The NEHW Creeps into Sci-Fi Saturday Night

The NEHW Creeps into Sci-Fi Saturday Night

by Stacey Longo

Several New England Horror Writer members have been appearing or are scheduled to appear on Sci-Fi Saturday Night.

Craig D. B. Patton’s short story “Aftershocks” was spotlighted on the site’s Fiction Friday entry for 12/10/11. Bob Bois had a flash fiction piece appear on the site on 12/16/11, taken from his blog.

Kristi Petersen Schoonover was featured on the podcast dated 12/17/11, talking about Skeletons in the Swimming Hole and her upcoming novel, Bad Apple. You can download her interview here.

NEHW members on the slate to appear on the Sci-Fi Saturday Night podcast before the end of the year are Kasey Shoemaker, who will be interviewed on the 12/24/11 show, and Rob Watts, scheduled for 12/31/11.

Editor’s note: Stacey Longo is a NEHW member and part of the Publicity Committee.

Author’s Take on Holiday Classic

This entry originally appeared on NEHW member Stacey Longo’s blog.

Here Comes the Sun

by Stacey Longo

I’m not crazy about The Year Without a Santa Claus, and as you know, I despise Rudolph the Red-Nosed Reindeer, but the one holiday cartoon that I hate more than a root canal is Frosty The Snowman. Just hearing this self-centered, nihilistic boob’s voice gives me the dry heaves. Sometimes the wet heaves, too.

This cartoon starts off with a bunch of ably-challenged children being let out of school on Christmas Eve. I’m assuming they’re challenged, because one of them actually says “snow is good” when they’re let out of class, which is, of course, crazy. They decide to build a snowman, and one of these special kids wants to name their creation “Oatmeal,” which further proves my case that these kids are challenged. But I digress.

The magician who was hired to entertain these kids on the last day of school before winter break tosses out his hat, which lands on Frosty’s head, bringing him to life. The first thing he says is “Happy Birthday!” which would be nice if he was remembering what Christmas is actually celebrating. But no, the selfish sacrilegious snowball is talking about his own birthday, which he clearly feels is more important than, say, the birthday of the son of God. What a pompous egomaniac!

As soon as this numbskull is born, he immediately starts complaining that it is so hot he’s melting. Hey, stupid. Maybe you should have thought about that before coming to life in a temperate climate.

Frosty leads a parade through the center of town, scaring the bejeepers out of the townspeople. One poor policeman is so alarmed by the walking, talking snow abomination that he swallows his own traffic whistle, causing (I am sure) permanent damage to the man’s trachea. Frosty (I am sure) doesn’t care.

Frosty now reveals his true nature. Instead of buying a train ticket to the North Pole like a decent snowman, he kidnaps a little girl, Karen, and hops in to a refrigerated boxcar, which, might I remind you, is illegal. Of course, the little girl that is stuck freight-hopping with Frosty starts to suffer from hypothermia and frostbite. Good job, Frosty. He bullies some woodland creatures into making her a fire, but then the magician, who simply wants the hat Frosty stole from him back, blows out the fire. Apparently this scrawny magician has the lung capacity of the wolf from the Three Little Pigs, which I never would have guessed from looking at him.

The highlight of this nauseating cartoon is when Frosty and Karen find a greenhouse in the middle of the frozen tundra…as you do. Inside the greenhouse, Frosty melts to a puddle in what I like to think of as a slow, agonizing death. Then Santa comes along and, proving he is looooong overdue to retire, brings him back to life. Really, Santa, what are you thinking? Frosty just kidnapped a kid and tried to freeze her to death! Also, I was taught that only one being was ever able to die and then rise from the grave, but I believe we’ve already established that this cartoon was written by a bunch of atheists. And really, who needs Jesus when you’ve got a self-centered, parading snow terrorist to worship?

The only nice thing that I can say about this cartoon is that at least it ends before Frosty can insist that Christmas be renamed in his honor. I say, bring on the sun!

Editor’s note: Stacey Longo also has an entry about Rudolph the Red-Nose Reindeer on her blog.

Thoughts on Revising Versus Redrafting

This entry originally appeared on NEHW member Craig D.B. Patton’s blog.

On Starting Again

by Craig D.B. Patton

Revising vs. redrafting. Tinkering with what you wrote the first time vs. tossing all of it in the (virtual) bin because you realize you just plain whiffed on the first attempt. I think I’ve had a habit of resisting the latter. It’s harder, emotionally, for me to accept the fact that I invested time and energy and didn’t actually create something worth keeping. I like it much better when the lightning bolt flies straight and true and fries something with a really solid BOOM!

(picture courtesy of Wikipedia)

But it doesn’t always. And I’ve missed enough times now to be better at recognizing and accepting it. It’s also become one of the times when I remember what bands go through in the studio. I’ve never been in a band, but I’ve read enough articles and books to have a sense of how some of them work and how bumpy and long and curving the road to creating some of my favorite music was. Take after take after take. Experiment after experiment that seems great conceptually and then just lies there on the floor when tried. Songs that have no chorus. Choruses that have no verses. Bits of instrumentation that don’t work until combined, which happens sometimes by design and sometimes accidentally. Hours and hours of horrible music before the good stuff arrives, if it does at all.

But the seed idea, if it’s good enough, survives through all that.

Which is the same with stories. A good idea is a good idea. The problems come when trying to tell the story. And sometimes it takes a while.

I have a song/story like that now. The first take/draft was fun while I was doing it. There are some good images and moments, particularly in the second half of it. But it wound up…meh. And meh doesn’t get fixed by cutting a few paragraphs and rewriting a few more. So I’ve marched back into the studio. Changed a few effects pedals. Reworked some instrumentation. The red light is on.

Time for another take.

The Mirroring of Life and Fiction

This entry originally appeared on NEHW member Inanna Arthen’s blog.

Hey, how did that fiction get in my real life?

by Inanna Arthen

Peter Coyote (picture courtesy of texasgoldmovie.com)

There has always been a consistent pattern in my life whereby my fiction and my actual experiences echo and mirror each other in the weirdest ways.The first time I encountered actor Peter Coyote was in Steven Spielberg’s E.T., in which he played the mysterious scientist tracking the little alien. I’d never heard of Mr. Coyote before. But I confess: it was a case of crush at first sight. I’m not prone to fannish excesses–I won’t even collect autographs–so I didn’t look up Mr. Coyote’s biography or read gossip magazines or anything like that. Probably almost any other fan of his knew a lot more about his background than I did. But I loved him in E.T.,and I watched for him in other things. Many years ago, I went to a Red Cross blood drive to donate blood. I can no longer pinpoint exactly when this was, except that I’m fairly sure it was between 1982 and 1989, and I think the blood drive was in Acton, Massachusetts, where I lived in the 80s. It wouldn’t have been far from there, anyway. I had taken some film magazines with me to read – Premiere, I think. This was during my efforts to break into film acting locally. I even read Variety.After I finished with the donation and was resting, the way the Red Cross always makes you do so you won’t just jump up, barf and pass out, I was reading the magazines, and one of the blood drive volunteers came by see how I was doing. I said I was doing great, and then she picked up one of the magazines and said, “Oh, could I just look at these?” I said of course, and as she flipped through them she said, “I have a brother who’s an actor, and I always like to see if they say anything about him.”“Oh, really?” I said, pricking up my ears for a possible industry contact. “What’s his name?”

“Peter Coyote.”

I didn’t respond very politely, because to me, this was like saying she was related to Justin Bieber. It’s amazing that I didn’t jump up and pass out. “Oh, you can’t be, you’re making that up!” I said, or something like it. (In my defense, I was running a pint low at that moment.)

She looked a bit offended and said, “No, I’m not, why would I make that up? Most people have never heard of him.”

“Of course I’ve heard of him! He was in E.T.! He’s a doll!” (I’m sure they took a bit more than a pint, actually.)

She seemed rather pleased at that, so I hope I redeemed myself. “He is a doll,” she said, laughing.

That was the gist of our discussion – she had other donors to see to – and I didn’t even think to ask her own name, or look at her badge if she was wearing one. (I think it just said, “Volunteer” or whatever the term is they use.) I always wondered if she was really on the level. Why would a movie actor’s sister be volunteering at a blood drive in Acton, Massachusetts, fer gosh sakes?

But then, why wouldn’t she be? Actors come from all over the place. I lived in Acton and I was trying to be one.

But now it’s the 2010s and I’m trying to be a novelist. My third book, All the Shadows of the Rainbow, is set during the 1960s, plus a few years on either side. I lived through the 1960s, but just as I did with the 1950s and The Longer the Fall, I’ve been doing what I call “total immersion research.” I’m reading as much contemporary material as I can find, and watching raw film footage from that era, and generally working to enfold myself in the zeitgeist of the times, so I can, not just write it, but live it from the inside out.

(courtesy of Peter Coyote's website)

By complete happenstance, I discovered that Peter Coyote had been deeply involved in the 1960s counterculture –he was a member of the Diggers and the Free Family, lived on several communes, worked with the San Francisco Mime Troupe, and was at the center of a lot of things that happened in those years. He’s written a memoir about it all, called Sleeping Where I Fall. I learned about it from a random reference on the Red Room website, which I rarely visit, but I just happened to click over there on the day when this book was mentioned. I instantly located a copy. I’ve been reading it for the past week or so.

I’ve been enthralled with the book, because I hadn’t known any of this about Peter Coyote’s personal history. It helps explain why, the instant I saw him onscreen, I just felt this “click.” I’ve been relating strongly to so much that he says in his book. I knew I liked him as an actor, but I never realized that he was what I think of as, “one of us.” He does have a younger sister, although he doesn’t give any clues as to her life or whereabouts. Sleeping Where I Fall was published in 1998, and I’d love to hear what Mr. Coyote thinks about the social and political developments of the last 13 years. I’d guess we share similar views.

Sleeping Where I Fall is going to be one of the most helpful resource books I read, and I’ve got a stack of them. But I’d be enjoying it even if I wasn’t writing All the Shadows of the Rainbow. To add yet more synchronicity to the mix, I found a documentary called Commune by running keyword searches on Blockbuster. When it arrived, it turned out to be about Black Bear Ranch, one of the Free Family communes that Peter Coyote lived with, and Mr. Coyote appears in the film.

It’s just strange how themes and people can weave in and out of our lives in violation of all probability or logic. Over and over again, I’ve been downright spooked by the way things that I’m writing tie into my real life in completely unexpected and inexplicable ways. It’s part of the reason that I’m one of those writers who feel that their fictional universes and characters have wills of their own. I don’t calculate and control the stories I tell, or the people who inhabit them. My characters tell me what’s going to happen and I simply record it … and sometimes, I feel like I’m living it with them. Every once in a while, I feel like I’m living out my fiction in the (so-called) real world.

You might think I’d be more nervous about blowing things up in my novels, in that case! But what good is art if it doesn’t shake you up sometimes?

Black Friday Deals at Borderlands Press

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Top 10 Reasons …To Self-Publish

This blog entry was found on Nathan Wrann’s website by David Price.

Top 10 Reasons …To Self-Publish

by Nathan Wrann

Nathan Wrann at Rock & Shock 2011 (photo by Kristi Petersen Schoonover)

First some housekeeping before I get into the meat of this blog:
**I recently started a tumblog for those times that I want to put a quick link, pic or vid out there. So make sure to follow me there. This wordpress blog will still be for my long-winded diatribes.
**There’s a Dark Matter Heart Facebook page now too.
**Dark Matter Heart is now available at iTunes for iPad etc: http://bit.ly/DMHitunes

Now, about that title up there. I had to shorten it. The full title of this blog is:

“Top 10 Reasons That I Decided To Self-Publish.”

Almost immediately after announcing Dalton Gang Press and DARK MATTER HEART the same question kept being asked of me: “Why did you decide to self-publish?” So I’ll use this forum to answer that question. Here are my top reasons why:

10) I’m lazy. I didn’t want to spend the amount of time and effort it would take to try to get an agent or publisher to like my work enough to work for me. The thought of formatting an e-book, designing a print book, designing a cover, and spending countless hours getting the word out to potential readers that the book actually exists is more appealing to me than writing a single query letter.

09) I’m impatient. I wrote my book. It’s done. There’s no way in hell I want to wait 2 or 3 years for a publisher to put it out. I’d rather take 2 to 3 years to build up sales for Dark Matter Heart.

08) I’m not good at asking permission. I’m not all that into asking (begging/pleading) someone (an agent/publisher) to read my work and publish it for me.
To lift a phrase from Jason Brubaker’s Filmmaking Stuff website, the old way of book publishing is “asking permission” for someone to put your book out for you. I don’t need to ask, I can just do. Why ask a half-dozen people (agents/publishers) to read your work when you can ask millions of people (customers/readers), simply by making it available and enticing them to read it.

07) I’m ‘hands on‘. I’d have trouble letting someone else design my covers, and do all that other stuff that publishers are supposed to do. That’s not to say that they would make a bad cover or that my covers are the best for my books, but that is to say, that I like to do that stuff. Like making promotional pins.

06) I’m greedy, possessive and I don’t like to share. It’s tough seeing my movie “Hunting Season” out there handled by someone else and only getting a cut of the proceeds. Do I appreciate Gravitas and Bosko Group’s efforts in getting the movie out there and available? Sure. Do they get it to an audience that I probably wouldn’t be able to reach? Sure. Does it suck that I can’t do whatever I want, whenever I want with my own movie? Hell yes. I want to be able to do whatever I want with my books. Like release a special edition of Dark Matter Heart that includes the original screenplay that it’s based on.

05) I don’t want to be pigeonholed. If you’ve seen my movies you know that I don’t do the same thing over and over. Yes, I will be putting out a second Cor Griffin Novel, but I’ve also got some hardcore horror stuff to put out, and some sci-fi to put out, and some dramatic stuff. I have a lot of different stories in a lot of different genres and styles. Signing with a publishing house would probably mean that I would have to stick with YA Paranormal. Without diversion. For at least a little time. Maybe that’s not true, but I believe it to be.

04) Here’s a quote from my pal Joshua Jabcuga: “You did it on your own terms. That’s art in its purest form, in my opinion. Fuck compromise.” I agree. Getting published means getting edited. Which means compromised for the purpose of marketability. Maybe that’s good for the book. Maybe that’s good for the story. I don’t know. All I know is that the book and story that is out there is exactly the one that I wanted to put out. Writing isn’t collaborative like filmmaking is (unless something is co-written). It doesn’t necessarily improve with more cooks in the kitchen.

03) Have you read J.A.Konrath’s blog? It’s a very convincing fantasy site about the gazillions of dollars a self-published author can make.

02) Have you read Dean Wesley Smith’s blog? It’s a realistic approach to the hard work and time that goes into building a self-publishing business.

01) To quote my pal Josh Jabcuga again: “Cor Griffin is proof-positive that the best investment you can make is an investment in yourself.” or as I’ve said in the past: “If I’m going to bet, I’m going to bet on myself.”

So that’s it. I’m sure these are the same reasons J.K. Rowling is self-publishing the Potter e-books. Let’s discuss.

The NEHW Presents Epitaphs this Saturday

Before the mass signing of NEHW’s inaugural anthology, Epitaphs, there will be a panel “The NEHW presents Its Inaugural Anthology and Introduces Some Contributors” at 4 p.m. this Saturday during Anthocon. After the panel, there will be a mass signing with most of the authors in the anthology.

The Epitaphs’ authors on the panel are Tony Tremblay, Kurt Newton, Trisha Wooldridge, Gard Goldsmith, David North Martino, Roxanne Dent, Christopher Golden, Stacey Longo, and Jeffrey C. Pettengill. Editor Tracy L. Carbone will be moderating the panel.

Here is the list of the authors who will be at the signing:

Brian Adrian White

Tony Tremblay

Kurt Newton

Steven Withrow

Christopher Golden

Paul McMahon

Dave Goudsward

Trisha Wooldridge

Gard Goldsmith

David North Martino

Steve Dorato

Roxanne Dent

John Grover

Holly Newstein

Scott Goudsward

Rick Hautula

Peter N. Dudar

K. Allen Wood

John Goodrich

John McIlveen

Stacey Longo

Jeffrey C. Pettengill

LL Soares

Mike Arruda

Editor Tracy L. Carbone will also be on hand to sign the collection.

The anthology was available on Amazon, but has been pulled for the time being for some technical changes. Stay tuned here for the announcement when it returns to Amazon.

Author Brian Keene at AnthoCon

Brian Keene

This blog entry about Brian Keene’s appearance and schedule at AnthoCon originally appeared on his website, http://www.briankeene.com/.

From November 11th – 13th, I will be in Portsmouth, New Hampshire as a guest of AnthoCon, which takes place at the Best  Western Wynwood Hotel. For those attending, here’s my schedule:

Saturday, Nov. 12, from 9:00 a.m. to 9:45 a.m. – Keynote Speech: I’ll be focusing on some of the themes I’ve been  discussing in my Seminal Screams column for Shroud Magazine, as well as some of the nonsense that’s taken place in our genre over the last few years.  Regardless of whether you’re a reader or a writer, I think you’ll enjoy  it. There may be cursing. And whiskey. At nine o’clock in the morning.

Saturday, Nov. 12, from 5:00 p.m. to 5:45 p.m. – Panel: “Iʼve made it this far, now what?” The AnthoCon Special Guest Panel discusses their respective paths to literary success and answer questions from the audience. This is a rare opportunity to see many of our special guests in one room and experience a candid discussion about their lives, careers, and future plans and projects. Moderator: Tim Deal Panelists: Brian Keene, Rick Hautala, Cat Valente, Jonathan Maberry, Joseph Nassise, Jennifer Pelland, Christopher Golden, Jeremy Wagner, Jackie Gamber, Michael Boatman, Gord Rollo, and Stephen Susco

Sunday, Nov. 13, from 10:00 a.m. to 10:45 a.m. – Panel: “From Pen to Screen and Back Again” How stories are developed for the screen, and how movies become novelized. Hollywood and literary insiders will discuss the intimate relationship between the written word and film. Moderator: Scott C. Carr Panelists: Eric Red, Stephen Susco, Jonathan Maberry, Brian Keene, Michael Boatman

Short Story Contest

This information was found by David Price.

Lulu has a short story contest for the month of November.  Write a 600 word short story and you could win $500 cash, a B&N Nook, or a $100 B&N giftcard.  Full details can be found here.

http://www.lulu.com/blog/2011/11/01/lulu-short-story-contest/

Price is part of the NEHW publicity committee. He can be located on the web in a couple of places. Here are his links: www.authorwebpage.com/davidprice
http://davidpriceauthor.blogspot.com
follow him on twitter: DPAuthor or
find him on facebook: DavidPriceAuthor.

New England Horror Writers at the SouthCoast Toy and Comic Show This Sunday

Meet these New England Horror Writers at the SouthCoast Toy and Comic Show on Sunday! by Kristi Petersen Schoonover

If you’re up in Fairhaven, Massachusetts this Sunday, Nov. 6, you’ll have the opportunity to meet a few New England Horror Writers—and pick up a few of their books, as well as copies of my Skeletons in the Swimmin’ Hole—Tales from Haunted Disney World—at the SouthCoast Toy and Comic Show. The following writers will be on hand:

David Goudsward

Goudsward is co-author of Shadows Over New England and Shadows Over Florida, but has a myriad of titles in horror, archaeology, and short fiction out there. You can learn more about him at http://goudsward.com/dave/

Kasey Shoemaker

Shoemaker is the author of Silver Vengeance, an urban fantasy novel featuring werewolves, witches, romance and bloodshed. You can learn more about Kasey at http://kaseyshoemaker.com/

Rob Watts

Watts paranormal thriller, Huldufólk , was released just in time for Halloween! Find out more about Rob at http://www.robwattsonline.com/.

Stacey Longo

Longo has had several short stories published in various popular anthologies including the all-female-written zombie collection Hell Hath No Fury. Read more about Stacey’s work at http://www.staceylongo.com/

Writer Nathan Wrann (Dark Matter Heart) and I will not be at the show, but our books will be available. You can learn more about Wrann here: www.daltongang-productions.com, and, of course, you can find out about me on my own website (www.kristipetersenschoonover.com). In addition to Skeletons in the Swimmin’ Hole—Tales from Haunted Disney World, copies of In Poe’s Shadow — a Poe tribute in which my short story “Vanity” appears — will be available.

The SouthCoast Toy and Comic Show will run this Sunday from 10 a.m. to 4 p.m. at the Seaport Inn and Marina in Fairhaven, Massachusetts. For more information and complete details, visit www.southcoasttoyandcomic.com.