was no different.Rick was an author and the nicest guy. He would help aspiring writers with comments and by even reading their manuscripts if he had the time. I got to know him at Necon (http://www.campnecon.com/), a writer’s convention that happens every July. I talked with him there. I even beat him at darts with his own darts. I will always remember him calling me a ringer when I beat him. He is a person who will be missed. You can read the tributes from the people he touched here.

If you want to get to know him, his autobiography, The Horror… The Horror: An Autobiography, was released as an e-book on May 27, you can read more about it here.

There will be 14 authors attending the fundraiser throughout the day. Here is the list of authors attending: Dan Foley, Scott M. Goriscak, Stacey Longo, G. Elmer Munson, Vincent H. O’Neil, Monica O’Rourke, Dale T. Phillips, David Price, Jennifer Allis Provost, William Rockwell, Vlad Vaslyn, Brian White, Corrine De Winter, Ronald Winter, Trisha Wooldridge, and T.T. Zuma.

There will be three different panels (the Horror Movie panel from 1 p.m. to 2 p.m., Favorite Books of All Time from 2 p.m. to 3 p.m., and Ghosts in the Attic: My Personal Paranormal Experience from 3 p.m. to 4 p.m.).

A 8×10 autograph William Shatner picture.

There is also going to be a silent auction going on throughout the day until 6 p.m. Over 35 silent auction items will be available to bid on throughout the day, including signed 8 x 10 of William Shatner, Walter Koenig, and George Takei; handcrafted jewelry; a writer’s basket of goodies; a rare The Outer Limits figurine; Dr. Who puzzles; a basket of books; original photography by Linda Orlomoski of Norwich, and many other incredible items. You can see the items here.

If you can’t make it on Saturday, the bookstore’s owners have set-up a way for people to bid on the items. Click here for more details and information.

There will also be giveaways, balloons, and free food at the event. It’s going to be a great day so please come and enjoy yourselves.

Jun 13 2013

A Conversation with Author Adam Cesare

By Jason Harris

1. You have written a novel, novella, and a short story collection. What are you working on now?

Next up will be another full-length novel. That one will be from Samhain (they put out Video Night, as well) and it’s my take on the satanic cult subgenre. All the longer pieces I’ve written have all been set in specific periods (the 1980s, 1960s, etc.) I didn’t want to become known as the “throwback” horror guy, so The Summer Job is set in our time. The characters have iPhones. I’m all done with that one and right now I’m working on a novella for a to-be-named publisher. I’m super excited about both of these.

2. On Amazon, it has you credited with Bound by Jade (the Fourth Sam Truman Mystery). Is this true and were you involved with any of the other mysteries in the series? I only ask since you don’t have this book listed on your website.

There are a couple of posts about it on the site, but I think they’ve been pushed off the front page over the last few months. It should be on the website; I’m just the world’s worst webmaster, so it’s not up there. I’ll fix that.

The series was created by writer/publisher Ed Kurtz. Sam’s a disgraced P.I. who just happens to get the city’s strangest cases (the books are supernatural noirs). I didn’t write the first three, but they all share the same character. The series is something special and I’m very proud of my entry. They’re dirt cheap, so everyone should give the Sam Truman books a try.

My installment is a novella called Bound by Jade. It can stand on its own, but reading the whole series is the best way to go.

3. You have written about movies in Tribesmen and Video Night. Would you say, you have been influenced by movies? What movies have influenced you?

Yeah. Even from a young age, movies were my everything. Not to get lame with the “write what you know” adage, but I use the world of film as a jumping off point in those books. Video Night is based on the phenomenon of watching movies, especially the social aspect of that, while Tribesmen is more about making movies and what goes in (and shouldn’t go in) to getting what you need on camera.

The Summer Job doesn’t explicitly connect to the world of film, but it is my attempt to write in the genre of folk horror. To the best of my understanding, folk horror is predominately a film term and it describes the subgenre that films like The Wicker Man, Blood on Satan’s Claw and Kill List belong in. Those are all British films, and I am nowhere near British enough to try and write about the location, so mine’s a New England folk horror story.

4. You were a film studies major in college. What made you decide on that degree?

I studied both English and Film. When you’re a film studies major (as opposed to a film production major) the two fields of study are actually very similar. They’re both a lot of reading, writing, and analytical thinking. That kind of stuff interests me and I think that being a critical consumer of media (no matter if it’s Re-animator or The Canterbury Tales) makes you a better writer.

5. What did you envision doing with your life with a Film Studies degree?

I went to grad school for a year and picked up a Masters in Education. So I’m qualified to teach, which is also something I find worthwhile/enriching.

6. Who are some of your favorite writers?

Oh boy. This is one of those questions I could spend all night on. For horror, let’s go with Aaron Dries, Sarah Langan, Laird Barron, Stephen Graham Jones, Shane McKenzie, and Jeff Strand.

7. Who are you reading at the moment?

I’ve got Joe Hill’s latest, NOS4A2 almost finished. I’m right now in the process of choosing what goes next. I try to put my genre consumption on rotation, so since I’m just finishing reading something that’s horror I’ve got three different genres all vying for the title: N.K. Jemisin’s The Killing Moon (fantasy, I think), James S.A. Corey’s Abaddon’s Gate (science fiction) and Duane Swiercynski’s third Charlie Hardie book, Point & Shoot (crime).

8. You have a blurb from Jeff Strand for Tribesmen. How did you feel when you received that blurb? Did you seek him out for one?

Jeff and I had only met once very briefly before I asked him to take a look at the book, so I was really surprised how nice he was about the whole thing. His blurb is amazing and now that I’ve seen him a couple more times at conventions, he and his wife (author Lynne Hansen) are two of my favorite people.

9. Would you like to see Tribesmen or Video Night made into a movie?

Yes, please.

10. If they were made into a movie, who would you like to see direct it and why?

Some aspects of the books would probably have to change either way, but I like to think that they’re both pretty adaptation-friendly.

Lexi Alexander would be a good choice for Video Night, in my opinion. She knows how to work with actors and gore in equal measure as evidenced by the criminally underrated Punisher: War Zone.

The dynamic directing-duo of John Skipp and Andrew Kasch would be my choice for Tribesmen. They’ve done some incredible short work that’s both hilarious and disgusting. They would get the tone EXACTLY.

I mean. There are no films in the works or anything, so why don’t we throw P.T. Anderson and Kathryn Bigelow and [Martin] Scorsese in the running?

11. What made you stay in Boston after college?

I love it. It’s been my home for seven years. It’s a movie-loving town, for one thing. The Coolidge and the Brattle are two of the best theaters in the country and they’re both walking distance from me.

12. Are there any plans to put Bone Meal Broth out in paperback? What inspired that collection of work?

I had the rights back to a bunch of stories that had been previously published, so I picked out the best of them and put out a short (20,000 word) collection. I’m quite proud of it, but I’m not sure it’ll ever be in paperback. It’s the only time I’ve self-published something and I really enjoyed the experience. Maybe in a few years I’ll bump up the word count by adding some stories to the roster and then find a publisher that would tangle with it.

13. What has your nonfiction work been about?

It’s all film essays. I’ve written guest posts for a few blogs and my articles have seen print in Paracinema Magazine. They’re amazing, by the way, if you haven’t read that magazine I highly recommend it.

14. Your work has been featured in Shroud and Fangoria. How did it feel being in Fangoria, a horror magazine that I think every person who is or has been into reading/watching horror has read?

That was just a quick book review I wrote freelance for them, but it got my name on the contributor page and I thought I would faint. For the whole month I was going to newsstands, thumbing to my page and giggling like a madman.

15. You had a blog, Brain Tremors. I love that name by the way. Why choose that name? Did the name come to you right away? Is there history behind the name?

Yeah, Brain Tremors. That was my old page, but I still use the banner over at www.adamcesare.com. I kind of knew what I wanted the insignia to look like, and what’s creepier than an involuntary shaking of the brain?

16. What would be your advice for wannabe writers?

Ha. I’m too low-level to be handing out advice. My advice would be to take writing advice from Joe Lansdale, as he hands it out occasionally on his Twitter/Facebook feed.

One thing that does bug me is the idea of an “aspiring” writer. There are a lot of people on twitter that label themselves that way. Fake it till you make it, guys and gals. There’s no room on the internet for low self-esteem, it’s too full of cat pictures and lackluster writing advice.

Jun 11 2013

Pictures of the Annual 32nd Tag Sale on the Green

The 32nd Annual Tag Sale on the Green happened this past Sunday, June 9, in Colchester, Connecticut. This event is organized by the Colchester Business Association. There was beautiful weather, which attracted huge crowds of people. It was a great day. There were more people there than some other similar events I have gone to. I heard it was a very popular event, but wasn’t sure what to expect. It was my first time at this event and my expectations were met. I was at this event not only as a customer, but as a vendor. My store, Books & Boos, had a tent there.

BB, the Books & Boos mascot hovering around the banner for the 32nd Annual Tag Sale on the Green

If you want to find out about BB’s adventures, you can go to Books & Boos Facebook page and see the photo album titled “BB’s Adventures.”

This event also had fried dough, corndogs, sundaes, and even Subway was there selling six and 12-inch sandwiches. I wish this type of variety was at other craft fairs.

The crowds at the 32nd Tag Sale.

The Books & Boos and Re-use of Misdirected Flatware tent.

You can see the different items that John Gilchrist creates on his Facebook page here. He sells some of his items at Books & Boos too.

Author Rob Watts was at the Books & Boos tent on Sunday.

You can find out more about Rob Watts at his website.

Christine Volpe arranging pieces of work at the Glow in the Dark Glass tent.

Glow in the Dark Glass items.

Check out the Glow in the Dark Glass website for a lot of interesting items.

The J.R. Watkins Apothecary tent.

Larry Janesky’s Connecticut Basement Systems was at the tag sale.

The Rustik Attik.

Click here to see some of the items available from The Rustik Attik.

The Perfect Curb.

Redco Industries.

The products created by Redco Industries.

More Redco products.

Check out Redco Industries’ website here.

The Traveling Vineyard.

Another picture of The Traveling Vineyard tent.

The Traveling Vineyard will come to your house with a number of different wines along with glasses for a wine tasting. To find out more information, click here for the businesses website.

by Jason Harris

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