Voltaire comes to Anthocon

Spencer Hill Press’s and Spence City’s lovely Kendra L. Saunders interviews the Gothic icon for Jason Harris Promotions.

Hello Voltaire!

I have to say, I’m incredibly excited about the prospect of meeting you this weekend at Anthocon in Portsmouth, N.H. I attended Anthocon last year, (which was actually its debut year), and had a blast. Your guest appearance at an event like this is going to be a really cool marriage of the macabre and über-fun, especially since you’ll be debuting the cover for your novel, Call of the Jersey Devil (Spence City, 2013).

So, to get everyone ready for Anthocon, I’d like to ask you a few quick questions.

Q: Your book, Call of the Jersey Devil, continues your long-standing jokes on Jersey. For the people that don’t know, what’s up with you and Jersey?

A: I was born in Cuba, but within a few years of emigrating to this country, my family had settled in New Jersey. At first, we lived in Newark, and I was the only “white” kid at my all black and Puerto Rican school, so I was in a fight every day for being different. When I was in third grade, we moved to the suburbs, and I went from being “white” to being the only “hispanic” kid (or “spic” as they called me) in an all-white neighborhood, again, because I guess I didn’t fit in. Furthermore, growing up in the suburbs of New Jersey from that point on, I was constantly ridiculed for being interested in art and music and stop-motion animation. I was perpetually bullied and called a “fag.” I finally ran away from New Jersey when I was 17 and went to New York City where I seemed to fit in just fine. My experience in New Jersey was that they don’t like anything that isn’t completely familiar and grotesquely mediocre. Suffice to say, if you’ve seen the MTV show Jersey Shore, let me tell you, that’s exactly how New Jersey really is!!!! I simply had to get out to keep my sanity.

Q: When I mentioned your name online recently, I heard a lot of happy cybersqueals from your fans. Happily, they come from all walks of life including bookstore clerks, steampunk fans, writers and folk lovers. They’re definitely excited about your upcoming novel. What would you say is the one thing about your novel that will most surprise your fans?

A: I’m not entirely sure the novel will surprise these nice people. I think that over the years, people who have followed my work have noticed a certain twisted sense of humor mixed with a poignant sense of pathos. I do believe there is a unique thread running through most of what I do. It’s simply my way of looking at the world. This novel is really, I think, the culmination of all of the things that makes my point of view, uniquely mine. So if they’ve enjoyed what I’ve done in the past, I think they will really appreciate this book. I do believe it’s my best work to date. If it tells you anything, there are parts that still make even me laugh out loud when I read them and tear up like a baby as well.

Q: Now, as a musician, you must have a pretty cool soundtrack for when you’re writing, right? What are a few of the songs or albums that you really enjoyed listening to while you wrote Call of the Jersey Devil?

A: Believe it or not, I feel most comfortable writing in noisy places. There is no place more productive for me than a busy cafe. Like most of my comic books, I wrote this novel at Yaffa Cafe in NYC between the hours of midnight and eight am. The music I wrote to was mostly the clanging of silverware, random conversations between transvestites and after hour club people and whatever CD the waiter chose to play on any given night.

Q: There’s something about the smell of coffee or the sound of strangers talking that inspires, that’s so true. Anthocon is a horror and [speculative fiction] convention, so I have to ask, what are your top three favorite horror movies? And how about horror novels?

A: That’s probably impossible to answer. There are about twenty films in my top ten! They are also not all “horror” films because I’m a fan of monsters, not genres. So I don’t tend to separate sci-fi, fantasy and horror if they have monsters in them. I just call them “genre” films or “monster movies.” If I had to name three favorites off of the top of my head, I’d say King Kong (1933), Guillermo Del Toro’s Pan’s Labyrinth and Ridley Scott’s Alien. As for novels, at the risk of alienating a lot of people, I will admit that I’m not an avid reader, so I can’t really say. It probably explains why most of my novel’s influences are horror movies from the 80s!

Q: I love that though! So many good authors are influenced by movies and music and other forms of arts than just books. Now, you’ve done a little bit of everything; stop-motion animation, music, books. What’s next on your agenda? World domination?

A: Believe it or not … acting! I’ve always wanted to do it and recently was cast in my first real role in a feature. It’s a horror film called Model Hunger, directed by the talented horror film actress, Debbie Rochon. I play an acerbic alcoholic (yes, I was typecast!). It comes out at some point in 2013. I hope to do much more of this. It was as much fun as I’d imagined!

Q: You’re appearing at Anthocon on Sunday. Will this be your first time in New Hampshire?

A: Nope! Last year, when I went on my “Black Unicorn Cabaret Tour,” I performed in Manchester, New Hampshire. That was my first area show.

Q: I’m pretty impressed by your wardrobe, gotta say. Were you visited by a goth fairy of great fashion sense or were you always just this cool?

A: You’re too kind! I’m not a fairy, though Neil Gaiman did describe me once as a “Gothic Elf Lord” which, of course, I loved! If it tells you anything, I was run out of New Jersey on a rail in 1984 because I was a “New Romantic” or “Goth”. So, the desire to dress up has been with me for a long, long time. I’m middle-aged now and putting on some pounds around the middle, so I no longer wear tights and dress like Adam Ant, but I still have a little dark glamour left in me!

Thank you so much for your time and we all look forward to seeing you at Anthocon, for your reading AND for your concert!

For more information about Anthocon, please visit: http://anthocon.com/

A: My pleasure entirely! And for those who would like to learn more about my comics, animation, music and toys, of course, they can always check out my official website at www.voltaire.net

Cheers! Voltaire

Kendra L. Saunders is the author of the magic realism novel Inanimate Objects and the upcoming dark comedy Death and Mr. Right. She is marketing coordinator for Spencer Hill Press and has conducted interviews for Steampunk Magazine and ipmnation.com. In her spare time, she likes to drink too much tea, read fashion magazines, attend steampunk conventions, daydream about boys with dark hair, listen to records on vinyl and try to travel back in time to the Jazz Age. Find her online at www.kendralsaunders.com

Three Reasons to Attend Necon

Three Reasons to Attend Necon

by Jason Harris

I have been going to the Northeastern Writers’ Conference (Necon) for over 13 years. I can’t believe it’s been over a decade since my first one. Since I started going in the late 90s, I haven’t missed a year. I have been going to this convention longer than I have known my wife, who I have gotten hooked on Necon as well. It’s funny that it took a friend from Florida to introduced me to Necon since this convention is based in New England; a place I have lived my entire life.

1. The first reason to become a Necon camper is to meet fellow writers or fellow readers if you are not a writer. Here are a few writers that have attended the convention in the past: Stephen King, F. Paul Wilson, Peter Straub, Rick Hautala, Christopher Golden, Neil Gaiman, Craig Shaw Gardner, Tracy L. Carbone, Stacey Longo, Dan Keohane, Wraith James White, Brian Keene, Simon Clark, James A. Moore, Weston Ochse, and Jack Ketchum.

2. The second reason is to learn about the publishing industry and upcoming trends. Every Necon, there are always panels with varying topics such as e-books, young adult horror, trends in horror, vampires, zombies, and movies to name a few that have been held at this convention. The e-book topic is fitting since Necon E-Books was announced at Necon 30. Check out the selection of e-books here.

3. The third reason is to pick up more books and have the authors sign it. On Friday night during Necon, there is a “Meet the Authors” event. This is the time where you can get books that you brought signed. Or you can buy a book direct from the author. There is no better way to potentially meet the next Stephen King. And when they do become famous, you can tell your friends that you met and talked with the author at Necon. Your friends will be very jealous.

The NEHW table at Necon’s Authors’ Night. Photo by Jason Harris.

There are more reasons to attend Necon, but the main three are found above. Once you attend, you will find out the other reasons why this convention is so great. When you decide to go, just write on the registration form that Jason Harris referred you. You won’t regret it.

Necon happens in Rhode Island every July. For more information, click here.

A Conversation with Author Jan Kozlowski

This entry appeared on author and NEHW member Kate Laity’s website.

Writer Wednesday: Jan Kozlowski

by Kate Laity

My pal and fellow Horror in Film and Literature lister, Jan Kozlowski, first fell in love with the horror genre in 1975 when the single drop of ruby blood on the engraved black cover of Stephen King’s Salem’s Lot hypnotized her into buying it. She sold her first story, Psychological Bacchanal to the EWG E-zine in 1997. Her short story, Parts is Parts, won awards in both the International Writing Competition sponsored by DarkEcho’s E-zine and Quoth the Raven’s Bad Stephen King contest. Another short story, Stuff It, was sold to an independent film producer and went into production as a movie short called Sweet Goodbyes. Her short stories have appeared in: Remittance Girl’s A Slip of the Lip anthology, Lori Perkins’ Hungry for Your Love: An Anthology of Zombie Romance and Fangbangers: An Erotic Anthology of Fangs, Claws, Sex and Love.

She is extremely proud and excited to announce that her first novel, Die, You Bastard! Die! debuted February 7, as part of Lori Perkins’ new horror line, Ravenous Shadows, edited by the legendary John Skipp.

Q: What do you write on? Computer, pad o’ paper, battered Underwood? Give us a vivid picture.

I do the majority of my writing on my cherished MacBook Pro laptop. I tend to turn my MacBook on at 6:30 a.m. and don’t shut down until 9 p.m. or later most days [Ed: Hmmm, you can shut them down?]. If I either get stuck or get a jones to feel pen against paper, I’ll pull out my old white L&M Ambulance Company clipboard loaded with scrap paper and start scribbling. The board is a souvenir of my days as an urban EMT in Hartford, CT and I keep it around as a reminder of what I COULD be doing for a living.

Q: Do you listen to music while you write? Does it influence what you write?

I almost always listen to my local Dinosaur (Classic) Rock radio station when I’m working. Since Die, You Bastard! Die! is such an ultra violent story, I tried putting together a play list of heavier metal like Avenged Sevenfold (my granddaughter’s favorite band), Testament, Broken Hope, Disturbed, but I ended up distracted by the unfamiliar songs. Listening to the rock I grew up with in the 70’s like Bob Seger, The Eagles, Bruce Springsteen and Aerosmith, with a little Tom Waits, Frank Zappa, Nathan & the Zydeco Cha-Chas, Bon Jovi and Bacon Brothers thrown in via iTunes works best for me.

Q: Do you write in short bursts or carve out long periods of time to work? Is it a habit or a vice?

For me, writing is a business. I’ve been freelancing since I was about 12 and sold articles about raising tropical fish to my hometown newspaper. For the past 15 years or so I’ve run my own freelance writing shop doing all sorts of business and web related writing, editing and research work. Over the past two years, I’ve slowly been moving away from the business projects in order to focus on my horror fiction, but whether I’m writing fiction or non-fiction my work style is the same….commit to the project and write until the client, the editor or I’m happy with the finished product.

Q: What writer would you most want to read your work? What would you want to hear them say?

That’s already happened…on one of the drafts of Die, You Bastard! Die! I think I managed to gross out my editor, legendary Splatterpunk King, John Skipp! Now if I can, one day, pay Dean Koontz back for the creeps he gave me with his novel Whispers, I’ll die a happy writer.

Q: On the days where the writing doesn’t go so well, what other art or career do you fantasize about pursuing instead?

When I was a little girl my grandfather used to tell me stories about his adventures working for a funeral home during the pre-embalming fluid days. I always thought I would have loved working in mortuary sciences, but when I was going to school women weren’t exactly welcomed into the funeral services industry. Now that times have changed and we have a first class Mortuary Sciences degree program at our local college, I’ve always thought that would make a fabulous Plan B, even now at age 50+.

Q: What do you read? What do you re-read?

I try to read a little bit of everything. I get some great ideas from newspapers and magazines. I just discovered and am now devouring Mad Money Wall Street guru, Jim Cramer’s books. I try and read as much classic horror like Robert Bloch, M.R. James, Fritz Leiber, H.P. Lovecraft, Richard Matheson, Edgar Allan Poe and J.N. Williamson as possible. I also try to keep up with who’s publishing today beyond Bestsellersaurus Rexes Stephen King and Dean Koontz. I’m a huge fan of Edward Lee, Neil Gaiman, Joe Hill, Joe R. Landsdale, Jonathan Maberry, Elizabeth Massie, Yvonne Navarro, Weston Ochse, Monica O’Rourke, John Skipp and Andrew Vachss.

I rarely find time to re-read anything unless I’m researching a specific writing technique, like how Jonathan Maberry handled the fight scenes in his Pine Deep trilogy or how Dean Koontz ramped up to the reveal of the cockroaches in Whispers.

Q: Where did the idea for Die,You Bastard! Die! come from? Do you have a surefire way of sparking inspiration? And is that an awesome title or what?!

The idea for Die, You Bastard! Die! came out of a lovely dinner Ravenous Shadows publisher Lori Perkins and I had during the 2011 Northeast Writer’s Conference, known as NECON. Lori mentioned she was looking for a story about an adult child coming home to take care of her abusive parent and it matched up with a story I had been kicking around for years about a survivor of childhood sexual abuse coming home to deal with her past. After the conference I got home, wrote up the proposal, Skipp green-lighted it and we took off from there. I realize that’s not the way most writers get a book deal but it goes to prove that if you consistently put the hard work in, you WILL find yourself at the right place, at the right time with the right story.

Writing inspiration and story/character/plot ideas are everywhere if you’re open to them…and my motivation for being open to them usually is based on my memories of being paid $5 an hour to be projectile vomited on as an EMT or waitressing at Friendly’s for .60 below minimum wage.

John Skipp raves about this book:

Die, You Bastard! Die! is one hard-as-nails crime story indeed, with a crime at its core so heinous it boggles both mind and soul. That said, it is also a horror story, a mystery, and an insanely taut suspense thriller. Categories are funny like that.

But human monsters don’t get more humanly monstrous than Big Daddy. And it don’t get much rougher and tougher than Jan Kozlowski’s violently matter-of-fact, emotionally ass-kicking, downright incendiary son of a bitch.
I love this book, and stand behind it 100%. Hope it blows you away, as it did me. And has you coming back for more.

Drop by Jan’s blog or website and follow her on Twitter. Find her on Facebook and check out her Amazon author page. Thanks, Jan!

A Collection Celebrating Ray Bradbury

Press Release

Borderlands Press & Gauntlet Press Present: Shadow Show: All-New Stories in Celebration of Ray Bradbury

The collection is edited by Sam Weller & Mort Castle and will be released this summer.

Signed and numbered edition limited to 500: $75.

Signed (including Ray Bradbury) and lettered edition limited to 26: $500.

To order, click this link and go to More Information: http://www.borderlandspress.com/. (The collection’s cover hasn’t been announced yet)

Under a joint imprint, Gauntlet Press and Borderlands Press will publish a limited, signed, and numbered edition of Shadow Show, a tribute anthology to celebrate the career of Ray Bradbury. In the collection, editors Sam Weller and Mort Castle have assembled short stories from 26 of the most celebrated authors today to honor Ray and his contribution to the literary canon. Also included is an introduction in the form of a personal essay “Second Homecoming,” written by Ray Bradbury, specifically for the book.

Limited to only 500 copies, this book is signed by all contributors (except Ray Bradbury) including Margaret Atwood, David Eggers, Neil Gaiman, Alice Hoffman, Joe Hill, and many other award-winning writers.

TABLE OF CONTENTS

Sam Weller and Mort Castle – Introduction

Ray Bradbury – Second Homecoming

Neil Gaiman – The Man Who Forgot Ray Bradbury

Margaret Atwood – Headlife

Jay Bonansinga – Heavy

Sam Weller – The Girl In The Funeral Parlor

David Morrell – The Companions

Thomas F. Monteleone – The Exchange

Lee Martin – Cat on a Bad Couch

Joe Hill – By The Silver Water Of Lake Champlain

Dan Chaon – Little America

John McNally – The Phone Call

Joe Meno – Young Pilgrims

Robert McCammon – Children Of The Bedtime Machine

Ramsey Campbell – The Page

Mort Castle – Light

Alice Hoffman – Conjure

John Maclay – Max

Jacqueline Mitchard – Two Of A Kind

Gary Braunbeck – Fat Man And Little Boy

Bonnie Jo Campbell – The Tattoo

Audrey Niffenegger – Backwards In Seville

Charles Yu – Earth: (A Gift Shop)

Julia Keller – Hayleigh’s Dad

Dave Eggers – Who Knocks?

Bayo Ojikutu – Reservation 2020

Kelly Link – Two Houses

Harlan Ellison – Weariness

New Printing For Gaiman’s Gold Book


Borderlands Press has announced that Author Neil Gaiman has authorized an additional printing of his book A Little Gold Book of Ghastly Stuff because of the overwhelming response of the first printing. In a press release, the publishers said there were so many orders for the first printing they couldn’t all be filled.

The book will be $20.00 and will be exactly like the limited, numbered edition, but it will not be signed by the author. It is full of rare or never-before-published material, which is sure to be a collector’s item. The book will ship at the end of October.

If you would like to order a copy, click this link: www.borderlandspress.com/littlegold