By Jason Harris
The 14th GraniteCon took place once again at the Radisson Hotel in Manchester, New Hampshire on Sept. 17 and 18.
The 14th GraniteCon took place once again at the Radisson Hotel in Manchester, New Hampshire on Sept. 17 and 18.
You can find out about Queen City Kamikaze here.
It’s February and the third annual Queen City Kamikaze is upon us once again. It’s one bright spot during this cold and snowy month. The one difference this year is that this anime, video game, comic book, cosplay, sci-fi, and fantasy convention takes place on a Sunday. For the past two years, it happened on Saturday.
Mark Wholley, one of the Four Horsemen who founded Anthocon, Northern New England’s only multi-genre literature and arts convention, will be at QCK for his second time to promote Anthocon. He will also be selling copies of Anthology, an anthology that debuted at Anthocon. He wants to make some vendor contacts and meet some artists, Wholley said.
“I like the show because of it diverse audience it draws in, It’s local to me and I like to support other shows when I can. I enjoyed last year so I decided to attend again this year,” Wholley said.
At the Books & Boos‘ tables, there will be six authors: Stacey Longo, Dale T. Phillips, Vlad Vaslyn, Tony Tremblay, David Price, and Gordon Bean. They are all members of the New England Horror Writers organization. These authors will be selling and signing their books. This will be Longo’s third time and Tremblay’s and Price’s second time attending the convention.
“I love this convention and meeting a younger generation of readers,” Longo said.
Along with selling new and used books, Books & Boos will be presenting two panels: Horror in the Movies (1 p.m. to 2 p.m.) and Where Authors Get Their Ideas (4:30 p.m. to 5:30 p.m.).
Horror In The Movies: authors Gordon Bean (Dawn of Broken Glass), David Price (Dead in the USA), Stacey Longo (Secret Things), and moderator Jason Harris will discuss the best and worst, darkest and most disturbing, scariest and silliest examples of horror on the big screen on the Horror in the Movies panel. From the golden age of Nosferatu to the modern-day Conjuring, this panel will cover it all. Questions from the audience are encouraged throughout the discussion.
Where Do Writers Get Their Ideas? Authors Dale Phillips (Shadow of the Wendigo), Vlad Vaslyn (Brachman’s Underworld), David Price (Dead in the USA), and moderator Stacey Longo (Secret Things) will answer the number one question writers hear from their readers: How do you come up with this stuff? From disturbing first dates to summer camp adventures gone awry, audiences will learn how the most innocent of memories and experiences can be turned into scary stories and best sellers. Questions from the audience will be encouraged throughout the discussion.
There is a third panel: How to Create, Publish, and Promote Your Own Comic, which will happen during the convention, but isn’t sponsored by Books and Boos.
The Queen City Kamikaze takes place at 1 Crusader Way in Manchester, New Hampshire from 10 a.m. to 7 p.m. on Sunday, Feb. 16. There is a $10 admission price.
Author David Price won’t be able to attend the convention. A family issue came up.
Rob Watts, author of the Crooked Roads through Cedar Grove series, and Susan Saunders, Illustrator and educator, have teamed up to create Waunders, an imprint of publisher Ocean View Press. Waunders is the Boston-based publisher’s new children’s book line, which is devoted to creating educational and family-friendly reading entertainment, which kids will treasure for years to come.
Waunders is proud to announce the debut of Snowpocalypse, which will be officially released on Oct. 1.
The concept behind the book Snowpocalypse came about during the blizzard of February 2013 when the northeast was literally crippled by the treacherous snowstorm. As the pair of authors shared birthdays within days apart, and their celebratory plans were placed on hold due to the ongoing blizzard, the two joked that their birthdays were ruined by the “snowpocalypse!” Thus the children’s tale was born. Taking it a step further, the authors created a brand in which to attach their books to, in the form of Waunders, a combination of their last names.
“I’ve always loved drawing and teaching and entertaining children, so this seemed like the perfect project for me to undertake” says Saunders.” I’ve always had a desire to create a children’s book, so the timing couldn’t have been better for us to involve ourselves in this undertaking.”
Coming from a background of adult fiction, Watts adds “I’m definitely up to the challenge of comfortable wedging myself between dark suspenseful fiction and the benign innocence that goes along with children’s storytelling. It can certainly be done and I think we will do a great job together in entertaining.”
To learn more about team Waunders, visit Waunders.com for the latest news, bio’s, signing dates and their forthcoming release Snowpocalypse available Oct. 1st.
Watts will be at the New England Authors Book Sale taking place at Haverhill High School from 10 a.m. to 4 p.m. He will also be in artist alley at Granite State ComicCon happening at the Radisson Center of New Hampshire in Manchester, New Hampshire on Sept. 28 and 29. Saunders will also be in attendance at the convention. Snowpocalypse will be available to purchase.
The second Queen City Kamikaze convention happens in Manchester, New Hampshire next Saturday. It’s what everyone needs after winter storm Nemo this past weekend. Everyone should be dug out and will want to head over to Manchester Memorial High School, located at 1 Crusader Way. The convention runs from 10 a.m. to 7 p.m. The admission price is $10.
The NEHW will be participating in two panels: Horror in the Movies and Vampires in Literature and the Movies from Nosferatu to Edward Cullen. The panelists for Horror in the Movies will be Jason Harris (moderator), Stacey Longo, Rob Watts, and David Price. And the panelists for the other panel are Bracken MacLeod (moderator), Scott Goudsward, Errick A. Nunnally, and Bill Rockwell.
The NEHW will also have a number of tables where our members will be selling their novels, anthologies, children books, dvds, and other merchandise. Stop by to buy a book and get it signed or just stop by to talk.
Rob Smales and Tony Tremblay, two other NEHW members who are not on the panels, will be on hand at the tables as well.
I have to say, I’m incredibly excited about the prospect of meeting you this weekend at Anthocon in Portsmouth, N.H. I attended Anthocon last year, (which was actually its debut year), and had a blast. Your guest appearance at an event like this is going to be a really cool marriage of the macabre and über-fun, especially since you’ll be debuting the cover for your novel, Call of the Jersey Devil (Spence City, 2013).
So, to get everyone ready for Anthocon, I’d like to ask you a few quick questions.
Q: Your book, Call of the Jersey Devil, continues your long-standing jokes on Jersey. For the people that don’t know, what’s up with you and Jersey?
A: I was born in Cuba, but within a few years of emigrating to this country, my family had settled in New Jersey. At first, we lived in Newark, and I was the only “white” kid at my all black and Puerto Rican school, so I was in a fight every day for being different. When I was in third grade, we moved to the suburbs, and I went from being “white” to being the only “hispanic” kid (or “spic” as they called me) in an all-white neighborhood, again, because I guess I didn’t fit in. Furthermore, growing up in the suburbs of New Jersey from that point on, I was constantly ridiculed for being interested in art and music and stop-motion animation. I was perpetually bullied and called a “fag.” I finally ran away from New Jersey when I was 17 and went to New York City where I seemed to fit in just fine. My experience in New Jersey was that they don’t like anything that isn’t completely familiar and grotesquely mediocre. Suffice to say, if you’ve seen the MTV show Jersey Shore, let me tell you, that’s exactly how New Jersey really is!!!! I simply had to get out to keep my sanity.
Q: When I mentioned your name online recently, I heard a lot of happy cybersqueals from your fans. Happily, they come from all walks of life including bookstore clerks, steampunk fans, writers and folk lovers. They’re definitely excited about your upcoming novel. What would you say is the one thing about your novel that will most surprise your fans?
A: I’m not entirely sure the novel will surprise these nice people. I think that over the years, people who have followed my work have noticed a certain twisted sense of humor mixed with a poignant sense of pathos. I do believe there is a unique thread running through most of what I do. It’s simply my way of looking at the world. This novel is really, I think, the culmination of all of the things that makes my point of view, uniquely mine. So if they’ve enjoyed what I’ve done in the past, I think they will really appreciate this book. I do believe it’s my best work to date. If it tells you anything, there are parts that still make even me laugh out loud when I read them and tear up like a baby as well.
Q: Now, as a musician, you must have a pretty cool soundtrack for when you’re writing, right? What are a few of the songs or albums that you really enjoyed listening to while you wrote Call of the Jersey Devil?
A: Believe it or not, I feel most comfortable writing in noisy places. There is no place more productive for me than a busy cafe. Like most of my comic books, I wrote this novel at Yaffa Cafe in NYC between the hours of midnight and eight am. The music I wrote to was mostly the clanging of silverware, random conversations between transvestites and after hour club people and whatever CD the waiter chose to play on any given night.
Q: There’s something about the smell of coffee or the sound of strangers talking that inspires, that’s so true. Anthocon is a horror and [speculative fiction] convention, so I have to ask, what are your top three favorite horror movies? And how about horror novels?
A: That’s probably impossible to answer. There are about twenty films in my top ten! They are also not all “horror” films because I’m a fan of monsters, not genres. So I don’t tend to separate sci-fi, fantasy and horror if they have monsters in them. I just call them “genre” films or “monster movies.” If I had to name three favorites off of the top of my head, I’d say King Kong (1933), Guillermo Del Toro’s Pan’s Labyrinth and Ridley Scott’s Alien. As for novels, at the risk of alienating a lot of people, I will admit that I’m not an avid reader, so I can’t really say. It probably explains why most of my novel’s influences are horror movies from the 80s!
Q: I love that though! So many good authors are influenced by movies and music and other forms of arts than just books. Now, you’ve done a little bit of everything; stop-motion animation, music, books. What’s next on your agenda? World domination?
A: Believe it or not … acting! I’ve always wanted to do it and recently was cast in my first real role in a feature. It’s a horror film called Model Hunger, directed by the talented horror film actress, Debbie Rochon. I play an acerbic alcoholic (yes, I was typecast!). It comes out at some point in 2013. I hope to do much more of this. It was as much fun as I’d imagined!
Q: You’re appearing at Anthocon on Sunday. Will this be your first time in New Hampshire?
A: Nope! Last year, when I went on my “Black Unicorn Cabaret Tour,” I performed in Manchester, New Hampshire. That was my first area show.
Q: I’m pretty impressed by your wardrobe, gotta say. Were you visited by a goth fairy of great fashion sense or were you always just this cool?
A: You’re too kind! I’m not a fairy, though Neil Gaiman did describe me once as a “Gothic Elf Lord” which, of course, I loved! If it tells you anything, I was run out of New Jersey on a rail in 1984 because I was a “New Romantic” or “Goth”. So, the desire to dress up has been with me for a long, long time. I’m middle-aged now and putting on some pounds around the middle, so I no longer wear tights and dress like Adam Ant, but I still have a little dark glamour left in me!
Thank you so much for your time and we all look forward to seeing you at Anthocon, for your reading AND for your concert!
For more information about Anthocon, please visit: http://anthocon.com/
A: My pleasure entirely! And for those who would like to learn more about my comics, animation, music and toys, of course, they can always check out my official website at www.voltaire.net
Kendra L. Saunders is the author of the magic realism novel Inanimate Objects and the upcoming dark comedy Death and Mr. Right. She is marketing coordinator for Spencer Hill Press and has conducted interviews for Steampunk Magazine and ipmnation.com. In her spare time, she likes to drink too much tea, read fashion magazines, attend steampunk conventions, daydream about boys with dark hair, listen to records on vinyl and try to travel back in time to the Jazz Age. Find her online at www.kendralsaunders.com
The Queen City Kamikaze anime and video game convention happens this Saturday in New Hampshire. It’s only days away and the New England Horror Writers’ organization is preparing to be there.
Authors Stacey Longo, Tracy Carbone, K. Allen Wood, Alyn Day, Rob Watts, Kristi Petersen Schoonover and Scott Goudsward will be selling and signing books at the convention. The Demonhunter a.k.a. Nathan Schoonover will also be on hand to talk about being a paranormal investigator for almost 20 years.
Here is the list of the books/magazines that will be available at the NEHW tables: Huldufolk, Shock Totem, Skeletons in the Swimmin’ Hole, Malicious Deviance, The Soul Collector, Trailer Trash, So Long And Thanks For All The Brains, Traps, Shroud magazine, Shadows over New England, The Zombie Feed, In Poe’s Shadow, Dark Things IV, Darkest Thirst, Shadows & Nightmares, Wake the Witch, Shadows over Florida, Daily Frights 2012, Nobody, Hell Hath No Fury, How the West Was Wicked, and 2012 Daily Bites of Flesh.
Epitaphs, the first NEHW anthology will also be available to buy. Longo, Wood, and Goudsward all have stories in this collection, which was edited by Carbone.
The Queen City Kamikaze Anime and Video Game convention takes place at the Manchester Memorial High School at 1 Crusader Way in Manchester, New Hampshire. It operates from 10 a.m. to 7 p.m.
For more information about the convention, click here.
This entry originally appeared on New England Horror Writers’ member, K. Allen Wood’s website.
I’ve been contemplating—and worried about—writing this blog post for a long time now. My worry is a simple one: Will people be offended, take it the wrong way? I can’t answer that, but I hope not, because I’m compelled to discuss it.
So here goes…
I started a small-press horror publication in the fall of 2008. I enlisted the help of some online friends, we dubbed it Shock Totem, and in July of 2009 we published our first issue. (Most of you know this.) Ever since we published that debut issue, I’ve had one question constantly rattling around my head:
Does an author owe his support to the publications that publish his work?
That question pertains not only to me as a publisher but as a writer as well. Through four issues of Shock Totem, we have gotten some amazing support from authors we’ve published. But not all of them. Some hardly mentioned us at all, even when the issue containing their work came out. On a selfish level, I can’t help but find that disappointing. On a rational level, I understand that I have no idea why an author does what he does. There are things at play here that I am simply not privy to. I can dig that.
But back to the selfish side of things… As a publisher, I find myself leaning toward the notion that writers should be supporting those who publish their work. Because if the publisher is doing it right (relative to that particular publisher, of course), and if they’re a publication like Shock Totem where every issue is still in print and actively promoted, then the publication is fully and continually supporting the authors.
Back to the rational side of things… As a published author—hell, as a lifelong creative type—I completely understand that the muse commands one to look forward, to move forward, and create, create, create, to not waste time looking back. I also know how little time most artistic people have to actually focus on their art. So maybe some people simply don’t have the time. But that leads to the one thing I can’t rationalize…
When I finish a new story, I move onto a new one. But when I have a story published, I never move on. (All this can be applied, as well, to my musician days.) I can’t move forward and not look back in that regard. Because I want people to read my work! Do I owe it to that particular publication to support them, promote them? That’s debatable. But I sure as hell owe it to myself to support and promote my work! So I make the time.
And that is precisely what baffles me. (This does not take into account the fact that some authors publish bad stories best left forgotten from time to time.) Why do certain writers choose to not actively promote their work? Is a publication credit just another notch in the bedpost for these authors? As a publisher, sometimes it feels that way.
I have just three publication credits. The first was in 52 Stitches, Vol. 2. The publisher, Aaron Polson, essentially put Strange Publications to bed—at least for the time being—when this anthology was published. But this book is still available, and I promote the hell out of it…because I want people to read my work! “By the Firelight,” my story in this anthology, is a mere 457 words, but I still want people to read it. It doesn’t matter that the publication is inactive or perhaps permanently closed, because I like my story and, in my opinion, I owe it to myself to promote it.
My second published work, “Goddamn Electric,” was in The Zombie Feed, Vol. 1. I’ve sent out copies for review, I’ve posted about it here on this blog and on the Shock Totem blog. I will continue to do so as long as it’s available.
I’ve done the same thing, and will continue to do so, with Epitaphs: The Journal of New England Horror Writers, which contains my story “A Deep Kind of Cold.” In a certain, roundabout way, I’m promoting my work right now.
Which brings me to the revelation of things…
Since that first issue of Shock Totem came out in 2009, I’ve been asking myself should the author support the publisher? Again, the answer is debatable. But few would argue that an author shouldn’t promote his own work, right? And in promoting his own work, is that not, therefore, supporting the publisher? Is there a difference between promoting your own work and supporting the publisher?
I’m no longer sure you can have the former without the latter, but I know what I’m going to do. Always.
Wood makes a lot of valid points. A creative person does look ahead, but to become well-known or even known, they need to promote their work. By authors’ promoting their stories, they are promoting the publisher of their work. How hard is it to write a Facebook status update or a tweet about your story being in an anthology, magazine, etc.
Wood promotes his magazine and any anthology his stories appear in. He does this through his website and his different twitter accounts. He also attends different conventions and fairs too. He will be at the NEHW tables at the Queen City Kamikaze Convention on Feb. 18 in Manchester, New Hampshire.