Stoker Award-Winning Compilation Now an E-Book

Author Stanley Wiater’s Bram Stoker Award-winning compilation, Dark Dreamers: On Writing, has been republished as an e-book by Necon E-Books. It is subtitled, “Advice and Commentary from Fifty Masters of Fear and Suspense.”

It is a collection of how-I-did-it quotes from such talents as Stephen King, Dean Koontz, Anne Rice, Clive Barker, Ray Bradbury, Jack Ketchum and many more. Wiater has “culled well-selected quotations from his interviews with horror’s creators. These include major influences; the day-to-day work of writing; choosing a form; fame and fortune; the game of making movies; sex and death; censorship; personal fears; surprising advice; and the function of horror.”

Check out the e-book here.

Author’s Take on Jack the Ripper

Stefan Petrucha’s new book, Ripper, was released in March.

The author is currently running a contest on Goodreads, where he will give away six copies of Ripper. Click here to enter the contest, which ends April 28.

Here is the book’s description from Amazon, “Carver Young dreams of becoming a detective, despite growing up in an orphanage with only crime novels to encourage him. But when he is adopted by Detective Hawking of the world famous Pinkerton Agency, Carver is given not only the chance to find his biological father, he finds himself smack in the middle of a real life investigation: tracking down a vicious serial killer who has thrown New York City into utter panic. When the case begins to unfold, however, it’s worse than he could have ever imagined, and his loyalty to Mr. Hawking and the Pinkertons come into question. As the body count rises and the investigation becomes dire, Carver must decide where his true loyalty lies. Full of whip-smart dialogue, kid-friendly gadgets, and featuring a then New York City Police Commissioner Teddy Roosevelt, Ripper challenges everything you thought you knew about the world’s most famous serial killer.”

Check out the trailer for Ripper here.

Check out the author’s Amazon page here or order Ripper here.

Practical PR in Five Steps or Fewer

Practical PR in Five Steps or Fewer Or, I just joined the NEHW … now what?

by Kristi Petersen Schoonover

There’s strength in numbers, and that’s what the New England Horror Writers Association is all about. Through membership, you’ll have access to promotional opportunities—such as selling your books at conference tables and getting yourself out there on the web through the NEHW website—that you wouldn’t otherwise.

That said, we’re all busy people: today’s writers and artists are expected to blog, social network, teach, lecture, promote, critique—never mind create, and that’s on top of our “normal” lives. If you’re in a time crunch, how do you take advantage of yet another opportunity?

You can. In not even five minutes a day. Here’s how!

1. FOLLOW THE NEHW ON TWITTER AND RE-TWEET.

Follow the NEHW at @NEhorrorwriters. We’ll follow you back. We often re-tweet your tweets—and you can re-tweet ours. It’s especially helpful when you’ve got nothing to put out on your feed—and a heck of a lot of news goes everywhere and all it cost you was one second.

2. JOIN THE NEHW FACEBOOK GROUP AND PARTICIPATE.

The NEHW Facebook Group is an easy way to stay informed of upcoming opportunities— and is another place to post your own news and gain exposure. In addition, some pretty interesting posts pop up over there. It’s a cinch to click “Share” or “Comment.”

3. FRIEND OTHER MEMBERS ON FACEBOOK AND HIT THE SHARE BUTTON.

Friend other NEHW members on Facebook—plenty of our members are active and have lots to share. If they post something interesting, that’s your cue to click “Share” and/or “Comment.”

4. IN A BLOG JAM? DIRECT FOLLOWERS TO NEWS ON THE NEHW WEBSITE OR TO OTHER MEMBERS’ WEBSITES.

There’s a near-constant newsfeed—and even older helpful articles—on the NEHW website; in addition, other members’ blogs are pretty active. If I’ve got nothing to post on my blog, I head over, grab a link to something interesting, write a two-line introduction— and voila! Instant post. Just be sure you’re not copying anything verbatim from anyone’s website without their permission; if you’ve got WordPress and so does the poster, you can hit “Reblog” and add a comment, and WordPress will merely show a truncated version and provide the link.

5. ADD US TO YOUR E-MAIL SIGNATURE.

You can add “Member New England Horror Writers Association~www.newenglandhorror.org” to your permanent e-mail signature. You only have to do it once and it’s there until you take it off. How does that benefit you? Clout, of course. It shows you’re a member of a writing organization and that you’ve got a passion for what you do— especially great for when you’re submitting to editors.

If every member of our group did this, think of how much coverage we’d have…and that’s just the beginning. By participating in these five activities when you can, you’ll help yourself—and our organization—gain the exposure we all deserve.

A Frog-Lover’s Dream

A Frog-Lover’s Dream

by Stacey Longo

Why do I love the B-movie Frogs (1972) so much? Is it because it makes me nostalgic for my years on the farm, catching toads and lizards, only to release them in my sister’s bed? Or is it because a young Sam Elliot spends part of this movie shirtless in wet jeans, making insightful comments in his sexy voice that percolates like fresh-ground coffee in the morning? The truth is I never was very nostalgic about the farm. Hello, half-naked young Sam Elliott!

"Half-naked young Sam Elliott" in Frogs.

This fabulous film opens with Pickett Smith (Sam) canoeing on the lake, only to be swamped by a powerboat owned by the Crockett family. Clint and Karen Crockett (Adam Roarke and Joan Van Ark) fish Pickett out of the lake and tow his canoe back to their family’s island. Karen Crockett takes one look at Pickett and starts throwing herself at him like a cheap tart, proving that Joan Van Ark is a slut.

On the island, we’re introduced to Jason Crockett, portrayed by a cranky Ray Milland, who is probably wondering how he wound up in this movie. My guess is since he was wheelchair-bound, his agent just rolled him on to the set and ran like hell. Nevertheless, Milland portrays the monstrous patriarchal grandfather perfectly. His anger at the relentless noise of the bullfrogs without so much as a wink of irony at the fact that the family made their fortune on toxic pesticides had me so moved that I began to root for the frogs. That’s fine acting, folks.

The members of the family begin to disappear one by one, leaving Jason, Karen, and the rest of the Crocketts stumped. The only one who has an inkling of what might be going on is Pickett, because besides being sexy as hell, he’s a brilliant ecologist, too. He quickly deduces that the frogs are psychically controlling all of the reptiles and amphibians on the island and ordering them to kill everyone.

Reptile and amphibian (and even tarantula) fans will not be disappointed. Bad luck for the Crocketts, who found the only island in the world on which ball pythons, Burmese pythons, alligators, bearded lizards, monitor lizards, American snapping turtles, caimans, and what I presume to be cottonmouths but what suspiciously resembled Northern water snakes all live together in harmony. Crockett cousins, in-laws, and caretakers all die horrible deaths due to these vicious creatures (I never knew the chameleon had it in him) and to the amusement of the viewer.

Ironically, all of the black characters (the maid, the butler, and a model) make it safely back to the mainland, which is practically unheard of in a horror movie. There’s a possibility that they were attacked by seagulls as they ran to their car, but since I saw no eyeballs being swallowed nor any brain matter leakage, I like to think they made it. Eventually, the only characters left are Jason, Karen, Pickett, and two whiny Crockett kids. Jason demands that everyone stay because he wants to celebrate his birthday, frogs be damned. But Pickett and Karen take one look at the bullfrogs licking their slimy little lips as they press their beady eyes against the window and decide to make a run for it. They hop in the canoe, paddle to shore, and hooray! Sam Elliott takes his shirt off again! Miserly, miserable Ray Milland is left, wheelchair-bound and surrounded by frogs. He promptly falls face-first in to a pile of murderous amphibians. But he was such a wretched old coot, who cares, really?

This movie is fun, slightly ridiculous, and one of my all-time favorites. Why? Not because I’m a sucker for bearded lizards, though they are awfully cute. It’s because Sam Elliott is a bona-fide slab of hunky ecologist meat in this fine, fine production. Did I mention he goes shirtless?

The Traveling Writer: Ten Things You Should Own for Promotional Events

The Traveling Writer: Ten Things You Should Own for Promotional Events

by Kristi Petersen Schoonover

I’ve been doing events for ages, and my first few weren’t easy. No one had a must-have list, and I had to learn by doing. Today I’m sparing you all of that. So, here are the ten things every writer should have in his “Traveling Promotional Toolkit” (other than, obviously, your books/product). If you’re with the NEHW, there’s a good chance you won’t have to worry about some things on this list, like the table and tablecloths. But you should own them anyway, because at some point, you will probably be going solo. Interestingly enough, these ten items won’t break your bank—in fact, if you buy everything at once, your investment is going to be well under $100 and most of that you’ll never have to replace—but they’re absolutely essential if you’re going to take your show on the road.

Table/Chair: Card tables aren’t that expensive. Pick one up and keep it in your basement. If you don’t use it for going on the road, believe me, you’ll find some other use for it the next time you throw a party. A decent card table can run you anywhere from $20 and up. Some come with four or five chairs and start at about $50—but as far as chairs go, anything from home will do. Even those fold-up lawn chairs are fine. But you should have one in case the venue doesn’t.

Tablecloth: You can bring a cloth one from home that you already own, but since I’m a horror writer I like to get funky and use something appropriate. Plastic tablecloths, which you can get at any party store and start at, like, a buck, are the best choice, because you can customize them to the event (you might not want to bring your blood-spatter design to a hospital benefit, for example), and you can toss them when they get worn out. I have a few different ones with different designs on hand especially during October when I’m doing four or five events in a row and want to change it up. I usually get several uses out of them before having to discard them. You’ll find you also won’t mind loaning out the plastic ones, either. These are the most frequent things you’ll replace other than your handouts (see below).

Plastic Tubs: A must. All your books and materials stay dry and in mint shape. The tubs are also easy to carry, and make for a great “table” to put your drinks and food so they don’t go on your signing table, putting your product at risk.

Photo by Jason Harris.

Book Stands: Sure, you can lay your books down on the table, but if they’re standing up, they’re easier to spot, plus they instantly look serious. You don’t have to spend a fortune to own an industrial book stand: these are the poor man’s POP (point-of-purchase) displays. All you have to do is visit Michael’s Crafts and head down the framing/photo aisles; they’re referred to as easels, they’re portable, and they’re cheap. The ones pictured above fold easily. At Michaels, they are about $3.99 each, and if you get the store’s coupons in the weekly paper, then they’re even less. If you wanna go nuts, they have some pretty cool wrought-iron ones. Those are on my Christmas list. Book stands are also available through Amazon.

Handouts/Flyers: The idea with a handout or flyer is to provide something of value: Content your readers will take home and possibly keep for awhile or use—this is the idea behind what today we refer to as “swag” (years ago when I worked for a firm we called them CM’s–“collateral materials”) such as magnets, bottle openers, and pens. The good news is, since you’re a writer, you don’t have to spend the bucks on promotional items if you can’t afford them. An easy, better, and less expensive way to market your work is to take a short story (preferably one that’s published) or a sample from one of your books and copy it. You can then staple your business card, postcard – or simply a flyer with your website and where people can purchase the book – to those copies and hand them out. You may not think it works, but it does result in at least a few residual sales (a residual sale is when a person purchases your work after the show is over).

Pens/Markers/Paper: Don’t laugh. This may seem like a no-brainer, but I’ve been to book signings at big box retailers (Barnes & Noble, Costco, and the like) and the author didn’t have pens that worked. Invest in a box of Bics. And while you’re at it, pick up a few Sharpies, too. Also make sure you have a notepad or extra paper – it comes in handy if you need to make notes, keep sales records, or make a sign. Just keep them in your travel tub.

Sign Holders: These are those plastic one-offs that stand on their own into which you can insert your own flyer, sign, photo, or whatever and the beauty is you can prepare one and use it over and over; you can also change them out frequently but keep a file of different ones on hand and avoid having to print new sheets every time you need something different. They add to your professional appearance and come in a multitude of vertical and horizontal styles and sizes. The best place to get them is at Staples, and you can spend as little as $4.00 each.

Duct Tape: One word: MacGyver.

Plastic Shopping Bags: To offer to customers who purchase your product, and to use for just about anything else, including those empty Dunkin’ Donuts coffee cups and Tab cans. One box of 100 costs about $13 at Staples or Office Max, and it’ll take you awhile to go through them.

Decorations/Candy: Something festive to dress up your table is always helpful because it broadcasts I have passion for what I do, and a bowl of individually-wrapped candies is always pretty, especially around Halloween, because it shows you have a sense of fun. And after all, who doesn’t want to Trick or Treat?

Author’s New Book Available for Pre-order

Author and NEHW member Kurt Newton’s new sci-fi/horror novel, Powerlines, is now available for pre-order through Gallows Press. It will be available on Amazon on April 17.

Plot description:

“After his beloved brother is killed in Iraq, Ethan decides to take a weekend hike to clear his head and to get in touch with nature. His destination is a stretch of power lines that run deep into the forests of Connecticut. His journey will bring him through a reclusive area surrounded by mysteries and strange legends. Kissing his beloved and patient girlfriend, Lindsey, goodbye, Ethan sets off on his adventure.

It doesn’t take Ethan long to discover that the stories are true … something strange and insidious is hidden in the Connecticut countryside.

Something deadly.

When Ethan fails to show up at their rendezvous point, she knows that something is horribly wrong. Finding local law enforcement to be uncooperative, she partners up with an unlikely friend as she enters the woods in search of her lover.

As they follow the power lines deep into the woods, they have no idea what awaits.”

Book details: 278 pages, trade paperback, retail price $12.99, special pre-order price $11.00.

Newton also has a story in the anthology, The Gallows, which is also available for pre-order through the Gallows Press site.

Book description:

From Gallows Press comes a collection of 11 tales showcasing the narrative talents of the Gallows authors. The Gallows anthology is the perfect book for readers looking to sample what our talented storytellers have to offer.

Contents:

“Pigs” by Erik Williams
“The Pit” by Kurt Newton
“China” by Gene O’Neill
“Jam” by Mark Allan Gunnells
“Craving Soul Food” by Sam W. Anderson
“Mirror World” by Liam Davies
“Rotting Love” by T.G. Arsenault
“Unknown Causes” by Frank Duffy
“He’s Just a Baby” by Shane McKenzie
“Writer’s Block” by Chris Hedges
“Children of Filth” by Brian Knight

Book details: 228 pages, trade paperback, retail price $8.99, special pre-order price $7.99.

Experience ‘The Cabin in the Woods’ this Weekend

Experience The Cabin in the Woods this Weekend

by Jason Harris

It has been two years since the little mutant in the Mutant Enemy logo graced a screen, the small screen. It’s back and it’s on the big screen, which is great to see. From the moment The Cabin in the Woods starts, it doesn’t begin like a typical horror movie with the introduction of the potential victims the protagonists.

This movie begins like it does because it is written by Joss Whedon, creator of the television series Buffy the Vampire Slayer, Angel, Dollhouse, and Firefly and Drew Goddard, who wrote for both Buffy and Angel. They threw out the rule book because they don’t follow the rules. They want to be original. Whedon and Goddard fans know this.

The movie starts with Richard Jenkins (Six Feet Under) and Bradley Whitford (The West Wing) in an underground location just having a conversation about consequences and a certain “scenario.” They could be two business men or friends just talking until Whedon alum Amy Acker (Angel, Dollhouse) shows up in her lab coat. I think Acker has kept the same wardrobe from her days on Angel and Dollhouse. The audience has no clue what is going on. After Acker appears on screen, it opens up numerous possibilities that these three characters are working at a research lab, at a government agency, or any other possibility that could cross a person’s mind. This question is eventually answered.

Fran Kraz (Dollhouse), another Whedon alum, portrays drug smoking Marty. He is smoking an interesting bong when he first arrives on the scene. He is the funniest character in the movie and is one of the five friends who go on vacation together. Marty and the other friends, who are portrayed by Kristen Connolly (As the World Turns), Chris Hemsworth (2009s Star Trek), Anna Hutchison (Wild Boys), and Jesse Williams (Grey’s Anamony), are introduced after the interesting set-up of the introduction of the movie’s title.

The other known face in the movie is Hemsworth who audiences will know as the title character in Thor. He will be back in theaters in May when Whedon’s The Avengers come out. He was filming this movie in 2009 when he received the title role in Kenneth Branagh’s Thor.

Tom Lenk (Buffy, Angel), another Whedon alum, makes an appearance in the movie playing a minor character, Ronald the Intern.

Just like any horror movie, you will start liking these characters and wish they could all survive, but you know that won’t happen. This is a horror movie after all and when you start out with five characters, you know that most of them will be dead by the end of the movie.

The movie has many great moments in it. There is one scene where all these monsters are locked up then get freed. There are recognizable monsters like the Wolfman, a giant cobra and this evil looking Transformer-type with multiple sawblades. When these monsters break free and people began to die, it is reminiscent of the Buffy episode, “Primeval,” where all hell breaks loose in the Initiative. This is the one scene in the movie that will require multiple viewings just to see every single creature causing mayhem.

If you like Joss Whedon’s Buffy the Vampire Slayer and Angel, you will love The Cabin in the Woods. It is filled with his style of humor and horror mixed together in one entertaining movie. This review is vague so it won’t ruin the movie for you and because one of the joys of this movie is experiencing it for the first time. Just sit back and enjoy the ride Whedon and Goddard take you on.

Two Actors Leave the Forest to Discuss ‘The Cabin in the Woods’

Two Actors Leave the Woods to Discuss The Cabin in the Woods

by Jason Harris

Actors Kristen Connolly and Fran Krantz. Photo by Jason Harris.

Kristen Connolly and Fran Krantz, two of the stars of The Cabin in the Woods, recently sat down in a Boston hotel to discuss their movie, which opens in theaters on Friday.

The movie was written by Joss Whedon and Drew Goddard and directed by Goddard.

Krantz thought the script was “perfect” while Connolly was “surprised” by it.

“I was blown away when I first read it,” Krantz said. “I worked with Joss so I expected it to be more than what the title suggested.”

He never could have predicted in his “wildest imagination” where this movie was going.

The Cabin in the Woods movie poster. Photo by Jason Harris.

“The poster says, you think you know the story, but it couldn’t be more accurate,” Krantz said.

As Connolly was reading the script, it was hard for her to picture some parts including the scene where her character is getting the crap beat out of her, she said. But in the finish product, the music in that scene is “really amazing.”

Krantz felt such a strong connection to the script and felt an “ownership” to it, which he considers “rare in an actor.”

“It was difficult if I didn’t get it, it was going to haunt me for the rest of my life because I loved the movie so much on paper.”

Even though the movie was shot in 2009, Krantz never lost faith that it would see the inside of a movie theater even though other people didn’t think it would.

“I knew how good the movie was,” Krantz said. “I was always confident that it would come out. It’s satisfying now that you can already feel the buzz around it.”

Connolly said, “it was cool to watch [the movie] at South by Southwest. It was so crazy, it was like a rock show. There was cheering and laughing. It was so cool that there was so much energy in that room. It was a truly extraordinary experience.”

Both Connolly and Krantz auditioned for their parts in the movie. At the time, Krantz was working on Whedon’s newest television series, but that didn’t give him a leg up on anyone else.

“I auditioned like any other movie, which was weird since I was working on Dollhouse,” Krantz said.

When Goddard visited the set to talk over possible shooting locations with Whedon before Krantz even got a call about auditioning for a part, he walked over to where they were talking.

“I’m a big horror film fan so I just kind of wandered over. I wanted to see what they were talking about. They were looking at potential lakes for potential shooting locations.”

Krantz said, one of those locations was “the original Friday the 13th Camp Crystal Lake.”

“I started geeking out,” Krantz said. “I was a big fan of those movies.”

He told them it would be so cool if they would film the movie there, but the movie ended up being filmed in Vancouver.

Krantz and Connolly had good things to say about some of their co-stars.

“I think Richard [Jenkins] and Bradley’s [Whitford] performances are so funny,” Connolly said.

Krantz thought everyone on the movie brought their “’A’ game.”

Krantz said, “the performances are so great across the board.”

During filming, he saw the dailies of co-star Chris Hemsworth and thought he was “a movie star.” Hemsworth received his role in Thor and the Red Dawn remake while filming The Cabin in the Woods. Chris’ younger brother, Liam, was considered for the role of Thor first before it went to Chris, Krantz said.

“I know Joss called Kenneth Branagh and at some point it started shifting gears in his direction,” Krantz said. “I was not surprised at all.”

Connolly thought it was a great break and a “no brainer” that Hemsworth received the role of Thor.

The Cabin in the Woods is full of scares and fears. Everything a person can be afraid of is in the movie, Connolly said.

“I think what I feel most afraid of is drowning or being buried alive.”

She mentioned a particular scene in the movie where she is in a pond. She also found it hard to watch the scene in Kill Bill:Vol. 2, where Uma Thurman’s character is buried alive.

“I have to get up and leave the room because [that scene] is so intense,” Connolly said about Kill Bill.

The fear that bothers Krantz is “claustrophobia.”

The Descent killed me because of that. The monsters were scary, but I was far more uncomfortable with the earlier tight space moments.”

You can travel tomorrow to see what fears The Cabin in the Woods contains when it opens in theaters nationwide.

The Journey to an Author’s First Autograph

The Journey to an Author’s First Autograph

by David Price

In March, I finally got to see my name in print. I have a story in the book, Tales from the Grave: An Anthology of True Ghost Stories. This is a big turning point for me. I joined the New England Horror Writers last August. Since then, I have attended some of the events from time to time, but only as a spectator, never as a participant. I like the people who I have met so far in the NEHW, and I was really looking forward to the day I could hang out with them at one of these conventions or fairs. That day was finally here when I was published in that anthology of ghost stories.

The story itself is called “Tucker’s Court” and it is about the house I grew up in, from the age of nine to twenty-five. My family moved in with my father’s parents when I was a kid, because their health was failing. Both of my grandparents died while I was living with them. There was always a presence in that house after that and many odd things happened to me. Maybe it wasn’t your typical horror movie kind of haunting, but to me it seemed worthy of a story. To my great pleasure, it was accepted by editor Rod Nojek and I made the transition from writer to author. Baby steps, first, you could say.

Naturally after I got the word that the book was in paperback, I emailed NEHW’s Director of Publicity Jason Harris and got my name on the list for the next event, which was the 39th Heritage Craft Fair in Framingham, Massachusetts, on March 24.  I had a couple weeks, so I thought I had plenty of time to get some books to sell at the fair. I placed my order with the publisher, only to be told that the books would not arrive in time. This was very disappointing and I immediately emailed Jason again, to let him know that my participation was in doubt. He told me to tell the publisher that I needed the books for an event and ask for rush delivery. I tried that, to no avail. The books were not going to arrive in time.

Two days before the fair, I went online to see if there was any chance of getting a few books on time from Amazon. It turned out I could get them with the rush delivery option, if I ordered in the next forty minutes. As an added bonus, since the books sell for less than ten dollars, they were included in Amazon’s “Buy four books for the price of three” promotion. So I ordered four books and the website told me I could get free rush delivery if I was an Amazon Prime member. Free one month trial, it told me. What the heck, now I’m an Amazon Prime member, too. I was meaning to sign up for that anyway.

Now, before I place d the order, it said that they were guaranteed to arrive by Friday. After I placed it, however, it said that they were estimated to arrive on Friday. Maybe it’s the English major in me, but there’s a big difference between guaranteed and estimated. A guarantee means that yes, it will be there, you can count on it. An estimate falls more into the, well; you’ve got a fifty-fifty shot. That’s not too bad, right?  That made me nervous. My nerves were not calmed when 6 p.m. passed and the UPS truck failed to arrive. That truck drives down my street every night between 6 and 6:15 p.m. I checked the Amazon website and it said the package was out for delivery. What happened then? 7 p.m. passed and still, no package. I pretty much gave up at that point, figuring the driver somehow missed me. But, to my surprise, at 7:15 p.m. the UPS guy showed up on my doorstep with a package that contained the four books with my very first published story in them. Yes!

Author David Price signing first autograph. Photo by Pauline Price.

I woke up the next morning and headed out to the fair with my wife, Pauline and my daughter, Kayleigh.  Pauline probably won’t be able to come to many of these things with me, since she usually works on Saturdays, but we had a wedding to go to later that afternoon so she had the day off. After an hour or so drive, we got to the fair and Stacey Longo had a bookstand I could use to put my books on. I was so proud. It might sound silly, but every step towards my dream of a writing career is exciting, even the small ones.

The Heritage Craft fair was held at the Keefe Technical School, in Framingham.  That place is huge! I was expecting, I don’t know, a gymnasium maybe, but this was set up in a seemingly endless corridor. There was room for vendors on each side of the corridor to face each other, with a walkway for the patrons down the middle. The NEHW had its banner hung proudly at the site and I had a book for sale. How cool is that?

The day was made even more enjoyable by the other NEHW members in attendance. These included, the aforementioned Stacey, Morven Westfield, K. Allen Wood and Rob Watts. Morven is, I assume, from Framingham, since her two books, Darksome Thirst and The Old Power Returns were set in Framingham. As the day went on, this became something of a running joke. My wife works in a retail store and she clearly had more experience with customers then the authors who attended. She did her best at greeting all the people walking by and managed to draw quite a few in by telling them that we had some horror stories available that were actually set in Framingham. This was great for Morven’s sales.

It was an interesting day. We had some moderate interest at times and I managed to sell my first two books. When you sell at one of these events and the author is present, they want you to sign the book. Seems obvious, right? Well, I had the nerve-wracking experience of having to autograph my two books. My hands were shaking the whole time. It doesn’t seem like a big deal, I know, but it was to me. It was pretty cool. I also remembered that authors usually write some quick one liner that goes with the story. Since I have shadow people in my story I think I wrote something like “Watch out for the shadows!” If you were at the event and purchased one of my books, you should know those are the first two autographs I ever gave. Hold on to them, they’ll be worth something, some day.

In addition to Morven’s plethora of sales, I believe Ken Wood, who is the publisher of Shock Totem magazine had a decent day in sales as well. Rob Watts was selling his book, Huldufolk, at the fair. It means “Hidden People” in Icelandic and he was even including a free CD that went along with it from The Traffic Lights, the band that is mentioned in the story. I picked up a copy of Rob’s book and one of Stacey’s anthologies before we had to leave for the wedding. It was a fun and slightly nerve-wracking day. It was a great experience. Any fledgling authors out there could do themselves a world of good joining an organization like the New England Horror Writers, which offers a great support system filled with amazing people. It also provides plenty of opportunities to sell your stuff at events including fairs and conventions. Join the NEHW now, you won’t be sorry.

Call for Submissions

Press Release

Shoe Slung Films is producing an apocalyptic anthology and wants you to write one of the films. The anthology is titled The End: A Collective and will feature 10 short films about the end of the world by nine directors.

We will be accepting submissions of short scripts, no longer than 15 pages, to produce for the anthology. The winner of the competition will be selected by committee and announced through social media.

Submissions must be received by May 8. The cost of submitting is $20, which is non-refundable.

The winner will receive:

■$200 cash
■An on-set invitation to witness the filming in action
■And have their work produced and featured in a full length anthology Submissions and inquiries can be sent to theendsubmissions@gmail.com

Any money received that does not go towards the cash prize will be donated to the charity Jaden’s Ladder.