By Jason Harris
There will be a couple more entries with pictures from Terror Con coming on Monday and Tuesday.
There will be a couple more entries with pictures from Terror Con coming on Monday and Tuesday.
Terror unfolds as Rubber (2010) rolls across the land. This movie about a killer tire (yes, you read that right) is silly, nonsensical, slow at points and a little ridiculous, but definitely worth 85 minutes of your life.
Robert, a Goodyear tire abandoned in the desert, discovers he has telepathic powers, which he uses to destroy all who cross his path. (Kudos to the director of this movie, Quentin Dupieux, for actually pulling off showing a tire discovering his psychic abilities, which was no easy feat.) The tire soon runs across a beautiful woman with a sexy accent, and becomes obsessed with her. As the tire’s adventure unfolds, the audience gets a play-by-play of the action by a group of bystanders who are also watching the tire’s antics. Of note in this cast is Wings Hauser, as a wheelchair-bound veteran who stoically sticks through the tire’s trail of terror to the bitter end.
Rubber drags at times, particularly as the tire slowly (oh-so-slowly) discovers he can move on his own and blow up people’s heads telepathically. Stick with it, though, for the movie is aware of its own preposterous premise, and is full of remarks about how silly the whole idea of a killer tire really is. Lieutenant Chad, portrayed by Stephen Spinella (Milk, 2008) sets the movie’s pointless plot up at the very beginning: “In Oliver Stone’s JFK, why is the President suddenly assassinated by some stranger? No reason.” Indeed, there seems to be no reason for the tire’s aimless murder spree, but since the viewer is made aware of this from the start, what follows is a funny little film that can be enjoyed without having to think too hard.
There are other, funnier B-horror flicks out there with better plots, but this one has a cult following for a reason. Absurd, outrageous, and sometimes silly, Rubber will ensure that you never look at a blown-out tire on the side of the road quite in the same way again.
The first Rock Comic Expo happened yesterday at the Rockingham Park in Salem, New Hampshire. The Expo was created by J. Moulton. It ran from 10 a.m. to 7 p.m. It was a day of people in cosplay and talking with authors and artists.

Author Rob Watts with the Iron Patriot.

Emily and Jeremy Drouin of Eplis Comic.

Author Stacey Longo

Author Dale T. Phillips holding his book, Crooked Paths.

Authors Vlad Vaslyn and Dale T. Phillips behind the New England Horror Writers table.
Moulton plans to make the comic expo a two-day event next year. He is also involved with Vermont Comic Con, which debuts in October.
The Rock Comic Expo is a one-day show happening in Salem, New Hampshire on Saturday. The expo will consist of vendors, comic book artists and authors from 10 a.m. to 7 p.m.
The artists at the Expo will include Emily Drouin, John Coen, Jerry Fleming, and Amanda Dufresne. You can see the entire list of artists on the Rock Comic Expo website here.
There will also be authors at the Expo promoting and selling their books. These authors include Gordon Bean, Elizabeth Black, Stacey Longo, Dale T. Phillips, Vlad Vaslyn, and Rob Watts.
Tickets to the Expo are $5. The Expo takes place at Rockingham Park in Salem, NH.
Night of the Comet (1984) must have made its debut on VHS around 1985, coincidentally, the same summer that my family first got cable. Having subsequently watched it approximately 55 times on HBO (it was a movie! On television!), imagine my surprise when I found out that not everyone has seen this horror/sci-fi classic. Boy, are you missing out!
Sisters Reggie and Sam Belmont (Catherine Mary Stewart and Kelli Maroney, respectively) find themselves in a strangely empty world the day after the Earth has passed through the tail of an extraordinary red comet. Even more amazing is the fact that these sisters didn’t manage to survive the night together, but each on their own: Reggie by fooling around with her boyfriend in a steel-lined projectionist booth at the theater where she works, and Sam was in a steel-lined shed after fighting with her stepmother. The odds of two siblings both individually surviving a cosmic event that wiped out 99% of the population is about as likely as a huge cosmic event wiping out 99% of the population, but put your skepticism aside. Plenty more will happen to test the limits of your suspension of disbelief.
While the idea of tooling around the neighborhood now that humanity is mostly dead is overall pretty appealing, the two sisters quickly figure out that not quite everybody is dead. There’s a rabid zombie or two running around, and the sisters are at the top of the menu. They hear another survivor broadcasting over the radio, and head to the station, where they find Erik Estrada-lookalike Hector Gomez (Robert Beltran). Since everybody knows that the only thing to do after a mass extinction event is to find someone of the opposite sex to begin repopulation of the Earth with, it seems that things are looking up for the sisters. They decide to celebrate by going shopping.
Anyone who has ever watched a zombie apocalypse movie could’ve told Reggie and Sam that the worst place to go is the mall, but the sisters are a pretty clueless pair. To nobody’s surprise except Reggie and Sam’s, there’s a group of zombies there, and they barely make it out alive, and even then, only with the help of the government. Guess what? The government agents are baddies, too, and once again, the sisters are in trouble. Hector shows up to save the day, rescue the girls, and rescue a couple of little kids who were also being held by the big bad government. In the final scene, the zombies have died off, and an attractive young stud driving a sports car nearly runs Sam over as she crosses the street. Hooray! Now both of the sisters have boyfriends!
Cheesy, silly, and setting back women’s rights for decades to come, Night of the Comet is a fun glimpse at what used to pass for quality entertainment. The hairdos, outfits, and attitudes are all a tribute to times gone by, and you’ll find yourself missing those simpler days. Or not. At the very least, you’ll remember your Aqua Net and legwarmers fondly.

Billed as a Pam Grier vehicle, Scream Blacula Scream (1973) probably had no intention of being as preposterous as it was. The story revolves around Prince Mamuwalde (William Marshall), also known as Blacula himself, revived from the dead by Willis Daniels (Richard Lawson), via voodoo magic. Blacula repays the favor by immediately turning Willis into a vampire and setting about his true agenda: finding a woman to fall in love with, antagonizing the cops, and making a whole bunch more vampires. He raises the suspicions of local ex-police officer Justin Carter (Don Mitchell), who ultimately hunts down and (spoiler alert!) with the help of voodoo princess Lisa Fortier (the aforementioned Grier), kills Blacula.
What makes this movie a trashterpiece is it’s unintentional hilarity, mostly due to the dated “jive talk” and the tendency, apparently, for African-American vampires to grow an unruly mass of hair on their face once they turn. Blacula sports two lightning-bolt sideburns that slash across his cheeks when he’s hunting; his apprentice, Willis, sprouts eyebrows resembling two wooly caterpillars mating in a briar patch. With references to ‘bread,’ ‘rags,’ and ‘dudes,’ the slang is dated and entertaining.
Grier is underutilized for the first twenty minutes or so, but hang in there: when she finally gets into the action, you’ll remember why she gets so much respect. She’s smokin’ hot and coolly confident. Yet she loses credibility points when she doesn’t recognize Blacula as Professor Mamuwalde at first, which is ridiculous. The only difference in his appearance is the rabid facial hair and a new, super-groovy black cape. Luckily for her, Blacula is immediately smitten, and he puts her under his protection against his rapidly growing clan of bloodsuckers.
Unfortunately for Blacula, Grier’s Lisa is already dating Justin Carter, and he doesn’t like the latest turn of events. However, a lousier shot with a crossbow you’ve never seen, and it’s up to Lisa to save the day.
Noteworthy in this flick, besides Ms. Grier, is William Marshall in the title role. His larger-than-life presence and baritone voice commands attention, and you’ll cheer when he announces not once, but twice: “The name is Blaa-cu-laa!” In a sea of porn mustaches and fabulous afros, Scream Blacula Scream is absolutely worth viewing. You dig?

Poultrygeist: Night of the Chicken Dead is vulgar, politically incorrect, and completely unapologetic about it. The premise of this ridiculous romp is that a fried chicken franchise, American Chicken Bunker, has been built on top of a sacred Native American burial ground in Tromaville. The site is also chock full of toxic waste (this is, after all, the same town that birthed the Toxic Avenger). Our hero is Arbie (Jason Yachanin), who discovers his high school sweetheart, Wendy (portrayed by Kate Graham) has turned gay while away at college, and is now protesting the new chicken franchise in Tromaville. Arbie, in turn, gets a job at the restaurant to spite her. As Arbie sings (this movie is also a quasi-musical): “Revenge is a dish best served fried.”
Things quickly go south as patrons of the restaurant get sick and eventually turn into giant mutant chickens from eating the toxic poultry. There is one particular bathroom scene that is so disgusting, repulsive, and full of excrement, that teenage boys everywhere will be cheering.
The climax of the movie shows patrons being murdered in gratuitously gory ways including sliced to death by deli slicer, impaled by chicken nuggets, and a guy’s legs being ripped apart like a wishbone. Arbie, fellow employee Hummus, Wendy, and a random little girl are able to fight off the chickens with alcohol, but it is Hummus who sacrifices herself so the others can escape.
While silly and spoofy, this movie is entertaining, too. Highlights include a cameo by Ron Jeremy, and nods to films like Jaws, The Exorcist, and Alien. Although campy, this is also a commentary on corporate greed: how chain franchises and large corporations are putting mom-n-pop stores out of business, contributing to child obesity in the country, and basically dumbing down America. Yes, this could be a serious introspection on the heartlessness and cold greed of corporate America, if not for all of the topless girls and “choking chicken” references.
It’s February and the third annual Queen City Kamikaze is upon us once again. It’s one bright spot during this cold and snowy month. The one difference this year is that this anime, video game, comic book, cosplay, sci-fi, and fantasy convention takes place on a Sunday. For the past two years, it happened on Saturday.
There will be over 25 vendors at this convention including Dandelion Studios, Books & Boos, and Harrison’s Comics.
Mark Wholley, one of the Four Horsemen who founded Anthocon, Northern New England’s only multi-genre literature and arts convention, will be at QCK for his second time to promote Anthocon. He will also be selling copies of Anthology, an anthology that debuted at Anthocon. He wants to make some vendor contacts and meet some artists, Wholley said.
“I like the show because of it diverse audience it draws in, It’s local to me and I like to support other shows when I can. I enjoyed last year so I decided to attend again this year,” Wholley said.
At the Books & Boos‘ tables, there will be six authors: Stacey Longo, Dale T. Phillips, Vlad Vaslyn, Tony Tremblay, David Price, and Gordon Bean. They are all members of the New England Horror Writers organization. These authors will be selling and signing their books. This will be Longo’s third time and Tremblay’s and Price’s second time attending the convention.
“I love this convention and meeting a younger generation of readers,” Longo said.
Along with selling new and used books, Books & Boos will be presenting two panels: Horror in the Movies (1 p.m. to 2 p.m.) and Where Authors Get Their Ideas (4:30 p.m. to 5:30 p.m.).
Horror In The Movies: authors Gordon Bean (Dawn of Broken Glass), David Price (Dead in the USA), Stacey Longo (Secret Things), and moderator Jason Harris will discuss the best and worst, darkest and most disturbing, scariest and silliest examples of horror on the big screen on the Horror in the Movies panel. From the golden age of Nosferatu to the modern-day Conjuring, this panel will cover it all. Questions from the audience are encouraged throughout the discussion.
Where Do Writers Get Their Ideas? Authors Dale Phillips (Shadow of the Wendigo), Vlad Vaslyn (Brachman’s Underworld), David Price (Dead in the USA), and moderator Stacey Longo (Secret Things) will answer the number one question writers hear from their readers: How do you come up with this stuff? From disturbing first dates to summer camp adventures gone awry, audiences will learn how the most innocent of memories and experiences can be turned into scary stories and best sellers. Questions from the audience will be encouraged throughout the discussion.
There is a third panel: How to Create, Publish, and Promote Your Own Comic, which will happen during the convention, but isn’t sponsored by Books and Boos.
The Queen City Kamikaze takes place at 1 Crusader Way in Manchester, New Hampshire from 10 a.m. to 7 p.m. on Sunday, Feb. 16. There is a $10 admission price.
Editor’s Note:
Author David Price won’t be able to attend the convention. A family issue came up.

Joe Hill’s third novel, NOS4A2, is a witty, terrifying ride into the creepy world of Charlie Manx, who creates a Christmasland of horrors and carts off young children in his Rolls Royce Wraith to join in the fun. If your idea of fun is akin to hunting humans, that is.
Vic McQueen is our heroine. We meet her as a young girl, when she discovers that while riding her bike, she can escape from her unhappy home into other places and worlds. She is, in fact, the only child to escape Christmasland, a fact that does not sit well with Manx and his assistant, Bing.
Vic escapes Manx’s clutches with the assistance of Lou Carmody, an overweight, socially awkward comic book aficionado, and the two soon find themselves together and raising their son, Bruce Wayne. Nope. Not kidding. They named the kid after Batman. It is this kid that Manx and Bing target, and this kid that Vic and Lou must work together to save.
Names seem to be pretty important to Joe Hill, and also serve to showcase his fabulous sense of humor. Charlie Manx is reminiscent of another Charlie M, one with a big, murderous family from the late 60s. Bing is the name of both a search engine (fitting, since he searches out kids that, in his mind, are better off in Christmasland than with their horrible parents) and of a famous holiday crooner. I like to think of the NOS4A2 Bing like the latter: as Crosby’s son would spill in a nasty tell-all book, Bing was not the nice guy he appeared to be; nor is this one. Vic McQueen is a tough, sexy, rebellious motorcycle enthusiast, and her childhood parallels that of late actor Steve McQueen. He too had fond memories of a childhood bike, ran away from home, and had daddy issues.
The understated hero of this novel is Lou Carmody, who was by far my favorite character. His love for Vic and his son are unquestioning, and quite frankly, you’ll like Vic a little less because of the way she treats him. Though it is Vic who must return to Christmasland to face her demons, she wouldn’t get there, get it done, and get out without Lou’s unwavering support and assistance.
The problem I’ve had in the past with Joe Hill’s work is his endings. I wasn’t crazy about how Horns wrapped up, and I positively hated the ending of Heart-Shaped Box. (I have heard the same complaint from others about Hill’s father. Personally, I feel you do not have the right to complain about Stephen King until after you have written a bazillion bestsellers yourself. Until then, shut up.) And here’s where NOS4A2 differs: I loved, yes loved, this ending. Yet again Hill lets his delightful funny bone shine through, and he did it in a wonderful way. Here’s a hint: if you didn’t read the Acknowledgements and A Note on the Type following the last chapter of this book, then you did not read NOS4A2 all the way through.
Overall, I found this to be well done, a little wordy at times, but worth the ride.