Pictures from Rock and Shock 2013

By Jason Harris

Another Rock & Shock has come and gone, the 10th one to be exact. It was another good one with even more vendors this year. The one thing that was lacking was attendees in costume. There just wasn’t a lot of people in costume. Here are pictures from the event.

Lew Temple from The Walking Dead.

Lew Temple from The Walking Dead.

From right to left: authors Robert Duperre, Kurt Newton, and Stacey Longo at the Sideshow Press and Shock Totem tables.

From right to left: authors Robert Duperre, Kurt Newton, and Stacey Longo at the Sideshow Press and Shock Totem tables.

Dark Man and Elvira.

Dark Man and Elvira.

Robert Patrick from Terminator 2: Judgement Day.

Robert Patrick from Terminator 2: Judgement Day.

Author Joe Knetter at the Writer's Studio panel.

Author Joe Knetter at the Writer’s Studio panel.

The Morbid Vision Films table.

The Morbid Vision Films table.

Sharknado director Andrew C. Ferrante.

Sharknado director Andrew C. Ferrante.

Actor Joey Kern (Cabin Fever).

Actor Joey Kern (Cabin Fever).

Musician and actor Dee Snider.

Musician and actor Dee Snider.

Author K. Allen Wood and artist Jessie Young behind the Shock Totem table.

Author K. Allen Wood and artist Jessie Young behind the Shock Totem table.

Actor Jason Mewes.

Actor Jason Mewes (Clerks).

Items on the Morbid Vision Films table.

Items on the Morbid Vision Films table.

TL Smokeshop.

TL Smokeshop.

Jennifer Jostyn (The Brothers McMullen).

Jennifer Jostyn (The Brothers McMullen).

Actor Michael Rooker (The Walking Dead) with two fans.

Actor Michael Rooker (The Walking Dead) with two fans.

Author Gordon Bean holding his book, Dawn of Broken Glass, at the New England Horror Writers booth.

Author Gordon Bean holding his book, Dawn of Broken Glass, at the New England Horror Writers booth.

Authors Scott Goudsward, Joe Knetter, Jack Ketchum, Jack Haringa, and Bracken MacLeod on the Writer's Studio panel.

Authors Scott Goudsward, Joe Knetter, Jack Ketchum, Jack Haringa, and Bracken MacLeod on the Writer’s Studio panel.

Actor Jordan Ladd (Cabin Fever).

Actor Jordan Ladd (Cabin Fever).

Actors Gunnar Hanson, Tony Moran, Robert Englund, and Kane Hodder on the 40 Years of Our Worst Nightmares panel.

Actors Gunnar Hanson, Tony Moran, Robert Englund, and Kane Hodder on the 40 Years of Our Worst Nightmares panel.

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Actor Brian O'Halloran (Clerks 2).

Actor Brian O’Halloran (Clerks 2).

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Items on the TL Smokeshop table.

Items on the TL Smokeshop table.

Books on the Sideshow Press table.

Books on the Sideshow Press table.

More Book Vendors at 10th Rock and Shock

by Jason Harris

 

The 10th anniversary of Rock & Shock seems to have been the year for booksellers having a presence at the convention. In previous years, there were only Shock Totem, Sideshow Press, and the New England Horror Writers at the event.  Only the NEHW has been consistently representing its members there year after year for more than five years.

This year saw the NEHW joined by the returning representatives of Sideshow Press and Shock Totem, who both haven’t been at the convention in a couple years. The new booksellers at the event were Fenham Publishing and Living Dead Press. Click here to read a previous article on Fenham Publishing. There were also two authors, Jack Ketchum and Joe Knetter, in the celebrity area of Rock and Shock selling their books.

The New England Horror Writers (NEHW). Photo by Jason Harris.

The New England Horror Writers (NEHW). Photo by Jason Harris.

Sideshow Press

Sideshow Press. Photo by Jason Harris.

Shock Totem

Shock Totem. Photo by Jason Harris.

Living Dead Press. Photo by Jason Harris

Living Dead Press. Photo by Jason Harris.

Fenham Publishing. Photo by Jason Harris

Fenham Publishing. Photo by Jason Harris.

Jack Ketchum. Photo by Jason Harris.

Author Jack Ketchum. Photo by Jason Harris.

Author Joe Knetter. Photo by Jason Harris.

Author Joe Knetter. Photo by Jason Harris.

 

Lew Temple Talks about ‘The Walking Dead,’ Rob Zombie, and Baseball

By Jason Harris

Lew Temple. photo by Jason Harris

Lew Temple. photo by Jason Harris

Lew Temple’s time on The Walking Dead has ended, but he’s still proud of the work he did on the series, even though he thinks his character Axel had more to do in the show.

“I was obviously disappointed,” Lew Temple said. “I thought he was going to be serviceable to the group.”

Temple was given the news three weeks in advance that his character was going to die. He was in denial at first, but after some time he had to commit to it, he said.

“My intent is to always serve the story and that was my job. I wanted to do the best job possible.”

Temple did feel “disappointed for Axel,” though. As an actor, he will go on and work, but Axel is gone forever, he said.

The character of Axel will live on in The Walking Dead comic books and in reruns.

Temple did use the comic book character of Axel as a blueprint. Since comic books are one-dimensional, he had to make the character three-dimensional.

“I’m certain that we were able to use some of Robert [Kirkman’s] characteristics of Axel, but also brought some of my own to it as well.”

The producers on the zombie series knew of Temple before he came on in season three since he had been in to see them for the pilot.

“They looked at me for the role of Merle, originally, and then after that they hired Michael Rooker. Then they needed Merle’s brother, Daryl, who at that time was not even named.”

Temple auditioned for Daryl by reading Merle’s lines differently, which he was asked to do by the producers.

“Thankfully, they hired Norman Reedus. So when Axel came around they came to me and we were able to make that work.”

Temple was aware of the popularity of The Walking Dead, but not of the cross-cultural phenomenon it has become.

“I would say it hasn’t hurt me,” Temple said about Hollywood recognizing him from the popular series. “I would say prior to The Walking Dead I had a certain body of work Hollywood was aware of, and I was working prior to The Walking Dead …”

He admits that the series has elevated his visibility, which has helped him. He doesn’t know if his time on the series has defined him, which only “time will tell.”

“I like to do diverse stuff. I’m certainly proud of the work I did on The Walking Dead and to be part of that show. It’s been such an incredible hit.”

Temple has worked with writer and director Rob Zombie on Halloween and The Devil’s Rejects. He has “a really great relationship beyond a working relationship” with Zombie.

“I adore working with him because he knows what he wants and wants what he knows so there’s not a lot of grey area in-between. He is an absolute perfectionist and he does whatever it takes to make the day work, and if that means he needs to provide something on set, he does so.”

He does expect to work with Zombie again because he thinks they work well together. He just doesn’t know when that will happen.

“I think that I bring something to his story that he appreciates. It wouldn’t be a surprise to see Lew Temple in a Rob Zombie production yet again.”

Along with acting, Temple is “an incredible baseball fan.” He adores the game and it has been his first passion since he was a little boy. He’s even played it all the way up until the minor leagues with the Seattle Mariners and Houston Astros. When he couldn’t play the game, he worked as a baseball scout for the New York Mets. Now he roots for the Atlanta Braves.

“I would say I’m excited for the Red Sox, but rooting for the [Detroit] Tigers.”

Temple also writes music.

“I think that I am a pretty interesting songwriter. I think that I am able to spin a tune, at least in my head.”

He has a record deal with Universal through the Rob Zombie production, Banjo and Sullivan.

An Interview with Author A.J. O’Connell

By Jason Harris

 

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A.J. O’Connell

 

Q: Your newest book The Eagle & The Arrow is a sequel to Beware the Hawk. What are they about?

A: Beware the Hawk followed a couple of spectacularly bad days in the life of a young woman who was a courier for a secret organization called The Resistance.

The Eagle & The Arrow takes place about six months afterward, and features the young woman’s boss, a bureaucrat named Helen, who is tasked with cleaning up the mess created in the first book while keeping her decaying agency a secret and keeping her own career afloat.

Q: Did you always envision Beware the Hawk to be part of a trilogy of novellas?

A: I didn’t. Originally, my publisher contacted me about Beware the Hawk, because Vagabondage Press was putting together a series of novellas, and my editor remembered Beware the Hawk from a writers’ group we were both members of in 2003. It was only after Beware the Hawk was released that we decided to go ahead and make the book into a trilogy.

Q: Is the third one planned out already?

A: Well, no. I have some notes and outlines put together, but I haven’t figured out every step of the story.

Q: When did you start the series?

BewareTheHawkCoverArt A: I wrote the first draft of Beware the Hawk 10 years ago, although I dreamed up the premise earlier. At the time I was a 25-year-old journalist, in my first writing group ever. When I didn’t have to cover a Tuesday night school board meeting for work, I went to writing group meetings in a local Barnes & Noble. Eventually, I needed some work to share with the group, so I started writing Beware the Hawk down.

Q: Will the series go beyond the three novellas?

A: I don’t know. Right now, the plan is to stick to a trilogy. I’d like the three books to form a neat little unit of storytelling. But you never know – I might revisit some of the characters with stories or books devoted to their character arcs later.

Q: What was the inspiration for the two books?

A: I started thinking up Beware the Hawk in 1999 and 2000. At the time, I was working in Boston and regularly visited friends who lived in New York and Connecticut at the time. I did a lot of traveling by public transit and I had a lot of time to think on those trips. It occurred to me that anyone on the bus could be carrying anything. This was before Sept. 11, and security wasn’t so tight, so I’d spend bus trips thinking about the sort of things a person could get away with.

The Eagle & The Arrow was inspired by recent events as much as by the original novella. I’m intrigued by the phenomenon of WikiLeaks as much as I am horrified by prison camps like Guantanamo Bay. I thought that, when the time came to write the second book, it would be appropriate to look at the first book in terms of terrorism, because although the word “terrorism” never occurred to me when I was writing Beware the Hawk, that’s what it’s about.

Q: When did you start writing?

A: I’ve been writing since childhood. My mother tells a story about me as a toddler, playing with my toys and trying to explain what a plot was, but I don’t remember that. I do remember writing my EagleAndArrowFinalCoverRGB96dpifirst novel as a freshman in high school. It was awful, but the hours I spent on it were the happiest of my day, and I used to read chapters to my friends over the phone. The fact that they put up with this proves that they were true friends.

Q: Has your occupation as a journalist helped with writing your books or writing fiction in general?

A: Now that I don’t work at a daily, yes, I think my experience helped me. As a reporter you learn to economize your language, and that can only strengthen writing. When I was writing for work every day, however, journalism took away from my fiction. I was too exhausted at the end of a day of writing to write anything creative.

Q: What newspaper do you work at and what have you done there and what do you do there currently?

A: I haven’t worked for a paper for a while, although I freelance when I can and both write and edit for a website. I worked for the Hour Newspapers in Norwalk from 2001 to 2010. I was education reporter, mostly, covering schools in several communities, but I also covered municipal business in Stamford, and I worked for a year or so covering entertainment for the features section. That was fun.

Q: You’re a teacher? What do you teach, where and how long have you taught?

A: I’m an adjunct at Norwalk Community College. I’ve taught journalism there since 2008. I advise the student newspaper, and developed our digital journalism course, which I also teach.

Q: You are an editor at the online magazine, Geek Eccentric. When did you start there and what drew you to the magazine?

A: I started at Geek Eccentric this past spring, after being recruited by John Hattaway, our publisher. John went to grad school with me at the Fairfield University MFA program and knew that I was into science fiction, fantasy and comics, so he asked me to join.

I was drawn to the site because it was a chance to continue work I enjoyed. When I worked for the Hour’s features section, I loved writing about entertainment. Geek Eccentric offered me a chance to write news and opinion blog posts about entertainment that appeal to me, so naturally I jumped at it.

Q: Do you have a writing routine?

A: When I’m not teaching, I try to write at least 500 words a day in the morning. I set writing goals weekly with another writer so that we have some accountability. We send each other our goals for the next week on the weekend, and then check in at the end of the week to see if we’ve made progress. It helps.

Q: You belong to the New England Horror Writers (NEHW) and Sisters in Crime. Do you belong to any other writing organizations? What drew you to these organizations?

A: This might sound odd, but my mother, who used to be a librarian (and who loves her a mystery) is the reason I joined Sisters in Crime. She picked up a pamphlet at an event and then made sure I couldn’t miss it. And of course a conversation I had with you and Stacey [Longo] are the reason I joined the NEHW.

Q: What has been one of the best experiences/conversations since becoming a published author?

A: Running into people who have read my book. On the street. While I was lugging groceries from the car to the house. That was pretty amazing; I felt like a celebrity. Also, hearing from people I don’t know on the Internet that they loved my book.

Q: Any advice for writers who are about to be published? Or just advice to writers in general?

A: Yes, and this is advice I have to take myself sometimes: Make the time to sit down and write. Don’t worry about what you’ll write or if it will be any good or not, just sit down and write as often as you can.

Q: Who are some of your favorite authors?

A: Margaret Atwood, John Steinbeck, Virgina Woolf, Flannery O’Connor and Graham Greene are some of my favorite literary authors, but I also love Terry Pratchett, George R.R. Martin, Frank Herbert and J.R.R. Tolkien. Despite his elvish poetry, I’ve loved Tolkien since I read The Hobbit in the fourth grade.

Q: What are some of your favorite books?

A: Oh, this could turn into a Top 50 list. Let me see if I can pick out a few. Rebecca by Daphne du Maurier is a favorite of mine. So is The Sparrow by Mary Doria Russell. Graham Greene’s The Quiet American is another favorite. So is the original Dune, and Silence of the Lambs, both of which I’ve read over and over. Right now, however, I am most excited about A Song of Ice and Fire. I read all the books this spring, and George R.R. Martin cannot get The Winds of Winter published quickly enough. There’s an author who knows how to build suspense.

Thanks to A.J. for taking the time to do this interview for Jason Harris Promotions. You can find out more about her on her website here. You can purchase signed copies of her books at Books and Boos or through its website here.

David Lowery Talks about His Western Influences and Writing

By Jason Harris

 

David Lowery, the writer and director of Ain’t Them Bodies Saints, a movie about an outlaw portrayed by Casey Affleck, who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met. He wanted to do something that dealt with the archetypes of the western and outlaw genres. The westerns he finds himself loving are ones that have a different perspective.

“One of the first westerns that I loved was Lonesome Dove. It gave me a great appreciation of the genre and how rich it could be and how characters like this could live on the landscape.”

The western that showed him a deconstruction of the genre was Dead Man by Jim Jarmusch, he said.

Along with movies, even literature had an effect on Lowery. Cormac McCarthy is one writer in particular that affected him.

“When I read The Crossing when I was 19, it had a profound effect on me and pretty much changed the way I view not just literature, but storytelling in general.”

Lowery considers everything that McCarthy has ever written in the western genre some of his favorite literature, he said.

Lowery doesn’t have a writing process, but he does think that whatever his process is, it’s him just being lazy. He considers himself very lazy, which is what he thinks most writers are.

“I always put it off as long as I can and find other things to do, eventually the ideas I have in my head sticks around long enough that I just have to finally write it.”

He forces every idea through a trial by fire in his own mind before writing them down. If the idea is forgotten then it wasn’t worth writing down to begin with and the ones that stick around tend to get bigger and bigger, he said.

His choice of Rooney Mara (The Girl with the Dragon Tattoo), Affleck (Gone Baby Gone) and Ben Foster (X-men: The Last Stand) to star in his movie were his top choices for Ain’t Them Bodies Saints.

“It was a dream come true,” Lowery said about getting his three stars. “It was pretty remarkable.”

It felt to him that he and his three stars were friends and that they wanted to make the movie together, he said.

“I consider myself very lucky not only that they wanted to do the movie, but they brought that attitude.”

This is only Lowery’s second feature. His first feature was St. Nick, which was released in 2009. Along with these two movies, he has created “a lot of short films.”

He learned a sense of confidence from his first film.

“I need to stick to my guns and do what I feel is right for the project.”

Lowery would like to work with his stars again. He would also like to work with Brad Pitt.

“There are so many great actors. I admire so many different people. It really depends on what the project is,” he said about who he would want to work with and place in a movie.

Writer Talks about His New Movie, ‘Ain’t Them Bodies Saints’

By Jason Harris

MV5BMjg2MjI1OTU2M15BMl5BanBnXkFtZTcwODc3MzM5OQ@@__V1_SY317_CR2,0,214,317_Writer and director David Lowery has been a fan of westerns since he was seven when he moved to Texas, where he thought all the streets were going to be dusty and guys would be wearing big hats.

When he wrote Ain’t Them Bodies Saints, a movie about an outlaw portrayed by Casey Affleck who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met, he wanted to do something that dealt with the archetypes of the western and outlaw genres.

“I wanted to pay homage to those archetypes. I didn’t want to do anything too complex. I didn’t want to reinvent the wheel. I wanted to let them be what they have always been throughout the history of this type of storytelling.”

The movie’s title came from some misheard song lyric to an old song. They just spun around in his head, he said.

“I thought they make a good title for a movie,” Lowery said. “When it came to writing the script, I very quickly remembered that title and thought that this movie would be a fine movie for that title.”

Lowery wanted the movie to feel like an old folk song with that quality, resilience, and mentality to it. He also thinks it is very thematic since a person will not find that phrasing in any other language.

He thinks titles can prepare people for what they are going to see, which he believes his title does.

The movie is set in the 70s because it wouldn’t work in the 80s, 90s or now because of technology. It also allows it to take on grandeur tones and have a mythological and timeless feel to it, he said.

“I don’t think the story would work as well or worked at all if there were such things as cellphones or the Internet.”

He chose the outlaw genre because he wanted to play around in a genre he really liked. He wanted to do something that dealt with the archetypes of the western and outlaw genres.

This type of storytelling goes beyond the movie and goes all the way back to folk songs, American folklore, and history itself, he said.

“It was a really wonderful process to write it because I felt like I was participating in the tradition of storytelling.”

Lowery didn’t do a lot of research for Ain’t Them Bodies Saints, but relied on other movies and how they used these tropes and ideas, he said. He trusted what other people have done on film in the past.

“I didn’t feel the need to tie this movie down to reality.”

That being said, Lowery did mention he had a police advisor on the film set to explain how the police would approach a farmhouse. What the advisor told him is exactly what he expected since he had seen it in other movies so many times, he said.

Even though Lowery didn’t do a lot of research for the movie. He did ask Ben Foster, one of the three main stars in the movie, to do research about how sheriff’s in Texas go about their jobs and performing their duties. Foster got to know what it was like to have that job and what that job meant.

“He brought a lot of that to the table and a lot of information I didn’t know so that was really helpful as well,” Lowery said. “He brought a lot of realism to that part that wouldn’t have otherwise been there.”

Ain’t Them Bodies Saints opens in theaters Friday, Aug. 30.

Pictures from the 11th Open Air Market and Festival

by Jason Harris

 

The 11th Annual Open Air Market and Festival took place this past Sunday at the Wadsworth Mansion in Middletown, Connecticut. According to Deborah Moore, the event’s organizer, she believes there were record crowds. A record number of vendors participated in the event as well, she said. There were over 80 vendors.

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Why A Spoon

Why A Spoon

Raymond J. Medeiros Jr., a spoon carver, operates Why a Spoon. He sales wood carved spoons and “treen ware.” You can check out his website here.

More products from Why a Spoon.

More products from Why a Spoon.

The Farmer's Cow. There are five farms operating under that brand in Connecticut.

The Farmer’s Cow. There are five farms operating under that brand in Connecticut.

The Creative Salt Dough Arts & Crafts booth.

The Creative Salt Dough Arts & Crafts booth.

The Creative Salt Dough Arts & Crafts is located in Middletown and is operated by Kisha Michael. You can check out her website here.

The Books & Boos tent.

The Books & Boos tent.

The Books & Boos bookstore is located at 514 Westchester Road in Colchester, Connecticut. You can find it’s website here.

Cato Corner Farm, located in Colchester, Connecticut.

Cato Corner Farm, located in Colchester, Connecticut.

The next three pictures are of the work by Rustica Ornamentals. You can find the website here.

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A picture facing towards the mansion.

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Vivienne McGarry, owner of Cold Goats Farm.

Vivienne McGarry, owner of Cold Goats Farm.

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York Road Pottery

York Road Pottery

The products of York Road Pottery.

The products of York Road Pottery.

York Road Pottery is owned and operated by Cynthia Wallace, who works with pottery and weaving. She is located in Kensington, CT.

Getting to Know Author Georgina Morales

 

By Jason Harris

 

Nuevo Blog2_1Georgina Morales started writing when she was nine.

“I wrote poems in Spanish, mostly, and never thought I was any good. I got busy building a career in medicine and forgot about writing for 15 years. After some insistence from my husband, I started writing fiction 4 years ago, and I’ve never been happier.”

Since she started writing fiction, Morales has published a horror novella, Perpetual Night, which has been described as YA even though the subject matter may be a bit dark. She has also written, “Francis,” a short story published in the horror anthology, Isolation. Her most recent published work, “Broken Promises,” appears this month in Heater magazine. It’s her first endeavor into crime/mystery writing, which she finds exciting.

Morales’ not resting on her laurels, but instead is working on two short stories at the moment. The first one, “Tamam Shud,” is a noir mystery scheduled to be part of the anthology, Lucky 13, which will be published by Padwolf Publishing. It’s about an old man who becomes disenchanted with life after the death of his wife, and his kids pay the price.

There is an unnamed horror story Morales is working on for a themed anthology that she won’t name so as not to jinx it, she said.

She is also working on a paranormal mystery, Deliverance. “I’ve been working on it for some time now, but it is still far from completed, thanks to my recent commitments to write other pieces.”

Morales is grateful for the commitments, even though they have kept her from working on her mystery.

She does have a few habits when she starts writing.

“I usually sit at my desk in my office about 10 or 11 a.m., I answer emails and play—I mean, promote—on Facebook for about an hour, and from then on, I’m a mean writing machine.”

She stops around 3 or 4 p.m. so she can go pick up her girls from school. She tries to stick with this schedule because she finds that without specific goals she’s less productive. The use of sticky notes reminds her of these goals, she said.

Morales belongs to a critique group and must post at least 1500 words every Sunday, which is what keeps her “ass in line” and “very productive.”

“Deadlines are gold for me.”

The best advice she has received covers writing and editing.

“Don’t edit while you write or you’ll never move forward. When you write, write. When you edit, edit. I don’t remember where I read that but it speaks to the quintessential need of a writer. We want our words to be gold from the moment we set them on paper. If the sentence is not perfect, if the feeling is absent, if the atmosphere is not exactly what we envision, we don’t move forward. We tend to correct ourselves every second, but the truth is that all first manuscripts are shit.”

She doesn’t use the word “shit” for shock value, but that first manuscripts are that, Morales said. “This is why writers edit and edit.”

As writers should, Morales reads whenever she isn’t writing or taking care of her family.

“I read a lot of horror and try to read at least a couple of new or modern voices in the genre every other month.”

For the last year, she’s been focusing on the true classics of horror, but not Bram Stoker or Mary Shelley. She’s been reading Joseph Sheridan Le Fanu, Daphne Du Maurier, Algernon Blackwood, and Thomas Ligotti.

Morales hates procedurals and isn’t quite a fantasy girl, but is trying the Harry Potter series. She isn’t above the Twilight books, but not the movies, she said.

“I grew up reading Edgar Allan Poe and Stephen King, so you will see a lot of their influence in my stories. However, I love Latin American literature. I strive to achieve a personal style similar to the poetic prose of Gabriel Garcia Marquez, or the bluntness of Paz, the yearning of Federica Garcia Lorca. All of these great voices have formed me, and that is why my style is different from other horror writers. Or at least, it will be; one never stops to improve.”

She doesn’t have any promotional events coming up, but is working to change that. Until that happens, visit her blog, her Goodreads page, her Facebook page, or her Amazon page.

Editor’s Note:

Here is Heater magazine’s Facebook page.

Getting to Know Author Rachelle Bronson

By Jason Harris

 

Author Rachelle Bronson started writing when she was very young. It was around the age of 6 or 7.

“I would fill those school notebooks full of drawings and stories. I’ve always had a good imagination, and seeing those ideas turn into reality struck a chord.”

Her newest work, Frozen, was released last month.

“It’s about a group of scientists that trek high into the Himalayas to dissect a newly discovered breed of humanoid,” Bronson said about Frozen.frozen-72

Her previous story, “Lulabelle,” was published in the Hersham Horror Books anthology, Alt-Zombie. This collection includes stories by William Meikle and Joe McKinney.

The story was shortened from its original version, Bronson said. She would like to see the whole story published someday.

Before she begins writing, she does a lot of research. She also makes sure to have well-developed character and plot outlines before beginning.

“I like to know where I’m going, which helps me avoid writer’s block. Many times however, the characters and story take on a life of their own and always surprise me in the end.”

Her published short stories aren’t the only works she has written. She has a few unpublished novels, Legends: The Bleeding Door, which will launch next year, and Tarzwell, which doesn’t have a release date at the moment.

Her first novel, Legends: The Bleeding Door, is based on an urban legend she researched and turned into fiction. It was conceived when she was in high school. Legends is what got her involved with Invictus Films, who wanted in 2007 to turn the novels into a television series after her pitch was received favorably by NBC and HBO. Unfortunately, the recession in 2008 killed the project’s momentum.

“I reacquired the rights in 2012 and am planning to launch the series, as intended, in book format, with The Bleeding Door being the first of a series of 13.”

Outside of the Legends series, she also has her novel, Tarzwell, which takes place between 1992 and 1996 and is based on actual events.

“Talk about a confusing time, going through high school and living in a house that has paranormal activity. It was a tough time for everyone. My mother was ill, my father was forced to work out of town to support us, so I was there many times alone, taking care of my mother, dealing with teenage angst and spirits.  I never believed in ghosts until I lived in this house.  It changed me profoundly.”

She considers living in the house “a major learning experience” and considers herself stronger for it.

“It definitely reminds you that life is about mind, body and spirit.”

The best writing advice she has ever received is to “never quit.”

“There are many obstacles to becoming published. But if you want it bad enough, hone your craft, lick your wounds and just keep going. Oh, and get yourself a good editor. They can make or break you.”

She is currently the chief reviewer at The Novel Blog website, which was conceived in 2008 by Daniel Boucher and Peter Mark May. She joined shortly after that and they have had a blast publishing news, reviews and interviews of authors ever since, she said.

“We wanted to do a book review site, one that included both up-and-comers and established authors to help get out awareness of their works and grow the community.  It also gives authors of other genres that may not be in the fiction literary mainstream a place to get the word out about their work.”

Bronson doesn’t have a website, but she hopes to remedy that by the end of this year or the beginning of 2014. She does have a Facebook page (https://www.facebook.com/?ref=tn_tnmn#!/rachelle.bronson.9?fref=ts) and a Twitter account (@rachellegagne).

She and her publisher, Hive Collective, are looking at different promotional opportunities for her, which she will announce on her two social media accounts.

She loves reading the classic authors such as Stephen King, Agatha Christie, Robin Cook, and H.P. Lovecraft. She also has had great pleasure exploring new writers such as Kane Gilmour, Daniel Palmer, JT Ellison, Jonathan Maberry and Peter Mark May.

Bronson looks up to all writers, who stay true to themselves and their craft, but doesn’t want to emulate them.

“I want to be me, being original and trusting in my own pool of knowledge and creativity in order to produce something new, entertaining and inspiring to horror fans everywhere.”

Pictures from the 2013 New England Author Expo

By Jason Harris

 

The New England Author Expo and Book Sale organized by Christopher Obert and Pear Tree Publishing took place at the Harborview Ballroom in the Danversport Yacht Club in Danvers, MA. on Wednesday, July 31.

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The Books & Boos tables at the New England Author Expo.

The Books & Boos tables at the New England Author Expo.

The New England Horror Writers table with author Scott Goudsward sitting behind it.

The New England Horror Writers table with author Scott Goudsward sitting behind it.

Authors Erin Thorne and Dale T. Phillips.

Authors Erin Thorne and Dale T. Phillips.

Publishing

The Rosstrum Publishing table.

Author Stacey Longo talking with Joseph Ross of Rosstrum Publishing.

Author Stacey Longo talking with Joseph Ross of Rosstrum Publishing as author Vlad Vaslyn photobombs.

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Author Stacey Longo (middle)helping author Tracy Carbone (right) with her banner as author Scott Goudsward looks on.

Author Stacey Longo (middle)helping author Tracy Carbone (right) with her banner as author Scott Goudsward looks on.

The Shadowridge Press banner after Stacey Longo put it together for Tracy Carbone.

The Shadowridge Press banner after Stacey Longo put it together for Tracy Carbone.

Tracy Carbone's table.

Tracy Carbone’s table.

Author Erin Thorne at the Books & Boos table.

Author Erin Thorne at the Books & Boos table.

Authors Rob Watts and David Price behind the Books & Boos table.

Authors Rob Watts and David Price behind the Books & Boos table.

Author Vlad Vaslyn behind his table.

Author Vlad Vaslyn behind his table.

Author Rob Smales setting up his books at the New England Horror Writer table.

Author Rob Smales setting up his books at the New England Horror Writer table.

Author Dale T. Phillips behind his table.

Author Dale T. Phillips behind his table.

Author Rob Smales' books on the NEHW table.

Author Rob Smales’ books on the NEHW table.

The Penguin Lady's table.

The Penguin Lady’s table.

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The Books & Boos table.

The Books & Boos table.

Authors Michael Evans and Stacey Longo at the Books & Boos table.

Authors Michael Evans and Stacey Longo at the Books & Boos table.